A to Z of Making It, Influenced, Music, My Stories

Stories of Perseverance – From Quiet Riot, George Lynch, Digital Summer, Ronnie James Dio to Dream Theater and Rush.

Don’t try to be everywhere

We live in an internet era. Each day is information overload day. The more that artists try to appeal to everybody, the less people actually care.

Does anyone care that Bon Jovi released Because We Can? Jon Bon Jovi wanted to get all the 12 to 16 year olds onto his side, which in turn alienated the core. How can a band get twenty thousand people at a show and struggle to sell more than 200,000 units of their most recent album? Quality counts.

Once upon a time Bon Jovi had the quality. That is why they have longevity. Slippery When Wet is the album that Bon Jovi is still doing victory laps on. Since then it has been hit and miss. Jon Bon Jovi should stop trying to win over the young ‘uns and just focus on serving his core audience. We will spread the word if the quality is there. Don’t chase trends because what is here today will be gone tomorrow.

Don’t Depend on Record Labels

Artists don’t need a record label deal anymore. The old gatekeepers are not as powerful anymore. That is why bands like Megadeth, Metallica, Motley Crue and maybe Machine Head are going their own way. Releasing albums on their own labels. Screw playing to the old way.

Of course it’s more difficult going your own way, however that is the future. Break the rules so you don’t get left behind. Digital Summer is one of my favourite bands, and they have been doing it themselves for the last 10 years, as well as holding down normal careers as fire fighters, paramedics, accountants, teachers and so forth.

Without the artist, there is no profit from music. The major labels want radio hits so they find artists that are easy to sell and easily expendable.

Perseverance – Success happens when you contemplate giving up

Never quit. Greatness comes from frustration. Don’t be upset about failing. If you are upset about failing, it just means that you haven’t failed enough. Dream Theater almost called it a day, during the period between 1988 and 1991, when months rolled by and no suitable singer appeared.

Perseverance is a skill. It keeps you estranged from the conventions of society. You know the conventions that tell you to get a real job.

Quiet Riot during the Randy Rhoads years, used to compete with Van Halen on the L.A circuit. Van Halen got picked up and Quiet Riot struggled. Randy left to join Ozzy and the band more or less ended, however lead singer Kevin Dubrow persevered under his own surname, and resurrected the Quiet Riot band name after the death of Randy Rhoads.

George Lynch is one of my guitar influences and his story is one of rejection and perseverance. He auditioned for Ozzy’s band on two occasions, losing out to Randy Rhoads once and then to Jake E. Lee. After Randy got the Ozzy gig, Lynch got Randy’s teaching gig at Randy’s mother school. In relation to the Jake E. Lee situation, Lynch got the guitar slot and then Ozzy (aka Sharon) changed their mind. One of his earlier bands The Boyz had a showcase gig organised for Gene Simmons to attend. Van Halen opened the show and the rest is history. Gene even said to George Lynch, that with a name like his, he will never make it, unless he thinks about changing it.

Ronnie James Dio spent 18 years paying his dues before finding success with Rainbow in 1976. Will musicians starting out today, put in 18 years of service to music.

The band Rush is a perfect example in perseverance. Back in 1976, before 2112 came out, success was far from guaranteed. In 1974, Rush had released their self-titled debut, which was a standard hard-rock album in the view of Led Zeppelin, Cream and Free. Fly By Night came next and it was Rush’s first with drummer Neil Peart. It featured the Ayn Rand-influenced “Anthem” and the progressive multipart “By-Tor & the Snow Dog”.

For 1975’s Caress of Steel, Rush went even more progressive to diminishing returns. On the verge of being dropped by Mercury Records, and under pressure to deliver a radio-friendly product, Rush did what was expected. They went even further away from the mainstream, more into the world of progressive music and delivered 2112, a concept album about a futuristic society, ruled by a class of people known as the Priests of the Temples of Syrinx. This future does not allow people to create or to be stimulated. In the story the main character finds an old guitar and learns to play it. The Priests punish him and destroy the instrument. From perseverance, the album 2112 was born and it laid the groundwork for all of Rush’s future success.

