Classic Songs to Be Discovered, Derivative Works, Influenced, Music, Unsung Heroes

The Pirate Vault #4

The Pirate Vault keeps on rolling.

Iron Maiden – Killers and The Jimi Hendrix Story

From memory, the “Jimi Hendrix Story” was a double CD of Hendrix cuts that my mate MoeFartin (nickname of course) had, so I picked my favourites at that point in time.

“Killers” is basically a dub from the album, so I can have it transportable on my Walkman as I felt I hadn’t given it enough attention compared to the other albums.

And I had “Live From Death”, “Somewhere In Time” and “No Prayer For The Dying” on cassette. Plus “Live After Death” touched all of their albums up to that point except “Killers”.

Smashing Pumpkins – Mellon Collie And The Infinite Sadness

I’m a bit torn on this album. I always thought it should be one album, like “Siamese Dream” which I have on CD. The main songs I listened to are the ones I had to learn for the band I was in, like “Bullet With Butterfly Wings” and “1979” and “Zero”.

And how iconic is the lyric, “the world is a vampire”.

Eric Johnson – Ah Via Musicom and Metallica Mix

“Cliffs Of Dover”.

Just listen to it, and that arpeggio lead riff in the key of D major. Learning the song, the licks, proved to be a beautiful experience and Eric Johnson, opened my eyes to a different side of guitar playing which sounded accessible.

And for the Metallica Mix, well, at that point in time, I really enjoyed listening to these songs and I’ll always state that “Ride The Lightning” trumps “Master Of Puppets”. So it’s no surprise that on this mix I have four songs from the “Justice” album and two songs from the “Ride” album.

Rock Junkies

It’s a weird mix for sure.

 Done in the 90’s.

I remember I was at Mega’s place and he is a collector of all things musical and I had a tape which had music on it, but I said screw it, I am going to overdub it for some off this stuff (hence the made up cover and not the original cover sleeve that comes with a blank cassette).

So he had some Police records and I copied the two big songs from those. He also had a Dokken 12 inch single, which had “Back For The Attack” and “Paris Is Burning” as the B-sides, so I copied that.

He also had U2 – Achtung Baby and I copied my three favourite songs from that.

Moving onto Side 2, I had the film clip of Great White’s “Rock Me” and “Stars” from Hear N Aid, so I copied those songs. Then Body Count and “Cop Killer” song came next, some Billy Idol and his “Rebel Yell” and I finish it off with Dee Snider’s “Calling On You” from Widowmaker which actually took the spot of another Body Count song called “The Winner Loses”.

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I Am Giant – City Limits

I am listening to the 2010 EP called City Limits – Neon Sunrise from I Am Giant. Man, what an enjoyable listen.

The song City Limits has this bass intro that reminds me of the song “Comedown” from Bush and the drum beat makes me think of “When The Levee Breaks” from Led Zeppelin. If you want an introduction into the band, then this is the song to start with.

“Are we living?
Or merely killing time?

BOOM. Then the distorted guitars crash, mimicking the bass riff. It is the hit that wasn’t.

The vocal melodies are very strong in this song. I am three years late to the party. Isn’t that the modern paradigm. I can’t believe that this song has been out for over 3 years and it has gone relatively un-noticed.

Their VEVO account shows the song has 88,279 views and it is also their most streamed song on Spotify with 48,022 streams. Compared to other artists, the record labels would say that the song is a dud. It is a great song, with a great message and it will rise to the top.

“And the city limits,
Keep on getting bigger,
Just when you thought you had made it out

And you’re sick of waiting,
Lying on the pavement,
Tryna’ get out of this old town”

It’s that whole “Born To Run” and “Don’t Stop Believin'” message. It’s a breath of fresh air, combining art rock, with prog rock, with alternative and many other genres.

As good as the vocals are, and the overall flow of the song, it’s the whole Chorus package that pushes it over the top.

The EP has four songs and all of them are solid. “Neon Sunrise”, “Let Go” and “Living The Crash” show that “City Limits” wasn’t a fluke. Vocalist Ed Martin is the reason why the band has a lot of positives.

Isn’t it funny that in 2013, we hear the music without knowing who the people are behind it. The bands origins go back to 1997 and they begin with a New Zealand band called Blindspott.

After 10 years and a lot of home-grown success, Blindspott called it a day, and that is how I Am Giant was formed. There is the controversy of the Blindspott band name (who owns it), new version of Blindspott Facebook page takedowns (from current I Am Giant drummer, Shelton Woolright who was also the original Blindspott drummer) and legal letters from Shelton to the current incarnation of Blindspott, which forced the band to change their name to Blacklist.

So I Googled “I Am Giant” and I see that they released an album in 2011 called “The Horrifying Truth.” They are about to drop their new album “Science and Survival” soon, I want to hear it, so I go to Spotify.

I hear the lead single from the new album “Razor Wire Reality” first. The music is pedestrian and the vocals do their best to lift the song to a higher plane. Compared to their piece de resistance, “City Limits” it’s no match.

Then there is an “EP” released in 2012 with a “Wow” acoustic version of “Duality” from Slipknot. It’s a ballsy move.

“Purple Hearts” overall reminds me of Cog, however the whole intro and verse riff has the feel of “Cherub Rock” from Smashing Pumpkins. It’s another winner. To me Cog are Australian legends. Cog didn’t have the worldwide commercial success however they are held in very high regard.

The next song that makes a connection is “And We’ll Defy”.

“I close my eyes forever”

It’s such a simple lyric, however when it is repeated over and over again with an agonised melody and a changing background of music, it is very effective.

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