Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

The Record Vault – Autograph

It pisses me off how some hard rock albums are not on Spotify. Maybe it’s an RCA label thing, or a Steve Plunkett thing, because the 80s recorded output of Autograph isn’t on the streaming service.

Autograph were either loathed or liked. There was no in between. I liked the first album and loathed the second album. I guess I fit that description.

I didn’t get their records until well into the 90s via the usual second hand record stores and record fairs.

Sign In Please

Before I dropped the needle on this, all I knew was “Turn Up The Radio” and a few interviews with Steve Lynch in the guitar mags I purchased.

Send Her To Me

Its basically a simple keyboard driven song like Night Ranger. It rocks, it’s melodic and it’s fun.

And that outro lead.

Steve Lynch starts off with a super melodic repeating lick and then he puts the pedal to the floor and shreds.

Turn Up The Radio

Again, it’s a simple riff made gold worthy by some keyboard chords over it.

And again, Lynch and his 8 fingers hammer-on technique is the star. Maybe it was a California thing as Jeff Watson also had that technique down.

Deep End

How can you not like this song?

To me, it’s got the riff which I call the “LA riff”.

But it was finally made super popular with “Fight For Your Right (To Party)” by the Beatsie Boys.

And again, Steve Lynch steals the limelight with his lead break.

Thrill Of Love

The melodic riff in the verses could have come from Vinnie Vincent, the Chorus is a let down and the lead break again steals the show.

Friday

Yep, it’s a song about the start of the weekend. It’s got that vibe and the riff reminds me of EVH merged with Loverboy.

Did I mention the lead break is fucking good?

Yeah, it’s good.

In The Night

It reminds of Kiss “Unmasked” era and I like it.

All I’m Gonna Take

The best song on the album and it’s the closer. The melodic lead is AAA and when Steve Lynch decides to burn, he burns.

“That’s The Stuff” came next and it really wasn’t the stuff, while the second track “Take No Prisoners” is a rewrite of “Turn Up The Radio” and basically this is an album that is lacking in ideas and very hard to listen to.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

The Record Vault – AC/DC

You didn’t need to own an AC/DC album to like them or to be a fan. If you went into a pub, the jukebox played em. If you watched live bands, they would cover em. If you watched music television, they would be on it. If you went to a mates home, they would be playing em. If you went driving in a car, they would be on the stereo. In other words, AC/DC was everywhere in Australia.

AC/DC tickets would be snapped up by fans who didn’t even own an AC/DC album. So the next time you hear a label boss or a musician who had a deal pre-Napster say, “sales of recorded music = fans”, call them on their bullshit.

I’ve had mix tapes of my favorites from their Bon Scott and Brian Johnson eras on TDK cassettes.

I’ve had full albums dubbed on cassettes and VHS tapes with their video clips. All recorded from friends and relatives and TV.

Flick Of The Switch

It’s a solid album, coming out after their U.S breakthrough “Highway To Hell” album in 1979, the mega selling “Back In Black” from 1980 and it’s 1981 successor “For Those About To Rock”.

Personnel changes happened as well. Simon Wright is in the drummers’ chair but Phil Rudd played on the album, Mutt Lange was also out as Malcolm felt the band was getting over produced and their manager Peter Mensch was also out.

So when the band takes back some control, what do you get?

A live and raw version of AC/DC. There are no classic songs or hits on the album. But there is a lot of groove and swagger. The slower tempo’s make it sound HEAVY. Hell, bands like Corrosion of Conformity built careers off these kinds of grooves. But the songs don’t get played live, so the album remains largely forgotten to the masses.

Here is a review I totally agree with from BuriedOnMars.

And here is another review I agree with from Deke over at Thunder Bay.

Let There Be Rock

I know “Back In Black” is the highest seller in the catalogue, but man, this album and “High Voltage” are victory lap recordings. Look at any set list and you will see these songs on it.

Go Down

Bon Scott is singing about Ruby and Mary licking that licking stick.

Dog Eat Dog

Bon Scott always had a social and political angle in his lyrics.

Business man when you make a deal
Do you know who you can trust
Do you sign your life away
Do you write your name in dust

Dealing with people in the music industry is like signing your life away. If you make it, these business people will then make money of your songs, your image and when all the crowds move on, they leave you in the dumpster to pick up the pieces.

