Category Archives: Influenced

Influenced, Music, My Stories, Unsung Heroes

When Does Good Art Stop Being Good Art?

Dee Snider asked this question on his Twitter page.

Should an artists personality or world views change your perception of his or her art?

Art is usually created by very imperfect human beings. It’s their issues that motivate them. Case in point, Bill Cosby put out some of the funniest comedy records of all time. Are they no longer funny because of his criminal acts? Funny is funny.

The question I believe was in relation to Dee’s views on Trump.

A lot of large artists are keeping quiet on this front so they don’t alienate their fan base. Their corporation is too big so they don’t risk putting their view points out there in case the dollars get less. Artists like Jovi and Metallica come to mind. Even Dave Mustaine is quiet on this front.

Which is bizarre for me as I grew up on the anti-corrupt-Government lyrics written by Megadeth and Metallica. But as they say, the pains that bother you when you have nothing to lose don’t exist when you have something to lose.

Meanwhile artists like Dee Snider, Nikki Sixx and Robb Flynn are not keeping quiet. And there supporters who also support Trump are not happy with them for expressing their views.

And when people questioned Snider and told him to keep his mouth shut, Dee fired back with;

And you support that Russian/North Korean ass kissing commie draft dodger rich boy in the White House?

And discussion centered around Ted Nugent, Michael Jackson, the Trapt lead singer, Eddie Murphy, Gary Glitter and everyone else where a person did something wrong,

And this was Dee’s answer to his original question;

FOR THE RECORD…I don’t have the answer. It’s one that plagues me. I myself have turned on art I’ve loved because I discovered something I found distasteful about the artist. But why does that make the song/painting/book/movie less great?

I will turn on the art of an artist if they did something repulsive. Then again I was never a Cosby fan nor a Lost Prophets fan nor a Gary Glitter fan.

I would never turn on an artist because for their political views.

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11th May 1992 Australian Hard Rock and Heavy Metal Charts Snapshot

I posted last week about the albums that made up the Top 20 in Australia back in 1992.

Here is the Singles List.

Number 1
Under The Bridge – Red Hot Chilli Peppers

The Hendrix “Little Wing” inspired intro from Frusciante converted a lot of rock heads to the RHCP. Their album was on top and their single was on top.

Number 2
To Be With You – Mr Big

Their worst song by far, but it cashed in on the Unplugged acoustic craze. It worked for Extreme and it worked for Mr Big. But those ballad fans who cross over for the song are fly by nighters.

Number 3
Nothing Else Matters – Metallica

The variety on the self-titled “Black” album is a big reason why it sold. There was enough there to please metal heads, rock heads, thrash heads, country heads and pop heads. And this song is a perfect example of it. Plus it has a killer James Hetfield lead break.

Number 4
Alive – Pearl Jam

I get why it was popular, but I didn’t like it when it came out and after I purchased the album, I preferred a lot of the other tracks to this.

Number 5
Let’s Get Rocked – Def Leppard

So you wanna get rocked…. I guess we still wanted to get rocked.

Number 6
Thought I’d Died And Gone To Heaven – Bryan Adams

This is from the “Waking Up The Neighbours” album that went to number 1 everywhere.

Adams has a lot of fans down under, so it’s no surprise his songs chart well. And what a run he had between 1983 and 1999. And he made some big choices, like moving from Jim Vallance to Mutt Lange and the momentum just kept getting bigger.

Number 7
November Rain – Guns N Roses

You get three emotive Slash solos.

What more could you want?

Number 8
Viva Las Vegas – ZZ Top

It’s a cover song, but at this point in time there was nothing that ZZ Top could do wrong. This is one of the two new tracks, the other being “Gun Love”. Like Adams, they were on a winning plus decade.

Number 9
Dream Alone – Killing Time

An Australian hard rock band, which had a band name, the same as the U.S hardcore band and after this single release they would change it to Mantissa.

They supported bands like Janes Addiction, Baby Animals and Pantera on National tours but they had a constant turnover of musicians which felt like a momentum killer.

Number 10
Sister’s Crazy – Candy Harlots

This band story is a combination of Anvil and Motley Crue.

They had a deal offered in 1987 but their manager refused to sign it, because he wanted a bigger cut and then signed the band to a four year management deal, which suppressed the band from signing the record deal themselves. No other label wanted to get involved in this legal mess. They finally did sign a deal in 1991.

They had a massive Club following like Motley Crue. There was tragedy when one of their main songwriters Ron Barrett died before they even got their deal. In the 90’s, Barrett’s death was reported as a drug overdose, while these days, its reported as an asthma attack. And the evolving door of musicians just kept on happening, with drummer Tony Cardinal being the only founding musician in the band when they got their deal.

And as soon as they released their “Five Wicked Ways” album in 1992, within a year it was over.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

Derivative Versions

In the Cult’s song “Peace Dog”, do the verse riffs bear a striking resemblance to “All Right Now” from Free and does the middle part bear a striking resemblance to a part in “Stairway to Heaven”?

Maybe too much red wine.

How would Yoda say it?

