Afterlife – Alternate Version
These old cuts are from their B sides re-release on Spotify. “Tension” is a favourite of mine.
I sit in traffic every single morning
Just as I arrive, im slaving to the grind
Making the money so I feed my family
But I can’t raise them, cause I aint got the time
God damn, that was my life for 7 years as I commuted 90 minutes (on a good day) to work one way.
And what is the point of making money for your family when you can’t spend time with them.
By the way, the outro solo in “Afterlife” makes me want to break my guitar and never touch it again. The speed, the precision and the melody.
It reminds me of Chevelle and I like it.
There’s a revolution coming’
Fuelled by years of giving’ in
These kind of revolutions are always long overdue, but giving in for too many years is not how one should live their life. The song could be about a relationship, but society at large is no different. We give in to the demands of teachers, employers, corrupt politicians and everyone else who tries to exploit someone.
And then the fuel turns to fire.
I’ve sat in silence
burning up my tongue
Man, I have been there so many times. I wanted to say the words, I wanted to step in, but I didn’t. I am thankful I didn’t bite, but man, my tongue was on fire.
All our lives in a bubble
Losing sight of reality
We paint the lie in pretty colors
And blur the lines and what’s between
So many people I know are separating because their bubble burst and reality took over. There is only so much bull shit a relationship can take. Even in society, when the GFC happened, the bubble burst big time and its bursting again now because of COVID-19. And people need to face this shit, it’s real and it’s here.
Has got you twisting’ facts
Your fantasy intact
Tell the story how you want to
But we both know the truth
This could be about any Facebook news site or website, which is filled by the same voices, saying the same thing, in a constant echo chamber.
Eventually, people who are not sure what to believe, come across these viewpoints and stories, and start to believe that it is all true.
If there is one thing I can recommend, read critically. Read points of view that differ to your own, read points of view that you agree with and read points of view that are totally out there. Somewhere in between the lines of what you expose yourself to, there will be your truth.
Under The Graveyard
All My Life
Straight To Hell
These are my favourite tracks from the album at this point in time.
For a 70 year old artist, to deliver an album this good, it’s amazing. The people around Ozzy, like his family, the label, management and so forth, they know that Ozzy is marketable. Surround him with creativity and good musicians/producers, it can’t really go that bad, could it.
“Under The Graveyard” has a clean tone intro which could end up on any pop song, that’s how much crossover appeal the riff has. The chorus is heavy, and that “Children Of The Grave” solo section fits.
“All My Life” is similar to songs that have appeared on previous Ozzy albums. The album “Scream” has a few songs with this major key vibe. “Eat Me” came from the depths of Ozzy’s Delta Blues Sabbath past. “Straight To Hell” rocks out of the gate and “Goodbye” starts off like “Iron Man” but it sounds like a track from “Ozzmosis” which is an album I dig.
Get well Ozzy, scrap touring and keep recording and releasing.
Create a final legacy and based on current Copyright laws (which I disagree with anyway) your music and image will be with your family for another 70 plus years after death (there is an RIAA push to extend this to 90 years).
We Are Gods
One By One
Heaven Must Have Won An Angel
Under The Gun
This album surprised me at how good it is. I can’t even explain all the influences on it that I hear.
Songs feel like they come from Harem Scarem, Skid Row, White Lion, Van Halen, Ratt, Bon Jovi, Kiss, Whitesnake, DLR, Dokken, Queensryche, Europe, Scorpions, Nelson, Lynch Mob, Firehouse, Ozzy “Bark At The Moon” and “The Ultimate Sin” era, Malmsteen “Trilogy” and “Odyssey” era, Judas Priest, Poison and Motley Crue albums.
There is just so much good stuff happening, and if you really like the 80’s, then man, this album is for you.
“Dangerous Ground” kicks off with the sound of an high performance motor vehicle starting. It’s perfect for a Mad Max movie. “Come Clean” has a Chorus which remains with me long after the song is finished. “Victory” kicks off with an instantly memorable guitar lick before morphing into a heavy riff. “We Are Gods” sounds like it came from the movie “Rockstar”. “Adrenaline” has this Journey vibe, but the more rockier Journey than the ballad Journey.
I love the Swedes. The music that comes out of the country is something which resonates with me. This one is like a symphonic classical rock song, with some Vito Bratta style soloing. And we get treated to two solos, in the middle and the outro. Check em out and be blown away.
I Will Not Fall
From Scotland, their cover of a song called “Jealousy” by Frankie Miller made me a fan and I have been following them ever since. This one is more funky and I like it.
I love Trivium. The riffage from these guys gets me head banging all the time. This song just came into my life at the end of Feb so it’s in my March list as well.
This is from 2004 and it came back into my life this year. If you like Tool, then you will like Earshot. If you hate Tool because they don’t know how to edit their songs, then Earshot is the band for you, who write nice 4 minute songs with arena rock choruses chucked in but with a Tool like vibe.
I checked this band out because of the blog, 2Loud2OldMusic.
This is from 2002, a one off album before they argued over the direction of the second album and broke up. This song is a mixture of all the best things I like about Muse, hence the reason why it stuck with me.
Man Or Ash
Corrosion Of Conformity
This is from 1996.
Mike Ladano started reviewing Corrosion of Conformity albums on his blog, I commented that I got into the band because James Hetfield spoke very highly of em in various interviews and suddenly I am overdosing on this song.
The riffs on this song, a cross between Sabbath, Metallica, Soundgarden and Pantera, gets me moving, gets me frowning and gets my head banging. And once the lead break kicks in, the speed of it comes from out of nowhere before it morphs into a wah drenched bluesy break.
Plus did I mention that James Hetfield provides backing vocals and he sounds as angry as ever.
Day At The Beach
This is from 1989 and I was showing my son a song that has tap harp like harmonics. Listen to the intro of this song and get blown away.
The mighty Satriani never disappoints. 30 plus years in the business as a solo artist playing primarily, instrumental music. That’s Legend status for me.
And that’s a wrap for February 2020 releases with a few oldies but goodies chucked in.