Dog eat dog
Read the news
Someone win
Someone lose

These days, the news is the social media feed. We are surrounded by people with the best holiday shot, the best party shot, the best beach shot, lunch shot and so on. Everyone portrays an image of being a winner. And if someone is watching a winner, it must mean they are a loser.

See the blind man on the street
Lookin’ for somethin’ free
Hear the kind man ask his friend
Hey, what’s in it for me

We are more wealthy today than ever before, but 70% of that wealth is with the top 1%. So while you get people living from pay to pay helping out and volunteering, the ones who have the means to make a difference, do nothing, create their own charity as a tax dodge and make it look like they are doing something.

Let There Be Rock

That riff that kicks it off. It’s speed rock, it’s simple and I love it.

In the beginning
Back in nineteen fifty five
Man didn’t know ’bout a rock ‘n’ roll show
And all that jive
The white man had the schmaltz
The black man had the blues
No one knew what they was gonna do
But Tchaikovsky had the news

Bon is framing a picture of a time when rock and roll was born and referencing Chuck Berry and his track “Roll Over Beethoven”.

And it came to pass
That rock ‘n’ roll was born
All across the land every rockin’ band
Was blowin’ up a storm
And the guitar man got famous
The business man got rich
And in every bar there was a superstar
With a seven year itch

Bon is capturing the essence and excitement of rock and roll when it came to the youth of the 60s.

One night in the club called the shakin’ hand
There was a 42 decibel rockin’ band
And the music was good and the music was loud
And the singer turned and he said to the crowd
Let there be rock

And there was rock alright. I remember every album I purchased in the 80s had a song title in the list that mentioned rock.

Bad Boy Boogie

On the day I was born the rain fell down
There was trouble brewin’ in my home town
It was the seventh day I was the seventh son
And it scared the hell out of every one
They said stop
I said go
They said fast
I said slow
They said yes
I said no
I do the bad boy boogie

Religion and belief in the Bible as truth is massive all over the world. Bon knew how to frame his lyrics with enough rebellion for it to connect with a generation who more or less had similar devout upbringings.

Problem Child

What I want I take
What I don’t I break
And I don’t want you
With a flick of my knife
I can change your life
There’s nothing you can do
I’m a problem child, yes I am

Scott lived for the moment.

Overdose

I overdosed on you
I overdosed on you
Crazy but it’s true
Ain’t nothin’ I can do
I overdosed on you

If a current pop artist had the above lines in a Chorus it would be a hit.

Hell Ain’t A Bad Place To Be

Spends my money
Drinks my booze
Stays out every night
But I got to thinkin’
Hey, just a minute
Somethin’ ain’t right

If Bon was a problem child, what about the women in his life, who spent his money and drank his booze.

Whole Lotta Rosie

What hasn’t been said about Rosie, about a whole lotta woman who knows how to rule the bed. But it’s the call and response of the intro riff which hooks me.

For Those About To Rock

For Those About To Rock (We Salute You)

The way the guitars start it off, man, what can I say. It’s perfect.

Stand up and be counted for what you are about to receive
We are the dealers
We’ll give you everything you need
Hail hail to the good times
Cos rock has got the right of way
We ain’t no legends ain’t no cause
We’re just livin’ for today
For those about to rock, we salute you

And that’s how Rock was, a lifestyle of living for today, going to the show and allowing the music to surround you.

I Put The Finger In You

Again, I love the intro musically. The lyrics about fingers on fire being out of control is whatever, but the music…

Evil Walks

It’s got that “Hells Bells” influenced intro. And a verse riff from the chorus of “Sweet Home Alabama”.

Ball breaker 95 Tour Booklet

I didn’t own the album. A friend of mine had it on CD and I copied it off him.

And when the tour rolled into town, it was a no brainer to go.

They kicked off with a 1-2-3 knockout combo with “Back In Black”, “Shot Down In Flames” and “Thunderstruck”.

“Girls Got Rhythm”, “Hard As A Rock”, “Shoot To Thrill” and “Boogie Man” came next.

“Hail Caeser”, “Hells Bells”, “The Jack”, “Ballbreaker”, “Rock and Roll Ain’t Noise Pollution”, “Dirty Deeds Done Dirt Cheap”, “You Shook Me All Night Long”, “Whole Lotta Rosie”, “TNT” and “Let There Be Rock” finished the set off.