The red wine clouds everything.

Anyway, all of em are great songs. Enjoy em.

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The Pirate Vault #10

The Angels – Live Line

There was a period in Australian music when “The Angels” ruled. Their brand of punk rock, merged with New Wave and hard rock, connected with all kinds of audiences.

I never owned any of their music, just the video clips which I taped from the music TV stations and a few taped cassettes. I taped this cassette from one of my brothers friends who was a DJ for parties and most of the parties back then played hard rock songs.

Coming in 1987, its sandwiched between my two favourite albums, 1986’s “Howling” and 1990’s “Beyond Salvation”.

In Australia, it charted high and The Angels did a massive tour to support the live album with a three hour, An Evening With concept.

Alice Cooper – Raise Your Fist And Yell
King Diamond – Fatal Portrait

“Freedom” and “Time To Kill” are two songs which stood out for me. They had that blend of Alice Cooper 70’s Anthems and 80’s MTV Hard Rock. And what a band Alice Cooper had, with future Winger bandmates Winger and Paul Taylor on bass and keys, future House Of Lords drummer Ken Mary, and Kane Roberts on guitar.

For King Diamond, I was on an Andy LaRocque phase. This is the debut solo album for King Diamond and it has Michael Denner from Mercyful Fate as well on guitars.

Blank Title Mix Tape

This tape was done to get me out of a musical rut. My line of thinking went something like this;

  • Put all these different style of songs on a tape.
  • Listen to it and my song writing will change.

So there is some variation in the song but it’s all still rock and metal.

Side A

Boston – Amanda

This song took me by surprise and made me realise, what a good song it is.

Judas Priest – Blood Red Skies

From the “Ram It Down’ album, it’s my favourite cut.

That acoustic intro, it brings back memories of Scorpions, Accept and Crimson Glory. Halford vocally and melodically is brilliant.

Then at 1.44 it goes into this “Turbo” feel. Which is not surprising as the song was meant to be part of the Turbo double album that the label stopped.

Heart – All I Wanna Do Is Make Love To You

I had a Mutt Lange phase.

I couldn’t believe the amount of hits this dude was writing or involved in, so I was trying to listen to em as much of em as possible.

He wrote this song in the 70’s as a normal love song for Don Henley and it was recorded by a different artist called Dobie Gray. He then updated the lyrics about “an affair to conceive a baby” in the 90’s and this is Heart’s version, released in 1994.

Heart have abandoned the song, refusing to play it live as vocalist Ann Wilson hated the message in the song, but the band were under pressure by the label to do it.

Asia – Only Time Will Tell

From their 1982 debut album, written by John Wetton and Geoff Downes.

MSG – I’m Gonna Make You Mine

From “Built To Destroy”, released in 1983, written by Andy Nye, Michael Schenker, Gary Barden and Ted McKenna.

Tygers Of Pang Tang – Mirror

This is a John Sykes cut from “Spellbound” released in 1981. It closes side 1 and it’s one of those cuts that makes you press repeat.

Europe – Ninja

Released in 1986, it closes Side 1.

The same side which has “The Final Countdown”, “Rock The Night” and “Carrie”.

The lead guitar melody in the intro and in the Chorus is what hooks me.

Keel – The Right To Rock

Released in 1985 and produced by Gene Simmons.

Ron Keel did everything at ten, but it’s the AC/DC like riff in the intro that gets me to pay attention. And then I heard the first two lines of the 1st verse, “all my life I’ve been fighting for the right to make my stand”.

And I was in.

MSG – Desert Song

One of my favourite Schenker songs, with the carbon copy riff from “Love To Love”.

Keel – United Nations

Released in 1987 and produced by Michael Wagener. Ron keel did everything at ten take 2 but it’s that harmony guitar intro which hooked me in again.

And the label they were on, just didn’t know how to market the band and this album would be the last to feature both Marc Ferrari and Bryan Jay on guitars.

Side B

WASP – The Real Me

It’s a cover from The Who and WASP do an excellent job, capturing the craziness of Moon on the drums and Entwistle on the bass.

Scorpions – Don’t Stop At The Top

From 1988 and their “Savage Amusement” album.

A great intro and a brilliant first verse.

“You never take the easy way, the wind is blowing straight into your face” is covering the resilience self-help industry.

“There’s no risk that you’re not taking, not a mountain that’s too high, spread your wings, you’re gonna make it to the best time of your life” covers the perseverance self-help industry.

Why buy a 300 page book from an Harvard grad, when the Scorpions have it all for you.

And the lead breaks from Rarebell are the breaks of guitar heroes.

Black Sabbath – Children Of The Sea

From 1980 and the excellent “Heaven And Hell” album.

The many different movements from the acoustic intro to the doomy guitar riff about humanity being the lost children of the sea.

Whitesnake – Blindman

It appeared on a Whitesnake album called “Ready An’ Willing” in 1980, but it was released on David Coverdale’s solo album, called ”The White Snake” in 1977.

One of my favourite Whitesnake songs, done as a power ballad but the way power ballads were done in the 70’s.

