In 1980, Di Meola released the double album “Spendido Hotel”. Keeping with the Miami Vice covers theme.
And then the subsequent tour was captured live and released at the start of 1982 as “Tour De Force – Live”.
Towards the end of 1982, “Electric Rendezvous” was released.
The band for the album is Al Di Meola on electric and acoustic guitars, Anthony Jackson on bass guitar, Jan Hammer on keyboards, Steve Gadd on drums and Mingo Lewis on percussion.
God Bird Change
Percussionist god Mingo Lewis is still writing a track per album. This is his contribution.
The bass and drum groove throughout the song is a favorite as there is so much energy.
And of course there is a percussion interlude.
The title track at almost 8 minutes long.
The Intro is essential listening, with a clean tone guitar playing fast arpeggios while a nice relaxing guitar melody plays over it.
From 1.12 it changes. More Jazz fusion and alot of chromatics over time signatures changes.
From 2.11, a bass riff begins which the distorted guitars then copy. This creates a foundation for Di Meola to solo over, but it’s brief as they groove on the riff.
At the 4 minute mark, a metal sounding riff is played which allows Di Meola and Hammer to solo one after each other.
Passion, Grace & Fire
Paco de Lucia appears and the title of this song would be used to promote the run of acoustic shows that Di Meola, de Lucia and John MacLaughlin would do.
So there’s a lot of acoustic playing, fast fingers and lush arpeggios.
Written by Jan Hammer it’s got a keyboard hook that is addictive and catchy.
It rocks and perfect for doing exactly what the title says.
Black Cat Shuffle
Written by Philippe Saisse, who also plays keyboards on this, it’s a blues groove with Di Meola’s Lydian and Mixolydian soloing.
The last 60 seconds has some great hard rock soloing from Di Meola.
Ritmo de la Noche
Lounge Waltz music with a Flamenco flavor.
Then some fast shred and make to the Waltz music.
A short 90 second instrumental. Arpeggios and an exotic guitar melody as it’s centerpiece.
Jewel Inside a Dream
A riff that reminds me of ELP and their song “From The Beginning” dominates the song.
And you have Hammer and Di Meola trading licks on the keyboard and guitar.
I’m the end it’s a different album from its predecessors but still worthy.