Don’t Worry About What People Say

Rush blazed their own path and the rest is history. They delivered an album that satisfied their muses and the label got a band with a career. If they delivered what the label wanted, a radio friendly album, the label may have made some money, however they wouldn’t have had a band with a career on their roster. Ignore people’s advice unless you are asking for it. Breakthrough work is usually rejected at first. Success is slow. There is plenty of money to be made in the long run if you don’t make money your number one priority. Rush could have been a leader or a follower in 1976. Leading is much more difficult so that is why so many bands are following. How many bands came out and sounded like Motley Crue, Metallica, Guns N Rose, Nirvana, Pearl Jam, Dream Theater and Korn? A lot. So where are they.

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Music, My Stories

Remembering Mega

Remembering Mega

Mega isn’t his real name, but a nickname given to him for his love of the band Megadeth.

This all begins in the Australian summer of 1985, when I first heard Stay Hungry from Twisted Sister.  It was on a cassette tape and it was my cousin Mega that introduced me to it.  He also had a video tape of rock and metal music clips that he taped from the music programs that used to play on Friday night and Saturday night.

That is how we did it back then.  There was no Spotify or an iTunes store to sample songs.  We religiously used to stay up late, so that we could tape the new video clip from our favourite bands or bands of similar style.  Hell by staying up late, that is how I was introduced to Motley Crue(the Smokin In The Boys Room clip and then Home Sweet Home clip), Ratt (the Round and Round clip), Quiet Riot (Cum on Feel The Noize clip), Vah Halen (the Jump and Panama clips) and many others.  But one band stood tall over all the others for me back then.  And that was Twisted Sister.   We’re Not Gonna Take It and I Wanna Rock where doing the rounds back to back.

We’re Not Gonna Take It, No
We Ain’t Gonna Take It
We’re Not Gonna Take It Anymore

Three opening lines that summed up the youth of 1985.  The ones that didn’t want to follow what their fathers did and leave school early to work the factory floor.  This was our war cry.  Mega and I listened to this song over and over again, by watching the video clip over and over again.  We even rented Animal Farm because we saw the psychotic parent from the video clip on the cover. 

We’ve got the right to choose it and there ain’t no way we’ll lose it, this is our life, this is our song
We’ll fight the powers that be, just don’t pick our destiny cause you don’t know us, you don’t belong

Mega’s dad was one of those people that never should have been a father.  He was all about money, money and more money.  Mega came a very distant last.  He always kept on comparing Mega to other kids.  Poor Mega could never measure up to his father’s expectations.  That is why this song was special to him and he made it special to me.  Mega’s life was exactly that of the kids in the video clip; however his life didn’t end up getting back at his father, with the power of music.  He just used the music to get away from it all.

You’re so condescending, your gall is never ending, we don’t want nothin’, not a thing from you
Your life is trite and jaded, boring And confiscated, if that’s your best, your best won’t do

Those words could have come from any adolescent child in the eighties.  Mega’s room was a cultural haven.  The walls where covered in posters from Hard Rock, Glam Rock and Metal bands at that time.  He had a record collection that left me envious.  He cherished his records.  He wouldn’t lend them out to anyone and only he could touch them for fear that they will get scratched.  I remember one day, when Mega and I went to the Utopia Record Store, which at that time was in a little shop at Martin Place train station in Sydney.  Mega had the money so he picked up a few more albums and I just stared at the covers of albums that I wanted to buy.  We return back to Mega’s place and it was chaos.  His parents trashed his room, the records where all over the floor, pulled out of the covers.  The reason, his mum smelled cigarette smoke on his clothes when she was throwing them into the wash and wanted to find where the cigarettes where hidden, so they trashed his record collection.  Seriously, who hides a packet of Winnie Blues inside a record cover? 

I remember him saying to his parents, IF THAT IS YOUR BEST, YOUR BEST WONT DO.   That is how important music was to him, he even quoted the song.    Hell, he even tattooed the TS logo onto his shoulder.

We’re right/yeah, we’re Free/yeah, we’ll Fight/yeah, you’ll See/yeah

We’re Not Gonna Take It summed up how we felt at the establishments, our parents and all the rules of what we should be.  Songs like I Wanna Rock, Smokin In The Boys Room, We Rock, Cum On Feel The Noize and Shake Your Foundations summed up what we wanted to do.  