Heart – Who Will You Run To

From “Bad Animals” released in 1985 and written by Diane Warren. It was overshadowed by the power ballad “Alone”,

Lita Ford – Falling In And Out Of Love

Released in 1988 on the “Lita” album and co-written with Nikki Sixx. The music, the vocal melodies and the guitar leads are all perfect.

And I was all in.

MSG – Follow The Night

This was the last throw of the dice for the label.

The album “Perfect Timing” was released in 1987. The production was a typical 80’s glam/hair metal production, instead of his normal UFO/British production from the previous albums. The Choruses were all big AOR attempts so the songs could chart.

But I am a Schenker fan because of his guitar playing and when he has a song that makes me pick up the guitar to learn it, I am in.

RUSH – Afterimage

From “Grace Under Pressure” released in 1984. Apart from the music capturing me, the lyrics from Peart about the death of a friend sealed the deal.

Sanctuary- Future Tense

From 1990.

A monster of a song.

It starts off doomy like Black Sabbath, before it builds into a metal tune.

And the lyrics. Check em out.

What do you see on the news when you watch T.V.
War in the name of God, or a playground killing spree

Has anything changed since 1990.

Politicians promise you the world, and a preacher cries
All he ever wanted was your money, and a bitch on the side
What went wrong? Did society twist him?

There is a saying that society does twist everyone as no one is born to hate, steal and lie. Those seeds are implanted. It’s like the saying, everyone is born to win and raised to lose.

What do you see in the centre of the public eye
Rock stars on smack, and a serial killer fries

The media reports what will get eyeballs. Feel-good stories don’t get eyeballs like the train wrecked lifestyles of the rich and famous.

Radicals blame suicide and murder on our form of art
Brainwash the youth, you know they claim we all play a part
What a shame that they can’t think for themselves

Remember that 80’s Satanic Panic and all the court cases that came out of it. Judas Priest and Ozzy got taken to court because of it.

And the band was pressured to change their musical style from metal to grunge by the label. But bassist Jim Sheppard and vocalist Warrel Dane did not agree and they would go on to form Nevermore, which they kept running for 17 years plus before they returned to Sanctuary.

And they released the excellent “The Year The Sun Died” in 2014.

And then Warrel Dane died from a heart attack in 2017, while he was recording a follow up to his first solo album, “Praises To The War Machine” which was released in 2008. This album “Shadow Work” came out in 2018 but it wasn’t done properly, as it was completed using vocals from various studio and pre-production sessions.

Keel – The Final Frontier

Released in 1986 and produced by Gene Simmons. Remember Ron Keel operates at an intensity of 10.

Magellan – Test For Wills
Angra – Fireworks

My cousin who was into Death Metal, was also in Thrash Metal, Hard Rock, Heavy Metal, Power Metal, Progressive Rock/Metal.

Basically he was into everything distorted and he had the dollars to purchase.

So he was my filter.

He recommended these two albums to me, but I don’t recall anything from em.

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A to Z of Making It, Influenced, Music, My Stories, Unsung Heroes

11th May 1992 Australian Hard Rock and Heavy Metal Charts Snapshot

Number 1
BloodSugerSexMagik
RHCP

I’m not an overall fan of RHCP albums but I am a fan of some of their songs and their resilience to keep at it, and to create a whole soundtrack of music for people.

On this album, the groove riff in “Suck My Kiss” and the Hendrix inspired intro in “Under The Bridge” got my attention.

Number 2
Adrenalize
Def Leppard

While it wasn’t as strong as the previous two albums, they still had enough goodwill with their fans.

Number 3
Ten
Pearl Jam

A slow burner, this album would be around for a few more years, on the backs of album cuts like “Black”.

Number 4
Vulgar Display Of Power
Pantera

I heard this album and totally avoided it for a very long time. I couldn’t believe that after “Cowboys For Hell”, the vocals turned into hard core screaming. But I gave it a shot, circa 2005, and although I hate Anselmo’s vocal delivery, Dimebag delivers musically.

Number 5
The End Complete
Obituary

My cousin is a Death Metal fan. I liked the cover, heard it and forgot it.

Number 6
Nevermind
Nirvana

Like it or not, there is some good riffage on this album. The psychedelic “Come As You Are” still gets me.

Number 7
Wasted In America
Love/Hate

I still haven’t heard it.

Number 8
The End Of Silence
Rollins Band

I still haven’t heard it.

Number 9
Badmotorfinger
Soundgarden

This was my first introduction to Chris Cornell and his voice. And I liked it.

Number 10
Baby Animals
Baby Animals

One of my favourite hard rock records. Suze DeMarchi and crew deliver on this debut.

Number 11
Metallica
Metallica

This album is still charting. In 2020.

Number 12
Bleach
Nirvana

No one cared for this album, until “Nevermind”. Sort of like the old Whitesnake and Metallica catalogues after “1987” and “Black” album. We all went back to listen.

Number 13
Body Count
Body Count

Ice T stirred the pot with “Cop Killer” but it’s the 70’s Classic Rock influenced “The Winner Loses” which grabs me. If you haven’t heard, you should get to it. The whole 6 minutes.