For encore, they did “Highway To Hell” and finished off with “For Those About To Rock”.

Fire.

Blow Up Your Video

“Heatseeker”, the video clip was everywhere on music television, in the same way “Who Made Who” was still doing the rounds and “Sink The Pink” was also doing the rounds, along with “Hells Bells” and “You Shook Me All Night Long”.

It’s one of the main reasons why we didn’t need to own the albums. We felt like we heard enough of em. And music television in the 80’s had the ability to reach a lot of people and as a by product make a lot of money for the labels.

“That’s The Way I Wanna Rock ‘ N’ Roll” was released as a single, however “Heatseeker” was doing a decent job taking all the limelight, this little ditty got ignored.

Told boss man where to go
Turned off my brain control
That’s the way I want my rock and roll

There it is again, the call to arms of “no one can tell us what to do”. We will not be used and we will not allow the people in power to control us. But the people in power and with wealth do control us.

“Two’s Up” has a super melodic Chorus riff and a tapping guitar solo by Angus.

High Voltage

Bon Scott wrote lyrics that resonated with his audience and this album is full of great lines.

“It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll)”

Ridin’ down the highway
Goin’ to a show
Stop in all the byways
Playin’ rock ‘n’ roll
Gettin’ robbed
Gettin’ stoned
Gettin’ beat up
Broken boned
Gettin’ had
Gettin’ took
I tell you folks
It’s harder than it looks

Australia is huge. To travel east to west in a plane, it will take 5 hours. By car, a lot longer. AC/DC didn’t just conquer their region, they conquered all of Australia, by playing shows in every state and city. They even played Tasmania, which is a state everyone ignores.

It’s a long way to the top if you wanna rock ‘n’ roll
If you think it’s easy doin’ one night stands
Try playin’ in a rock roll band
It’s a long way to the top if you wanna rock ‘n’ roll

Remember it, and to add that rock and roll is a lifers game.

Hotel motel
Make you wanna cry
Lady do the hard sell
Know the reason why
Gettin’ old
Gettin’ grey
Gettin’ ripped off
Under-paid
Gettin’ sold
Second hand
That’s how it goes
Playin’ in a band

Getting ripped off and being a musician go hand in hand. There are always people looking to make a buck from the hard work of artists.

Rock ‘N’ Roll Singer

My Daddy was workin’ nine to five
When my Momma was havin’ me
By the time I was half alive
They knew what I was gonna be
But I left school and grew my hair
They didn’t understand
They wanted me to be respected as
A doctor or a lawyer man
(But I had other plans)

It’s the rebellion against authority which hooked people in. Back then, your parents didn’t hang with you. They were your enemy.

Parents always have plans for their children and I’ve seen first hand, how those plans have broken their children, mentally and emotionally. I’m a parent and all I have for my kids is support and guidance if they want it.

Gonna be a rock ‘n’ roll singer
Gonna be a rock ‘n’ roll star
Gonna be a rock ‘n’ roll singer
I’m gonna be a rock ‘n’ roll,
A rock ‘n’ roll star

Some wanted to be a rock and roll singer once upon a time and when MTV brought the rock starts into the lounge room, then everyone wanted to be one.

These days, kids are gonna be a tech billionaire, or a sell n trade broker. Imagine the lyrics with those words.

Gonna be a sell ‘n’ trade broker
Gonna be a tech billionaire
Gonna be a sell ‘n’ trade broker

It just doesn’t have the same rebellion as rock and roll. In fact, being a broker and a techie is following the status quo and confirming to what the current corporations in power want.

Well I worked real hard and bought myself
A rock ‘n’ roll guitar
I gotta be on top some day
I wanna be a star
I can see my name in lights
And I can see the queue
I got the devil in my blood
Tellin’ me what to do
(And I’m all ears)

There’s nothing else except the dream. From reading the bios of rock stars it’s a lonely journey in reality. As you ascend the ladder, people who were there at the beginning are replaced by different people with questionable motives.

Well you can stick your nine to five livin’
And your collar and your tie
You can stick your moral standards
‘Cause it’s all a dirty lie
You can stick your golden handshake
And you can stick your silly rules
And all the other shit
That you teach to kids in school

There are no moral standards in Corporations and Governments. Everyone is on the take. And kids these days are taught by people who just read from a curriculum, and are not interested to go the extra to ensure that what they are teaching is understood. And those curriculums are changed regularly to suit a certain interest group.

