All of this were close to being in the Top 10 list.
Architects – For Those That Wish To Exist
I’ve heard the name but never really listened.
And they started to come into my life circa 2018 with the “Holy Hell” album, which I liked some songs on, but when “For Those That Wish To Exist” came out in 2021, I was liking a lot more songs.
I was even half way through a review, before I got side tracked with other posts and never went back to finish.
It’s album number 9 which goes to show that artists will never know which album makes a person a fan. They just need to be in the game, a lifer, producing music.
If charts still matter these days, then this album did great business around the world, hitting the number 1 position in Australia and the UK, while achieving Top 10 positions in Austria, Germany, Scotland, Sweden, Switzerland and the Billboard Hard Rock Charts.
While the band was known as a metalcore act when they started out, this album is not. It’s a stadium rock album with elements of all different kinds of metal thrown in and orchestral electronics.
Lord – Undercovers
An Aussie Metal band.
How can you knock back a covers album that has metal re-imaginings of songs like “To the Moon and Back” from Savage Garden, “Message In A Bottle” from The Police, “Playing to Win” from Little River Band/John Farnham. “(I Just) Died in Your Arms” from Cutting Crew, “The Sun Always Shines on TV” from A-ha, “On a Night Like This” from Kylie Minogue, “Break the Ice” from John Farnham, “Send Me an Angel” from Real Life and “Touch the Fire” from Icehouse.
And to top it off there are sizzling metal and rock covers of “Hard to Love” from Harem Scarem, “Reckless” from Judas Priest, “Wild Child” from W.A.S.P and “Runaway” from Bon Jovi.
Plus faithful renditions of “Judas be my Guide” from Iron Maiden, “Of Sins and Shadows” from Symphony X, “Shattered” by Pantera, “Someone’s Crying” and “I Want Out” from Helloween, “Creeping Death” by Metallica, “Silent Jealousy” from X Japan and “The Whisper” from Queensryche.
You can read my review here.
Chevelle – Niratias
Otherwise known as “Nothing Is Real And This Is A Simulation” and it’s one of their best albums in the last 10 years, a concept album that deals with interstellar travel, mistrust in leadership, loss and looking back at the past.
It’s more accessible then some of their previous works, with bigger Chorus’s.
Plus there is some great artwork from Boris Vallejo.
Iron Maiden – Senjetsu
It’s great to have Iron Maiden in our lives. The album is a bit bloated but then again, Maiden from the 2000’s onwards have done things their own way and catered to their own creative muses. Which I respect and still purchase.
You can read my review here.
The End Machine – Phase II
The End Machine is listed as a supergroup consisting of guitar player George Lynch, bass player Jeff Pilson, drummer Mick Brown and singer Robert Mason.
Frontiers basically wanted a Dokken sounding album and with 75% of the band being from Dokken plus a singer who worked with Lynch in Lynch Mob, the possibilities of a Dokken sounding album were high.
The self-titled debut came out in 2019 and in 2021, “Phase 2” came out. The difference here was that Mick Brown vacated his drumming gig due to his retirement and his younger brother, Steve Brown took the spot.
I also had a review partially written on this however other posts took my interest and I never went back to it.
But it did have comments like, “’this song reminds me of <insert Dokken song here>.
For example, “Dark Divide” is “The Hunter”. “Blood And Money” reminds me of “Tooth And Nail”. “Crack The Sky” has this “Stop Fighting Love” meets “It’s Not Love” vibe.
And to tell you the truth, I wouldn’t have it any other way, because while Dokken is on hiatus for new music, The End Machine definitely fills the void and Mason’s pipes are in fine form, while Mr Don is struggling a bit.
So if you like classic Dokken, then do yourself a favour and press play on this.