I WANNA ROCK! (ROCK)

The war cry. 

Turn it down you say
Well all I got to say to you is time and time again I say No
NO! NO, NO, NO, NO, NO!

I can’t even mention how many times Mega’s parents would walk in and turn down his stereo and then walk out.  As soon as the door shut, Mega would crank it again. 

Turn the power up
I’ve waited for so long so I could hear my favourite song so let’s go
GO! GO, GO, GO, GO, GO!

When it’s like this I feel the music shootin through me
There’s nothing else that I would rather do

Music when done right is like that.  You lay back with the album, the lyric sheet in front of you and listen to each song and read the lyrics.  It was a therapeutic feeling, without going to therapy.  This is something kids these days will never feel as their lives are always on the go and they are connected to each other 24/7.  Back then, no one was texting you or phoning you, there was no Facebook to kill time on and there was no Computer in the house that you could use.  Music, Books, Magazines and TV was all we had, with the occasional Cinema outing for a new release. 

Cum on feel the noize
Girls rock your boys
We’ll get wild, wild, wild
Wild, wild, wild

That’s all we wanted to do.  Get to the Rock N Roll show, to hear the music, to feel the noise so that we could get wild.   Mega just wanted to be a drummer.  He saved up his social security money to purchase a drum kit and then saved up again to purchase another bass drum so that he could do double kick.  His father frowned at him and they both kept on yelling at him every time he played.   His father wouldn’t let Mega borrow the car, so we used to catch the train with his drum kit and my guitar and amp to the rehearsal room.  That is full blown commitment.

We always talked about our band and the songs we would write.  We never got there.  He more or less gave up drumming due to all the stress pushed on him from his parents.  He failed at school so his father wasn’t pleased, especially since Mega’s sister was all A’s.  He went to Art School as his other talent was drawing, and that led nowhere as Australia post-recession in the early 90’s wasn’t employing young up starts.  And this was the pre Internet era.

By 1997 Mega was diagnosed with schizophrenia due to a chemical imbalance in his brain.  His parent’s won.  His parents finally had control of him.  From all the medication that was prescribed, Mega ballooned into a 140kg slob.  I abandoned Mega after 2006.  It was too painful to see him.  He hadn’t showered for weeks and he looked like Crusty the Clown from The Simpsons.  He never could remember the last time we spoke due to the medication even though it was 24 hours ago over the phone.  It got to a stage when I called and his parents wouldn’t even give him the phone.  I used to send him CD’s of the EP’s I was doing with my band, and his parents wouldn’t give the CD’s to him.

I heard he broke the fridge door because aliens where inside it.  Prior to his diagnosis, I remember I was at his place and he goes to me ‘She is there.”

“Who is there”, I answer back.  Mega’s face got all spooky and weird.

“Her.  She is there next to you, laughing”, he answers back.  I am at this stage thinking WTF.  The hairs on the back of my neck are hard as a rock.  I turn to where he is pointing and as I expected, no one is there.

“WTF, Mega.  What’s this shit?’ I fire back, both worried and angry with him.  What came next freaked me out.  He started laughing hysterically, like those weird horror movies where kids have these evil imaginary friends.  Typing this and recounting the events is just freaking me out.

Mega was such a mega influence on my life and the music I listen too.  He was my first cousin.  Mega’s mum and my mum are sisters, but they are so different.  Maybe because my dad was a muso it was easier for me, but Mega he didn’t get that.  That is why he loved coming down to our place and staying for a week or a month.  He was liberated at my place.  We would go down to the Pub, drink beers, shoot Pool and just crank the Jukebox until the morning hours.  On the other hand his home life was hell.

It wasn’t healthy anymore for me to be around him.  I didn’t want to be dragged in to all of that shit that was going on.  By 2006 I had my second child.  I didn’t want my kids growing up around an uncle that was mentally ill.  Selfish and cruel maybe, but these are the choices we make in life.  You can say I took the easy way out by abandoning him, and a lot of people condemn me for it, but those people haven’t dealt with a person that has a mental illness.  Then others, who have experienced mental illness with loved ones, tell me that they only wish they had the courage to walk away.  Instead they got sucked down with their loved one and are now suffering depression as to why they couldn’t help them.