Did you know that the RIAA and MPAA lobbied hard to get Copyright and how breaking Copyright is stealing to be taught at primary schools?

Yep they did and not one parent even blinked an eye, as they fired up their uTorrent and kept breaking Copyright.

The Jack

But how was I to know
That she’d been dealt with before
Said she’d never had a Full House
But I should have known

She’s got the jack, she’s got the jack

This is classic Bon, using a deck of cards analogy for a sexually transmitted disease.

But how was I to know
That she’d been shuffled before
Said she’d never had a Royal Flush
But I should have known

Brilliant. Even comedic. How many did she have?

T.N.T.

Oi, oi, oi, oi, oi, oi, oi

A street alley chant is a great way to start. And when you add the simple Em to G to A riff, it’s perfect.

Cause I’m T.N.T., I’m dynamite
(T.N.T.) and I’ll win the fight
(T.N.T.) I’m a power load
(T.N.T.) watch me explode

High Voltage

Well you ask me ’bout the clothes I wear
And you ask me why I grow my hair
And you ask me why I’m in a band
I dig doin’ one night stands
And you wanna see me do my thing
All you gotta do is plug me into high
I said high

High voltage rock ‘n’ roll

There ya go folks, get into a band, fuck a lot and play live.

Family Jewels DVD

This is a great DVD package, a bonafide best off.

And my “Back In Black” LP and cassette is also missing, suffering the same fate as “Disturbing The Peace” from Alcatrazz and “Permanent Vacation” from Aerosmith.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories

The Record Vault – Alcatrazz

The Alcatrazz story is much deeper than Malmsteen’s and Vai’s brief appearances.

Like a lot of other bands in the 80’s it was a pseudo supergroup of musicians. You had a 20 year old guitar hero in Yngwie Malmsteen, a 30 year old experienced bassist in Gary Shea, a 33 year old experienced drummer in Jan Uvena, a 24 year old keyboardist in Jimmy Waldo and a 35 year old vocalist with major label experience in Graham Bonnet.

The story starts with bassist Gary Shea and keyboardist Jimmy Waldo. After their band “New England” lost their singer, they moved out to L.A to work with an unknown guitarist at the time, called Vinnie Vincent and a new band called Warrior. Vinnie Vincent also had a deal in place to co-write songs for Kiss. ‘Boyz Gonna Rock” and “I Love It Loud” actually appeared on the first Warrior demo.

On the strength of that demo and the songs that Vinnie had written, he was of course asked to join KISS.

And from the ashes of Warrior, Alcatrazz was formed. With a dodgy manager on board, who took royalties meant for the band into his own pocket, Alcatrazz was a go. Shea actually reckons Malmsteen lost a lot of money when he left due to the thievery of their manager.

Alcatrazz – No Parole from Rock N’ Roll

I dubbed this album on cassette from a former co-guitarist and eventually purchased it via a second hand record shop.

Today we would be classed as pirates for sharing but back then music was expensive and if someone had the opportunity to share music, they would.

Island In The Sun

It’s the opening track and an underrated Malmsteen classic with a E major riff full of open string palm muting, legato lines, slides and single notes.

Jet To Jet

That Bm riff which kicks the song of is a perfect example of Malmsteen referencing his Blackmore roots. Think “Burn” and “Highway Star”.

In the verses I also like how he chromatically goes down from a “B” to a “B flat” to an “A” to an open “E” and building it up again via a “F sharp”, “G” and “A”.

Hiroshima Mon Amour

Bonnet was inspired by the 1959 French film Hiroshima Mon Amour, which he had seen in school.

When you read about the fall out and the cancers still happening today, you get to understand the gravity of Hiroshima and Nagasaki and how generations of people have been affected.

The riff is heavy, switching from Bm to F#m, as it references the “Lights Out” riff from Michael Schenker in his UFO days.

Too Young To Die, Too Drunk To Live

It’s a brilliant riff by Malmsteen which again references his Blackmore influences.

Blackmore is renowned for picking a root note and then playing its octave. Then again so was Jimi Hendrix and this riff is in F#m, the same key as “Foxy Lady”. Then again so was Jimmy Page, especially in “Immigrant Song” which is also in F#m. It’s how music is written. By being influenced.

