February had three parts on the new releases.
Part 1 is here.
Part 2 is here.
Part 3 is here.
A single song release from Machine Head called “Circle The Drain” got my attention.
That intro with the chorus vocal melody, gets me pumped every single time, especially when that riff kicks in after Robb Flynn sings, “bring that hammer down”. Its bone crunching mosh pit time.
Another single release that got me interested was “Feeling Whitney” from Royal Bliss, a cover of an acoustic song from Post Malone, which he released in 2016.
The chord progression reminds me of “Dust In The Wind”.
Jorn released “Heavy Rock Radio”.
Jorn Lande is one of the best singers to have come out in the last 30 years. His style is rooted within the classic signers of Coverdale, Dio, Dickinson and Gillan.
“Heavy Rock Radio” is a project which has Jorn Lande covering classic songs which inspired him. It’s another project funded by Frontiers, who are trying their hardest to get so many recordings under the label’s control.
One of my favourite Kiss songs is “Naked City” and it gets an updated rendition here. Which I certify as 100% excellent.
“Ride Like The Wind” from Saxon and “Lonely Nights” from Bryan Adams got taken out of the early 80’s and brought into the 2020’s as modern rock songs.
And there is no cover album from Jorn without a tribute to Ronnie James Dio material, in this case, “Die Young” and “Mystery”.
“The Final Frontier” actually sounds better than Maiden’s version and Jorn delivers on the vocal front.
“New York Minute” is a Don Henley cover and the intro highlights were “18 And Life” might have come from.
“Needles and Pins” is from the 60’s by The Searchers and the band Smokie made it a rock like ballad in the 70’s which sounds like the version that Jorn took and modernized even more into a melodic rock anthem.
“Love” is from Santana’s 1979 album, “Marathon” and this version is so good.
I’ve include “Running Up That Hill”, a cover from Kate Bush, which appeared on Heavy Rock Radio Volume 1 from a few years before because Jorn has taken a really unique pop song and turned it into a beautiful rock track.
And a few albums got me interested like “Ordinary Man” from Ozzy Osbourne.
The people around Ozzy, like his family, the label, management and so forth, they know that Ozzy is marketable. If they surround him with creativity and good musicians/producers, it can’t really go that bad, could it.
“Under The Graveyard” has a clean tone intro which could end up on any pop song, that’s how much crossover appeal the riff has. The chorus is heavy, and that “Children Of The Grave” solo section fits.
“All My Life” is similar to songs that have appeared on previous Ozzy albums. The album “Scream” has a few songs with this major key vibe.
“Eat Me” came from the depths of Ozzy’s Delta Blues Sabbath past. “Straight To Hell” rocks out of the gate and “Goodbye” starts off like “Iron Man” but it sounds like a track from “Ozzmosis” which is an album I dig.
Ozzy should scrap touring and keep recording and releasing.
Another album that got me interested was
“H.E.A.T II “ by H.E.A.T. It surprised me how good it is. I can’t even explain all the influences on the album that I hear.
Songs feel like they come from Harem Scarem, Skid Row, White Lion, Van Halen, Ratt, Bon Jovi, Kiss, Whitesnake, DLR, Dokken, Queensryche, Europe, Scorpions, Nelson, Lynch Mob, Firehouse, Ozzy “Bark At The Moon” and “The Ultimate Sin” era, Malmsteen “Trilogy” and “Odyssey” era, Judas Priest, Poison and Motley Crue albums.
If you really like the 80’s, then this album is for you.
“Dangerous Ground” kicks off with the sound of an high performance motor vehicle starting. It’s perfect for a Mad Max movie. “Come Clean” has a Chorus which remains with me long after the song is finished.
“Victory” kicks off with an instantly memorable guitar lick before morphing into a heavy riff. “We Are Gods” sounds like it came from the movie “Rockstar”. “Adrenaline” has this Journey vibe, but the more rockier Journey than the ballad Journey.
But the album that reigned supreme for me in February is Aeromantic from The Night Flight Orchestra.
The whole album is excellent.
Each song has enough of an influence from a previous song to connect with me and TNFO are excellent players, so the musicianship and song writing is excellent.
If you like your classic Deep Purple, then opening track “Servants Of The Air” will serve you well, kicking off the street opera about shattered dreams, broken illusions and glimmers of hope.
“Divinyls” is full of hooks, nice synths and pulsing bass riffs.
“If Tonight Is Our Only Chance” brings the disco rock melodies, handled masterly by the TNFO guys, with a dose of rock thrown in. And the lyric line of taking that last chance is inspiring and hopeful.
“This Boy’s Last Summer” has a pop punk feel merged with a melodic hard rock. “Curves” is a funk masterpiece in the vein of Steely Dan.
ABBA is all over “Transmissions” in the Chorus and the synth is just driving the song along, which makes me think of driving. The violin solo at the end is brilliant.
“Aeromantic” has a riff which came from their first album (the song “California Morning” comes to mind) which is basically a riff inspired by their love of Kiss, Free and Sweet.
The ballad ‘Golden Swansdown’ has two brilliant guitar solos. “Taurus” sounds like “Gemini” from their previous albums as it rolls along with its addictive chorus and melody. “Carmencita Seven”, “Sister Mercurial” and “Dead Of Winter” close the album, a triple punch combo knock out.
Check out The Night Flight Orchestra.