Number 14
User Your Illusion II
Guns N Roses

There was always the debate, which album is better. The first one or the second one. Based on sales in Australia, the second one.

Number 15
Hysteria
Def Leppard

Five years later, this was still selling in the land of Oz.

Number 16
Fire and Ice
Yngwie Malmsteen

Australia has a Power Metal fan base and Malmsteen at this point in time serviced it well. And you couldn’t tell the Elitist Power Metallers about any blues based players. They would change their views years later.

Number 17
Use Your Illusion 1
Guns N Roses

I like the first album better.

Number 18
Vae Solis
Scorn

I haven’t heard it nor do I know anything about the band.

Number 19
America Must Be Destroyed
GWAR

I just saw them as a fad, but they had a career that spanned over 20 plus years. And I still haven’t listened to em.

Number 20
Blind
Corrosion Of Conformity

There isn’t a stand out cut, but each cut has a groove that I can latch onto.

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Take To Create

I guess I’m back in the “New York Groove” today.

So what’s an original riff these days?

One Direction – “Midnight Memories” borrows from Def Leppard – “Pour Some Sugar On Me”.

And it borrows from Joan Jett – “I Love Rock N Roll” and it borrows from Ace Frehly – “New York Groove”.

Take a little bit from here and a little bit from there to create something a little bit different.

All good songs and part of my Sunday listening.

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The Record Vault – Pat Benatar

Although Pat Benatar was promoted as a solo artist, Benatar had a consistent set of band members, for her career. Guitarist Neil Giraldo (who would become her husband) and drummer Myron Grombacher did time with Rick Derringer’s touring band. Other band members put in decent stints as well throughout the years in original bassist Roger Capps and original rhythm guitarist Scott St Clair Sheets who were involved in writing some of the big songs.

And they all did their time in previous outfits before Benatar, honing their chops and song writing abilities.

In The Heat Of The Night

The debut album released in 1979 and you see, on this album, what A&R reps used to do once upon a time.

Which is to find songs for an artist to record. If that meant taking songs recorded previously and re-doing em, so be it. The only original songs on this album are “My Clone Sleeps Alone”, “So Sincere” and “We Live For Love”.

“Heartbreaker” has a wicked riff and a lead break. Plus one of the best voices in rock music. And it’s a cover. The song appeared originally on the 1978 album “Queen Of Fools” by Jenny Darren, who appeared in the 12th season of Britain’s Got Talent, at the age of 68, singing “Highway To Hell”. Her record label was also a publishing company and they knew they had a song to shop around, and shop it they did.

While John Cougar Mellencamp delivered a 5 minute song, Pat Benatar delivered a concise pop rock song with “I Need A Lover”, which made Mellencamp a lot of money.

Fun fact is that “I Need A Lover” was a hit in Australia first, when it came out in 1978 on John Cougar’s debut album. It was then re-included on his 1979 album with the U.S market in mind. This time the U.S fans took to it and Pat Benatar helped it along with her version.

“In The Heat Of The Night” has this bass and drum groove with palm muted pentatonic lines which got me interested. And Benatar is oozing with sexuality in the vocal delivery. This is a Smokie cover, and they also covered “If You Think You Know How To Love Me” which was a hit for Smokie in the UK, but it did nothing in the U.S, so the label assumed that if it was done by a female vocalist, it would probably cross over in the U.S. But even Benatar’s version of “If You Think You Know How To Love Me”, which was the first single of this album, proved to be unsuccessful in the U.S.

And while the album is produced by Peter Coleman, the Mike Chapman tracks are produced by Mike himself, as he didn’t want anyone else messing with his tracks and the sound of this tracks, hence the title of Dictator Mike.

And both of these Smokie songs are written by Mick Chapman and Nicky Chinn, who had a run of hit singles between the years of 1970 and 1978. And another song that these two dudes wrote for Sweet also appears on the album called “No You Don’t”.

“We Live For Love” has this Blondie New Wave vibe which Neil Giraldo wrote.

“Don’t Let It Show” reminds me of The Beatles and Benatar delivers a soulful lead, while Neil Giraldo delivers a simple and emotive lead break. The song is written by The Alan Parsons Project songwriters in Alan Parsons and Eric Woolfson.

Finally Rated X was a song on a Nick Glider solo album released on Chrysalis. Glider was a glam rocker in a Canadian band called Sweeney Todd. And another fun fact, when Nick Glider left Sweeney Todd to pursue a solo career, he was replaced by an unknown 16 year old called Bryan Adams. And yes, it’s that Bryan Adams.

And with all of this work going on to find songs and what not, it proved successful. The album sold well.

Crimes Of Passion

Released a year later in 1980 and produced by the great Keith Olsen. It also makes the appearance of Myron Grombacher on drums, who would become a mainstay and song writing partner in the Pat Benatar band. Bassist Roger Capps and rhythm guitarist Scott St. Clair Sheets are also there.