Alcatrazz – Live Sentence

I picked this up on vinyl at a record fair in the 90s. I enjoyed listening to it and hearing Malmsteen before he became the fury.

Musically, Malmsteen brings it.

There are a few Rainbow songs like “Since You’ve Been Gone”, “All Night Long” and “Lost In Hollywood” plus a cool cover of Michael Shenker’s “Desert Song”. The last two mentioned songs are not on the vinyl version.

And of course, Malmsteen is the star here, so he gets to introduce “Evil Eye”, an instrumental song which would appear on his debut album.

I also had “Disturbing The Peace” on vinyl, however the same mystery disappearance that befell “Permanent Vacation” from Aerosmith has befallen “Disturbing The Peace”.

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Classic Songs to Be Discovered, Influenced, Music, My Stories

The Album Vaults – Aerosmith

This is a new little blog series in which I showcase my album collection.

And if you are going to start with A, then Aerosmith is a perfect band to kick it off.

It started with “Walk This Way”. Their version with Run DMC was all over MTV. Then “Permanent Vacation” dropped. And I can’t find my LP. In the six house moves, I’ve lost a few boxes and unfortunately “Permanent Vacation” is a victim.
I purchased the single to “Love In The Elevator” first and really dug the B side “Young Lust”. And that clip was everywhere. The scorched earth marketing policy Geffen employed was working. I didn’t buy it straight away, but “Pump” had the distinction of being my first Aerosmith album purchase.

And “Pump” is a solid album from start to finish.
Even in that late 80’s period of mega sales, Aerosmith still had their sound rooted in the blues. It’s why they kept their existing fan base and they just added enough catchiness to grab new fans along the way.

I got “Get A Grip” as soon as I could get it and for the amount of songs on it, I was disappointed with it as an album, but it did give me “Eat The Rich” (love the verse riff), “Get A Grip” , “Livin On The Edge” and “Crying”.

At this point in time, I needed to get my hands on some of their earlier 70’s releases. But I started with “Aerosmith’s Greatest Hits” as it was an obvious choice to peruse their back catalogue.

“Draw The Line” was next with the mighty “Kings And Queens”. On the “Greatest Hits” collection the song was edited down to 3.48 from its original 4.55 running time. But hearing it in it’s full glory is excellent. I swear Dave Meniketti built his career on this song.

“Toys In The Attic” came next, followed by the excellent “Rocks” and the unbelievable riffy “Nobody’s Fault”.

“Get Your Wings” and “Night In The Ruts” proved disappointing however back in the present, I was surprised at “Nine Lives” and the risk they took to bring exotic melodies into their music, like “Taste Of India”, which is an excellent song.

“Just Push Play” proved disappointing and another greatest hits package called “Oh Yeah” rounded out my Aerosmith purchases.
Through streaming I’ve heard the other albums that I don’t have, but don’t feel a real need to go out and get em as I’m quite happy having access to em.

Here is the playlist.

Happy to hear about other people’s favorites.

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Copyright, Influenced, Music, My Stories, Stupidity

The Hard Reality When You Rely On Others To Build Your Dream

You are in a band and yet get signed. The record label isn’t really known for promoting heavy metal music, but hey, a recording contract is a recording contract and without it, you cannot move forward in your quest for global stardom.

Other bands who play a similar style have already released their albums and are starting to make headway. Meanwhile, the label keeps you in the studio, writing and recording demos before they give the green light for an album to be made.

Those “competing” bands are now onto album number 2 and 3 and your label is watching those other bands with interest, while telling you to write more songs that sound like this band and that band.

They are grooming you to be the labels competition to a band who is selling and making coin on the live circuit.

Then when you are ready to launch your assault, the label is sold to another label and you are dropped from their roster because you are unproven.

What do you do?

Do you pack up, head home and get a job or do you stick to it and restart again?

Not all members have the same drive and hard work ethic to try again, so they leave, replaced by other members with ambition that hasn’t been crushed by a record label.

“We were on MCA (record label) for three records and they were grooming us to be their version of the metal thing in the scene (like Metallica) and we got to a certain point where they’re ready to launch us on the world and then they got bought out by a bigger corporation and all the bands that they had never heard of before they just got rid of. We were one of those bands.

