4 Years Ago (2017)
I always like to highlight some of the bullshit that Copyright spews up. For a law that’s meant to protect the artist, it’s a instantly abused so that Corporations benefit. And pretty soon, expect to see laws change that benefit investment funds.
I wrote about how the RIAA/MPAA are large perpetrators of fake news in the world. When billions of dollars are involved, these industries employ some of the most creative writers in the business to basically creating fictional works of fakery. Does anyone remember these ones.
- Home Taping Is Killing Music And It’s Illegal
- Copy a CD and get a criminal record
- Piracy: It’s a crime
- Piracy kills artists.
And I wrote about artists who made up by sharing their files with fans as unsigned artists and how some bands couldn’t include a song on an album because they couldn’t track down the original writer because of bad record keeping by the same organizations who claim to protect the artists.
Artists were also taking their labels to court for digital payments as Spotify was making inroads in the US market and these artists on deals pre tech were still getting paid on that old sale royalty deal.
The Spotify Release Radar was that good that I need to write about the artists and songs that appeared like “Midnight Flyer” by The Night Flight Orchestra.
My favourite Swedish supergroup of metal heads was back, playing the classic rock music I love. This time around, it’s about a galactic space opera, where the human race is pitted against female space commanders with pearl necklaces. It’s a brilliant James Bind script.
“Sinking Ship” by Harem Scarem and that funky groovy foot stomping Intro riff was on the list.
How good is Pete Lesperance on guitar?
Along with Harry Hess they have navigated 30 plus years of Harem Scarem, plus their solo work and side projects.
Other tracks that appeared are “Snakes In Paradise” by Crazy Lixx, “Never Was A Forever” by Honeymoon Suite, “Light Me Up” by Doom Unit, “Straight To The Top” by Creye, “Underneath” by Blacktop Mojo and “Big Sky Country” by KXM.
8 Years Ago (2013)
I was still on a Bon Jovi and White Lion deep dive into their catalogue. Here is a post of “We Got It Going On”. It’s the best song on the “Lost Highway” album.
I did a week 2 update on Bon Jovi’s “What About Now” album as it slipped from Number 1 to Number 7. In week one they had 101K unit sales to 29K units in week 2.
At the time, Mumford and Sons who after 26 weeks on the chart, was still moving 27,000 units of their album “Babel” and in total, “Babel” had sold 2,122,000 copies.
7 years later, the “What About Now” album still doesn’t have any certification.
Where does a band fit who where promoted as pretty hair boys in tight leathers but played a brand of hard rock that was technical and who also wrote about serious themes.
Thats the predicament White Lion found themselves in. “El Salvador” appeared on “Fight To Survive”, the anti war ballad “When The Children Cry” appeared on “Pride” and on Big Game, the band was singing about apartheid in “Cry For Freedom”, religion in “If My Mind Is Evil”, Greenpeace and the Rainbow Warrior in “Little Fighter” and violence in the family “Broken Home”.
Here is my review of the “Big Game” album.
And here was Part 2 of a Guitar World interview with Vito Bratta discussing the album.
4 thoughts on “The Week In Destroyer Of Harmony History – March 22 to March 28”
White Lion had a good run albeit a short major label run but give them credit they put out some decent material.
That they did. Jay Jay French once said in an interview that bands have a shelf life of about 10 years in the spotlight. this was based on his observations of 60s and 70s bands. WL and TS didn’t even get 10 at the time.
Do you reckon if WL reformed with the main 4 dudes in the early 2000s they would have had a renaissance?
I’m sure they would have been weekend warriors flying in and playing dates on the classic rock circuit. 4 original guys In WL would have done better than the 12 different versions of RATT and LA Guns that were fumbling around back then.