“Treat Me Right” is written by a Doug Lubahn (who played bass in The Doors, worked with Billy Squier and Ted Nugent). This song appeared on a “Riff Raff” album, which Lubahn was the bassist and vocalist and it kicks off Benatar’s album, with an arena rock Chorus.

“You Better Run” is a cover of “The Young Rascals”, a song they released in 1966. Benatar and Giraldo gave it a new life in 1980. “Never Wanna Leave You” is a Giraldo and Benatar cut with a reggae feel and a new wave type of vocal. But its sandwiched between four great tracks.

“Hit Me With Your Best Shot” is written by Eddie Schwartz, a Canadian solo artist and song writer who had some hits with Benatar, Paul Carrick and The Doobie Brothers in the 80’s plus he wrote tracks that ended up on Honeymoon Suite, Helix, Meat Loaf and Joe Cocker albums. The riff reminds me of “Since You’ve Been Gone”.

“Hell Is For Children” is a great title to get people thinking. Giraldo, Benatar and bassist Roger Capps went with the heavy theme of child abuse on this song. And it feels weird to write that it is a great song because of the theme. But it is. It’s been covered by a lot of metal and rock acts.

Billy Steinberg is on hand to write “I’m Gonna Follow You”. Steinberg is a few years away from teaming up with Tom Kelly and writing “Like A Virgin”, “True Colors”, “Alone” and “I’ll Stand By You”.

Then there is a Kate Bush cover of “Wuthering Heights”. I didn’t like the original so this one didn’t do anything for me.

“Prisoner Of Love” is written by bassist Scott St. Clair Sheets. It’s got this John Cougar Mellencamp Americana theme .

“Out-A-Touch” is a Giraldo, Benatar and Myron Grombacher cut. The first of many to come.

And like the debut, all the hard work to find songs to cover has paid off, as this album sold better than the debut. 4 million plus U.S sales and one of Benatar’s most streamed songs. Keith Olsen has the Midas touch.

Precious Time

For all of these out of touch and clueless musicians who whinge about releasing music too frequently, here is Pat Benatar releasing an album each year. This one came out in 1981, produced by Keith Olsen and Neil Giraldo.

“Promises in the Dark” is written by Neil Giraldo and Pat Benatar. It kicks off the album and when it starts to rock, how good is Giraldo on the guitar. That dude has gotten a lot of riff based songs onto the mainstream charts.

“Fire and Ice” is written by Tom Kelly (yes, the Tom Kelly that would go on and write with Bill Steinberg who also wrote a song for Benatar on the previous album and on this album called “Precious Time”), Scott St. Clair Sheets and Benatar. It’s like all of these song writers connected over a Pat Benatar album.

The drums kick it off, then the guitars and bass come in. And then then sultry vocal line from Benatar kicks in. And you’re thinking the song can’t get any better, but it does in the Chorus.

“Just Like Me” is a cover of a 60’s song by Paul Revere And The Raiders. Wikipedia tells me that the tune was written by Rick Dey and Rich Brown of the Longview-based band, The Wilde Knights. The Raiders manager Roger Hart then paid them $5,000 for the use of the song and this fee would give Roger Hart a song writing credit. But he didn’t write anything.

“Precious Time” is a Billy Steinberg composition.

The reggae influenced “It’s a Tuff Life” is written by Giraldo. And in the Chorus it moves into a New Wave Rock Chorus.

“Take It Anyway You Want It” is another cut written by Giraldo with the help of a Martin Briley who also wrote songs for Night Ranger, Michael Monroe, Michael Bolton and Jeff Healey, just to name a few. “Evil Genius” is a Giraldo, Benatar cut.

“Hard to Believe” is written by Giraldo and Myron Grombacher. And those major key chord voicings hook me in as it reminds me of songs like “I Need A Lover”.

“Helter Skelter” is written by John Lennon and Paul McCartney. I’m a fan of the song, so I enjoy the various cover versions. Motley Crue did a killer version and so did U2. And those blues boogie riffs from Lennon and Harrison, Giraldo and Sheets cover em brilliantly.

Get Nervous

Released in 1982. This one is produced by Neil Giraldo and the producer from their first album, Peter Coleman.

Rhythm guitarist Scott St. Clair Sheets left and was replaced by keyboardist Charlie Giordano who ended up playing in “The E Street Band” after the death of original organist Danny Federici in 2008. St Clair left to focus on his own musical projects. One of the projects, a glam metal band called John Scott, finally got a deal in the early 90’s and then lost it when Grunge took over.

Sheets also formed a band in 1990’s called St Clair, and their self-titled debut album had Rudy Sarzo on bass and Jimmy Crespo on guitar with Ron Corbett on vocals.

“Shadows Of The Night” sounds like it influenced a young Jon Bon Jovi or Desmond Child, because god damn, it sounds like “Edge Of A Broken Heart” was born from it. The track is written by a person called D.L. Byron who also brought a case of Copyright Infringement against Rascal Flatts and their song “No Reins” for sounding very similar to “Shadows Of The Night”

Now we start the Giraldo and Billy Steinberg cuts to close of side one.