They were grooming us to be something big, [and] then we just got dumped for no reason at the last minute. That was kind of a big, emotional hit for us, I think. It knocked us back down to earth and we had to decide whether we were doing this for the love of music or if we were doing this for the wrong reasons.”

Flotsam and Jetson frontman Eric A. Knutson

And even when you released albums with a major label, it doesn’t mean that you got paid millions.

“After certain amount of time on a major label like Elektra, you find out how the business works, which in our particular case it was not working in our favour, you learn the definition of the word recoup.

And then you realize there is no way you can make any money unless you break big like Metallica but until then you are operating in Debt and you will never break out. Everybody gets paid first and the band gets paid last. I have the publishing which are not much money but no other royalties.

We are still in debt on the first few albums. Not only that but it’s tough to find out how much debt or profit after all these years. They send statements that you can’t read unless you are a lawyer, so I just wrote it off.

Your in debt for tour support, your in debt for videos, your in debt for everything and those are the reasons why I really like the new music business, there is more good about the new music business than there is bad. It’s more direct artists to fans and us old guys can still have a career.”

Metal Church guitarist Kurdt Vanderhoof

In a game that has Corporations acting as gatekeepers, the decks are stacked against the artist unless for some reason a band connects on so many levels that they have the power to demand a better deal.

And when gatekeepers control everything, they also control the legislation which gets passed, filling the pockets of politicians to protect their business models with basically perpetual copyright terms and what not.

But artists are fighting back. Bryan Adams is pushing for Copyright reform in Canada.

He wants a better copyright arrangement that benefits the artists. He argues against longer copyright terms, as they only benefit and make money for the record labels and the collection agencies and not the artists.

Adams wants a shorter reversion term so after a period of time, the artist should have their copyrights returned to them. Adams also states that long copyright terms have no benefit to the creators.

As I’ve said many times on this blog, basically, no one decides to start creating because copyright terms are not long enough. They create because they need to create.

And Adams lays it out that it’s the record labels and publishing houses who lobby hard for longer copyright terms, not the artists.

He even mentioned how Government committees set up to assist artists have a committee made up of record label and publishing people and no artists.

Van Morrison said that when his third album “Moondance” was released, he was paid $100 a week to survive and he earned no money from the album, because the people he trusted signed away his rights for the first three albums to Warner Bros, pocketed the money and Van Morrison got a weekly wage in the process.

And to top it off, for Morrison to get a higher wage, he had to join a Union for session players. So imagine that, Van Morrison had to be a session singer on his own fucking album. He got paid as a session singer instead of an artist. And in order to get paid he had to submit a shitload of forms and then wait for payment.

But he learned from it, has more control and is 40 albums deep into his career.

And you know what he said, when the interviewer asked what drives him to create.

He replied back with “It’s what I do.”

He didn’t mention it’s because copyright terms last 70 years after his death.

It’s because there is a need inside him to create and that is what drives him. Having an audience or the chance of an potential audience who cares, motivates him. Not copyright.

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Copyright, Derivative Works, Music, My Stories

The Right To Use A Song

Artists have fans from all sides of the political debate, from all sides of religion and from all different races.

It’s okay to take money from fans for concert tickets, recorded product and merchandise who support a political party you don’t support or fans who believe in a religion you don’t believe in.

But when a political figure plays music at a rally or releases their own Spotify playlist for sharing, artists decide its time to take a moral stance, asking said politician to stop playing their music at rallies or to remove their song from their Spotify playlist.

It happens in Australia and it happens in other countries as well.

If the artist creates art for public consumption, why do they get upset if people use it publicly, especially when all of the Copyright licenses are satisfied.

I’m not a Trump supporter or the Australian version of Trump, Clive Palmer. But both of em have used “We’re Not Gonna Take It” from Twisted Sister as part of their campaigns. Trump at rallies and Palmer in an ad, with the lyrics “Australia’s not gonna cop it” to music from “We’re Not Gonna Take It” in a different key.

There is no chance in hell that fans of Dee Snider or Twisted Sister would think that they endorse Palmer. It never occurred to me at all.

Dee and Jay Jay might not like it, but Copyright was never meant to be about censoring other people especially if the normal licenses are paid.

And the main issue which no one addresses is how Copyright has developed into a right to censor people and prosecute people.

