Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

The Record Vault: Dream Theater – The Silent Man (CD Single)

Do you know how hard it is to find a Dream Theater single in Australia?

And as soon as I found one, I purchased it straight away. But I haven’t found any singles since and in the 2000’s I just stopped looking for em in the record shops.

“The Silent Man” is the third EP released by Dream Theater in 1994.

The personnel for the band was Mike Portnoy – Drums, John Petrucci – Guitar, John Myung – Bass, Kevin Moore – Keyboard and James LaBrie – Vocals.

John Purdell and Duane Baron are producing the songs “Eve” and “The Silent Man”.

Eve

I actually purchased the single for the song “Eve”. At the time it was an unreleased bonus track.

It’s an instrumental, but it’s not the kind of instrumental you think with a thousand notes per minute. There is emotion and feel. Kevin Moore on the piano lays down most of the music which belongs to a soundtrack in a film.

His keys and piano riffs dominate the song and then there is Petrucci, who knows which notes to wrestle out of his fingers with his melodic leads. Especially that lead from 4.02. Press play on it.

Close you eyes and let the music take you to a peaceful time. It’s soothing, I could use it to meditate to.

Take the Time (demo)

This demo along with a few other songs, are part of “the” demo tape that got them their ATCO deal for the “Images And Words” album.

The Silent Man

It’s an acoustic song, and man can Petrucci write a complicated acoustic song with unique chord voices.

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Classic Songs to Be Discovered, Influenced, Music, My Stories

1996 – Part 3.3: Kiss – Unplugged

I wasn’t sure I needed a Kiss “Unplugged” album but after pressing play, I became a fan of it instantly. The songs they selected worked so well in an acoustic setting.

For a band that was trying to find a way to fit into the mixed up 90’s, the “Unplugged” setting was perfect for them.

Apart from Stanley, Simmons, Kulick and Singer, they are also joined by Ace Frehley and Peter Criss for a handful of songs. In Australia it went to Number 4 on the charts. Argentina and the U.S certified the album Gold.

Comin’ Home

I wasn’t a fan of the distorted version that appeared on the album “Hotter Than Hell”, but goddamn I really like this acoustic version. By far the best song on the album and my go to version for this song.

Plaster Caster

I think this is the weakest one.

Goin Blind

Acoustically, it sounds like a progressive rock song from ELP, something which seems to be lost with the studio cut.

Do You Love Me?

A good song works in any format.

Domino

This song works so good in acoustic format, as it brings out its sleazy swampy Delta blues influence.

And how good is Bruce Kulick.

Sure Know Something

One of my favourite Kiss songs. Hated by American fans and loved by the Australian disco rockers.

A World Without Heroes

A perfect song for the “Unplugged” format. Paul Stanley is an excellent rhythm guitarist and Bruce Kulick shines here with the leads.

Rock Bottom

I didn’t think this would translate well, but it did.

See You Tonight

It’s like the Beatles walked into the building.

I Still Love You

This song is a masterpiece in hard rock balladry. The acoustic arpeggio riff which makes up the Intro and Verse is haunting and it sets the tone of the song.

Stanley delivers a killer vocal but the unsung hero is still Bruce Kulick. And check out Eric Singer, as he pounds those drums like the track is electric.

Every Time I Look At You

I’m not a fan of the studio cut, but it really works here and I like the way the guitar lead break sounds. And Stanley is a crooner, he loves doing vocals like this.

2,000 Man

Some members of the family are back, in Ace Frehley and Peter Criss. And I’ve always seen this Rolling Stones track as a punk rock song.

Beth

The big hit. I prefer it as an acoustic guitar led cut, instead of a piano led cut and this version rocks, even though the song is a ballad.

Nothin’ To Lose

It sounds like a Motown cut in this format.

Rock ‘N’ Roll All Nite

It’s a campfire song and a perfect closer, sing-a-long to end the night.

The “REVENGE” band sounds great and this show along with the “Kiss III” release serves as a great testament to their abilities.

But the magazines I purchased at the time, hated it and didn’t write kindly about it. But good rock and roll was never meant to be the critics’ darling.

Here are some reviews that I agree with.

And if you want to check out the views of 2Loud2OldMusic, who gave it an easy 5.0 out of 5.0, then click here.

Or from Mr Mike Ladano who also gave it 5/5 stars, click here.

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