“Anxiety (Get Nervous)” has this staccato palm muted riff from Giraldo that Jake E Lee would use in songs like “Waiting For Darkness”. “Fight It Out” moves between piano ballad and power rock with Benatar’s voice carrying it. “The Victim” is a rock tour-de-force.

“Little Too Late” is written by Alex Call, who performed it in a band called Clover between the years of 1970 and 1979, which also had members like Huey Lewis and Jeff Porcaro in the band and they did work with a certain Mutt Lange in the 70’s.

Everyone is paying their dues.

“I’ll Do It” is a Giraldo and Benatar cut with a hooky and jangly guitar riff and melody. “I Want Out” has this “Flash” Queen vibe and it’s another cut written by Giraldo and Steinberg.

And I love the little connections and stories to different artists that Benatar and Co, introduced via the songs they selected to include on the album.

I don’t have the “Live From Earth” album (which was released in 1983) but it needs to be mentioned here, because it includes a studio track called “Love Is A Battlefield” which has 62 million plus streams on Spotify.

Tropico

Released in 1984.

Another change in the band department, with original bassist Roger Capps leaving and Donnie Nossov (who played with Jon Waite) replacing him. And it’s the album which sees Neil Giraldo take the reins of song writing, co-writing 8 out of the 10 tracks.

It wasn’t as loud as the previous efforts, more Madonna”ish and Cyndi Lauper ”ish. It was full of midi samples. And probably the album I don’t go back to even though it had “We Belong”.

Seven The Hard Way

A 1985 release and in seven years, Pat Benatar released an album each year. All in the aim to get her name and music out there. Artists seem to forget this cycle nowadays.

Once upon a time, artists had an album released, year after year. The labels cannibalised their sales of older product with new product. As a by-product, the artists built up careers.

Ronnie James Dio always comes to mind. From the first Rainbow album, to Black Sabbath and to the Dio “Sacred Heart” album, Dio had released album after album, each year. And people wonder why he was playing in arenas. You need to strike while you are hot, because it disappears quickly. More so today than ever before.

According to Benatar, “Seven the Hard Way” cost the most to make and sold the least. It’s also the last Pat Benatar album to feature bassist Donnie Nossov, who along with drummer Myron Grombacher went on to play with Lita Ford on her breakthrough album, Lita (1988) and on the supporting tour. However, Grombacher would return to Benatar’s band for the follow-up album.

And it’s not an album I go back to.

Wide Away In Dreamland

Three years between albums, this one was released in 1988.

One song.

“All Fired Up”.

It was huge in Australia.

Massive.

The music sounded like it came from the Aussie Pubs and it resonated quickly with Australian audiences. And I was curious as to how this Aussie Pub sound made its way to Pat Benatar. Looking at the credits, the song is written by Kerryn Tolhurst. Back then, that meant nothing to me, because I didn’t have an easy way to research things. But fast forward many years, later, and I find out that Kerryn Tolhurst is Australian, who was in an Australian country rock band called “The Dingoes”. When that band broke up, he formed a few others, and “Rattling Sabres” is the band that recorded and released “All Fired Up” in 1987.

And it did nothing in Australia.

Zero.

A year later, with Benatar and Giraldo taking the reins on it, the song got a new lease of life.

Choice Cuts DVD

A DVD which more or less covers the huge music video career of Benatar.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

1977 – Part 3

Quiet Riot – Quiet Riot

It’s not on Spotify and never will be. Who knows who even owns the rights to these songs?

The main songwriters in Randy Rhoads and Kevin DuBrow are gone. If anything, these songs should be in the public domain. But Copyright is a lot different these days, so someone/most probably a corporation is holding the rights to these songs locked up until 2080 and that someone has done nothing to enhance culture except to profit from it.

DuBrow resurrected some of these recordings in the 90’s for an album called “The Randy Rhoads Years”. Which is also not on Spotify. And it probably never will be.

And on those recordings he took the original tracking of Rhoads guitar sound, (there was a DI take with no effects on the master tapes) and DuBrow put the DI guitar take through different pedals to update the sound. Then he re-did his vocal tracks and the drums and the bass. Purists call it sacrilege and I call it “keeping the songs alive”.

The band for the debut album, (which was released in Japan only) was DuBrow on vocals, Rhoads on guitar, Kelli Garni on bass and Drew Forsyth on drums.

Randy Rhoads still riffs away like the guitar hero he is. More in a glam pop/rock kind of way.

“It’s Not So Funny” has an aggressive minor key verse riff, with a major key Chorus. A style that RR would use in “Crazy Train”. This song also made it to the “The Randy Rhoads Years” CD many years later.

“Mama’s Little Angels” has a sleazy bluesy riff that David Coverdale would have loved to sing over. And Kevin DuBrow did just that when he re-wrote the lyrics for the song (with a little help from Bobby Rondinelli), re-sung it and called it “Last Call For Rock and Roll” on “The Randy Rhoads Years” album. And suddenly, a better version of the song was kept alive.

In “Ravers” there is a riff that RR took for “Over The Mountain”, just before he plays the “Black Sabbath” lick in the song.