And of course, in typical Palmer fashion he slammed Dee Snider, saying that he owns the Copyright to the words he wrote, and that Dee is trying to generate publicity to sell tickets to his Aussie shows.

I guess Palmer has no idea how Dee follows things through or who is messing with, because if anyone is not going to take it, it’s Dee.

And one last thought, who is going to ensure that the artists words are not misused after they are departed as Copyright does extend 70 years after death (with the MPAA and RIAA pushing for 90 years after death)?

Based on current trends, no one will, because as long as a fee is paid to the heirs, their lawyers and the Corporation who holds the rights, it will be allowed.

In the end Copyright was always meant to give an artist an incentive to create, not to censor, regardless if they agree or disagree with the people using their material.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

2018 – III – The Year We Have Known Is Gone

Here is the final wrap of 2018. Have a safe break and see ya all in the new year.

Click on the playlist here.

I Am The One
We Got Tonite
Outloud

What can I say, I’m a sucker for melodic rock.

You Can’t Take Me Down
Playing With Fire
Dream Child

Craig Goldy’s little project is doing okay. People are interested, let’s see what comes next.

Lover, Leaver
Greta Van Fleet

They finally dropped an album and its selling, their previous EP is selling and people are listening. The only way is up. It’s up to them.

Self-Inflicted Wounds
Joe Bonamassa

From his “Redemption” album. On each album, there is always a track or two that connects with me.

Oblivion
Stratovarius

Can’t say I’m a fan of the band, but this song is good.

The whole Unheavenly Creatures album.
Coheed and Cambria

Read my review of it here.

Royal Beggars
Hereafter
A Wasted Hymn
Architects

Sometimes the vocal screaming gets to me, but in these three songs it’s a good mix of emotions and musically there is a lot to unpack.

The whole Firesign album.
Dynazty

Check out my review here.

The One You Loved Is Gone
Slash, Myles Kennedy And The Conspirators

Read my review here.

Are You Ready
The Best Ones Lie
Disturbed

These two are the best on the album and ignore the rest.

All The Time In The World
Whitesnake

From the surprise “Unzipped” album.

As I Fall
Afterlife
After Midnight
Andy James

Great instrumental guitar playing.

Hold The Line
Bonfire

From their “Legends” album covering a classic song that I used to cover in bands.

Swallow
I Am Fuel
Panoptical
Sons Of War
The End Will Begin Again
Thieves and Legend
Days Of Jupiter

Every era has a band that sounds similar to a famous band and then end up overtaking the band that influenced them in songwriting and risk taking.

In this case Days Of Jupiter runs rings around Disturbed but Disturbed is the one with the popularity.

Threatening War
Far Below
White Mist
Shed A Light
The Pineapple Thief

From their “Dissolution” album which is their twelfth album. Yep, you read that correct. Album number twelve and I’m hearing about the band for the first time.

It’s the way of our world know and it takes time to rise above the static noise. Just be patient and remember, music is a lifers game.

I’m A Ratt
Stephen Pearcy

From his “View To A Thrill” album. This song sounds like the ratt and roll that Robin Crosby used to bring to RATT.

First Time
Aftermath
Freedom
Long Shot
Royal Tusk

I was taken by surprise by “Tusk II”. It’s more rockier, even metal at certain times and the lyrics are more angrier.

Just Tell Me Something (featuring Danny Worsnop)
All That Remains

From their “Victims Of The New World” album. It’s the first song that stood out to me and demanded I press repeat.

What will happen to the band remains to be seen.

The Messenger
Circles

From “The Last One” album.

They are from Australia and ead this review of the album, as I totally agree with it and feel no need to further elaborate. http://www.heavyblogisheavy.com/2018/08/29/circles-the-last-one/

Life On Titan
Vault Of Heaven
Voices From The Fuselage

Ashe from TesseracT is back with his pre-TesseracT band.

Mayday
Digital Summer

A fully independent band who control their own destiny. They have been releasing singles from a forthcoming album in between jobs as paramedics and raising kids.

The Clincher – Version 103
Chevelle

From their “12 Bloody Spies: B Sides and Rarities” album. The vocal feel hooks me in.

Without You I’m Nothing
Rockin With The Boys
Bronx Boy
Mission To Mars
Ace Frehley

From his “Spaceman” album. Read Deke’s review over at Thunder Bay.

And that’s it. 2018 is a wrap. See ya next year.

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