Mega is still alive.  He will probably even outlive me.  But to me Mega died in 1997.  After that it wasn’t Mega anymore.  The jokes and the laughs went out the window, his fascination with Horror movies became greater and his paranoia was getting the better of him.  I still think he will knock on my door and say, what’s up, have you heard the new ….

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Music

Guitar World – January 1986 – Part 2 – Dave Meniketti Speaks

Dave Meniketti shoots his mouth off.

That is the title of the segment by Bob Grossweiner.  And boy doesn’t he just do that.  It’s very hard to find anyone these days that is so honest in their views of other contemporary musicians.  You see everyone wants to be loved, so in order to be loved people pretend.  Not Dave Meniketti.

Who is Dave Meniketti I hear people asking?

Basically Dave Meniketti is the lead singer/lead guitarist of Y&T.  Y&T started out as Yesterday and Today in the late seventies where they released two albums that did nothing and then changed their name to Y&T where they started getting some traction with albums like Earthshaker, Black Tiger, Meanstreak, Down For The Count, In Rock We Trust, Contagious and Ten.  My own personal favourites are Meanstreak, In Rock We Trust, Down for the Count and Contagious.

It was due to this article that got me started in seeking out the music by Y&T.

Anyway let’s get to his views;

Dave Murray and Adrian Smith (Iron Maiden): ‘I don’t like them.  Both are poor to adequate guitarists”. 

Iron Maiden is coming off the mega successful Powerslave World Tour which resulted in the also mega successful Live After Death release and you have DM offering his own true opinion on them.    That’s ballsy.

Mick Mars (Motley Crue): “Not the greatest player but a great guy. He doesn’t play very well.  He’s not inspired and he’s very sloppy.  He sounds like he picked up a guitar two years ago.”

I think the Dirt sums up Mick Mars and where he was at with his life during this period.  DM got it spot on, with Mick not being inspired.  Mick likes the blues and along his path to Blues stardom he ended up in Motley Crue.  To be honest I saw the Crue live and when Mick Mars started doing his guitar solo, I felt like walking up on stage and pulling his guitar lead out.

Chris Holmes (WASP): “I don’t like him.  It’s bullshit guitar playing.”

I totally agree with DM on this one.  Holmes was rubbish; Blackie was the brains and the talent behind that outfit.  When he got rid of him, he created The Crimson Idol.  Enough said.

Matthias Jabs and Rudolph Schenker (Scorpions), K.K Downing and Glen Tipton (Judas Priest): “Guitarists to fill holes where solos are.  I don’t find them inspiring soloists.”

I think he is a bit harsh on the Scorpions and Judas Priest duo, especially when the Scorpions where coming off the success of Love at First Sting and Judas Priest where on a roll that started with British Steel in 1980.  Nevertheless DM was asked on his views and he gave them.

George Lynch (Dokken): “He reminds me a lot of a lot of Los Angeles guitarists.  Good and technical but relying a lot on the bar.  He gets boring after a while.”

Do we get this kind of honesty in 2013?  Hell no.  We only get this kind of honesty if someone breaks up and wants to vent their laundry to the world.  DM and his band Y&T were practically had traction on the West Coast of America, and it wasn’t until 1985 that they toured the Midwest of the U.S.  1976 was when the first Y&T album came out.  In 1972 the band was formed.  13 years later, they finally started to get traction around America and not just the West Coast.  How many musicians starting off these days, will put in this kind of effort?

DM also had kind words to say about other guitarists like Yngwie Malmsteen, Carlos Cavazo (Quiet Riot), Eric Clapton, Van Halen, Gary Moore, Angus Young, Neil Schon, Jimi Hendrix, Pete Townshend, Ted Nugent, Ronnie Montrose, John Sykes, Ritchie Blackmore and Billy Gibbons.

For Neal Schon he mention how he learned a lot from Neal, how Clapton is a master and not a clone, how Hendrix was his biggest influence, how Billy Gibbons is the ultimate in R&B influence in Rock N Roll and how Jeff Beck is an innovator.

 

Finally, Meniketti was respected by other musicians and he was even asked to join Whitesnake and Ozzy Osbourne’s new solo band before Randy Rhoads came on the scene.

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