“Back To The Coast” is familiar, a song solely written by Randy Rhoads and his brother Kelle Rhoads.

And I like QR because Kevin DuBrow was unique, very different to the other metal/rock singers in looks and style, but I always struggled to connect with any of DuBrow’s lyrics, except for a few tracks like “Bang Your Head”, “Run For Cover”, “The Wild And The Young” and “Don’t Want To Let You Go” which was written by Carlos Cavazo.

“Look In Any Window” is written by Randy Rhoads and it’s very Alice Cooper-“ish” which isn’t surprising as Randy Rhoads has talked about the influence of the two Alice Cooper guitarists on his playing and song writing. This one also appears on “The Randy Rhoads Years” album.

As I was listening back to the QR1 album on YouTube, I was reading the comments and people like to compare between EVH and RR.

If you compare QR1 to VH1, well there isn’t a comparison. VH1 is far superior. Even RR didn’t like QR1 and he made his Mum promise to never get it released in the U.S if something happened to him.

Sammy Hagar – Sammy Hagar

Sammy’s voice is one of the best. This album is interesting because of its variety. If you are looking for hits then this album is not for you. But if you are looking to hear an artist stretch their wings and try different things out, then you will like this album.

“Red” has this bass groove which reminds me of ELO. “Catch The Wind” is a ballad, which reminded me of R&B soul artists. And then I remembered it was a cover from “Donovan” who had a hit in 1965 with it and was known for his folk rock songs.

“Cruisin’ And Boozin’” moves between acoustic and distortion, the verses sounding progressive, while the Chorus could have come from an AC/DC album.

“Free Money” has a haunting piano riff to kick it off. It’s a cover of Patti Smith song. Musically and melodically, the song moves at the correct pace, slowly percolating until its ready to explode. And that happens from about the 2.09 minute mark. And although it’s like a rock song with a 4/4 time signature, its song structure is progressive in nature.

When I saw the title “Rock ‘N’ Roll Weekend” I sort of had a sound and groove in my head as to how it would sound. And it didn’t disappoint, with its nod to Bad Company.

“Fillmore Shuffle” comes across like a Southern Rock track, moving between its acoustic riff and harmony leads. But underpinning it all is Hagar’s voice. And it’s another cover song which Hagar has taken and given them a new Hard Rock life.

There is a horn section on “The Pits” and some of Sammy’s best social lyrics about not having enough money to survive.

“Love Has Found Me” is the heaviest track on the album (whereas I expected a ballad), and the closer “Little Star- Eclipse” brings back the progressive nature of the album which was introduced with the Patti Smith cover, especially when it moves into the “Eclipse” part of the song and that riff to kick it off.

David Coverdale – White Snake

It’s not on Spotify for his first ever solo release and a return to his blues/soul rock for the album which would become the birth of Whitesnake.

After Purple splintered, Coverdale started writing and when he got stuck with ideas, Micky Moody would come in and help him. Some of these songs and some of the songs from “Northwind” would eventually end up on Whitesnake releases.

“Blindman” is one of my favourite cuts ever. I like everything about it. It appeared a few years later on the “Ready N Willing” album.

The acoustic guitars, the vocal line, the backing singers, the lead breaks and the distortion riffs when it call kicks in and overall, the lyrics.

“White Snake” is a twelve bar blues sleaze romp. And it was two words before it became one word, about DC having a White Snake and does she want to shake it.

“Time On My Side” reminds me of a Bad Company cut and at that age, DC had time on his side, but these days, pushing almost 70, time is not with him. And it’s that sense of mortality which resonates even more. When I was young, I felt indestructible and the whole world was there for the taking. Now, I don’t feel so indestructible, and the amount of broken bones I’ve endured and had to heal from because of sports or drunken stupidity, keep reminding me that time isn’t on my side.

“Peace Lovin’ Man” captured me instantly because of its title and the soul rock vocal line from DC, hooked me in.

And it’s that soul voice from DC that makes these songs stand out.

Ted Nugent – Cat Scratch Fever

The U.S Patriot that dodged the draft. I saw that comment on a Dee Snider tweet. Actually anything I read on Mr Ted these days, is because of his controversial comments, but at least he stands for something. It doesn’t matter if you agree or disagree. Like John Mellencamp said, you need to stand for something, otherwise you would fall for everything.

I always thought Ted Nugent was the singer as well. You wouldn’t think that another person sang the songs, with Crazy Ted all other the covers.

I like the riff that kicks off “Cat Scratch Fever”. It rocks, it grooves and its heavy. “Wang Dang Sweet Poontang” has this riff that is played after each line is sang. And I like it.

“Death By Misadventure” has a boogie woogie verse riff, and so does “Live It Up”. Santana was also writing songs like these around this same period.

Lynyrd Skynyrd – Street Survivors

Credit Zakk Wylde. His love for this music translated into well-spoken interviews and he got me interested to check out these kind of influences.

The last album before the plane crash which happened a few days after the album was released. And of course, this tragedy translated to a lot of sales, which kept the record label happy. But the world lost a lot of talents in Ronnie Van Zant, and a guitar hero the world will never know in Steve Gaines along with his sister Cassie Gaines who did backing vocals.

It was Cassie who recommended her younger brother Steve to replace Ed King when he departed and it was Cassie who initially refused to board the plane because of a small fire on one of the engines on a previous flight. But she was persuaded to board by Van Zant. And she survived the plane crash only to bleed to death. 18 months later, the mother of Cassie and Steve Gaines, got killed in a car crash near the cemetery where Cassie and Steve are buried. So much tragedy.

“That Smell” written by Allen Collins and vocalist Ronnie Van Zant, about the smell of a person’s surroundings doing drugs and alcohol captured me instantly. The guitar player from the riffs to the lead breaks had me picking up the guitar to learn em. And at 6.30 plus minutes, it’s perfect.

“One More Time” just plods along and as soon as the harmony leads kicked in for the outro, it ends.

“I Know A Little” sounds like the songs that SRV would take to the top and there is this lick before the verse kicks in, that sounds like “Unskinny Bop”, which means a young CC DeVille would have been listening. And this track is solely written by Steve Gaines. It’s his guitar hero spotlight.

Well that’s a wrap for the third part of 1977, so off to 2000 we go again for part four.

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A to Z of Making It, Influenced, Music, My Stories, Unsung Heroes

Learning

Dee Snider once said “nothing lasts forever”. You are on top today and forgotten the next. The news cycle is so fast that no one even remembers what happened last week.

And I’m constantly in a state of learning. I like to read and learn new things. I like to acquire new skills. More so now than ever before.

I’ve always told everyone that Maiden made me want to learn, because of their songs. And I always got blank stares when I said that.

So I started to explain.

I read the Bible because of “Revelations” and “Number Of the Beast”.

I researched “Alexander The Great” because of the song. I read the poem of the Ancient Mariner because of them and the story of the “Phantom Of The Opera” and the mythology of the “Flight Of Icarus”.

I got an A when we studied Ancient Egypt because “Powerslave” made me interested in that era. I read up on the Battle Of Britain because of “Aces High”. I got to understand the Doomsday Clock and what it actually meant to forecast “Two Minutes To Midnight”.

“Mother Russia” got me reading up on the Tsars. “The Trooper” got me reading up on the “Crimean War” and “Where Eagles Dare” got me interested in World War II again, hence the reason why I kept getting A’s in history. Plus let’s not forget Churchill’s speech which is used to great effect in “Live After Death”. As I type this I’m hearing “we will never surrender” as the band launches into “Aces High”.

“Genghis Khan” was an unknown name back then so I had to check it out and I had to look up the meaning for “Purgatory”.

And the covers. I stared at em for long periods of time and tried to draw em myself. Another source of learning a new skill. Same deal with the logo.

That band was huge in getting me curious.

And I see that same sense of learning happening with my children today. From the TV shows and movies they’ve watched, they have built their own LEGO creations, wrote their own stories and filmed their own stop motion movies.

Be influenced and never stop learning.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

10 YEARS – “The Shift”

We go from silence to sirens
Without a space between
We are a violent virus
Without a remedy

You can’t catch your breath these days. The news cycle is getting shorter and shorter. What’s hot today is forgotten tomorrow.

Is anyone talking about Naya, or Maxwell/Epstein?

Jovi dropped a new song and no one cared.

That new album that the artist spent months writing and just released is over within a week. Or maybe not. Maybe the usual information sources don’t know how to report what is hot.

“Lyrically, it’s about the polarization of society and the human impact on the earth itself. We were thinking about how humans can be a virus to the Earth. Everything is so political. Everyone is angry at each other. We’re better when we come together.”
Guitarist Brian Vodinh

Is there a way to stop the bleeding?

Maybe we need an invasion from an alien species to get us to work together to survive like in “War Of The World’s.”

Anyone seen that new series?

A British/French production based on the “War Of The Worlds” story. But done differently. Very differently.

All that we’ve managed to make
Is just a comfortable cage
Oh god
I gotta get out
Get out
Get out of this place

Remember songs like “We Gotta Get Out Of This Place”. Everyone wanted to leave their city limits behind and move somewhere bigger and brighter.

Now we don’t want to move out of home. Kids are staying with their parents for longer and are okay to drive their parents cars. As a parent myself I ha be no issue with this. Humans thrive in tribes.

“While in the studio last fall, we were looking at the state of the world as we wrote ‘The Shift’,”. As a society, we’re so distracted that we’re not united. You can pick a side, but we’re sitting in the same realm.”
Singer Jesse Hasek

People don’t have time to care. They are pushing boulders up hills just to stay alive and to keep their standard of living. They have no time to care about anything else.

“It bothers me when people don’t try to push themselves to enjoy what life has to offer. Life is beautiful, if you really go for it and try. It can show you beauty“
Singer Jesse Hasek

It’s the whole growth mindset, 10,000 hours industry. To grow and fulfill your potential, you need to keep learning, pushing yourself out of your comfort zone, stretching yourself and failing and learning and repeating.

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