A to Z of Making It, Classic Songs to Be Discovered, Influenced, Music, My Stories, Unsung Heroes

The Record Vault: Dream Theater – Tokyo, Japan 10/28/95

All at once in 2004, Dream Theater dropped three bootlegs under the sub headings of DEMO, COVER and LIVE.

The DEMO release was reviewed here, and it covered the “When Dream And Day Unite” period between 1987 and 1989.

The COVER release is their play through from start to finish of the “Master Of Puppets” album and will be reviewed next.

This review is on the LIVE release and as I’m writing this review it has not been re-released as part of the Inside Out re-releases/new releases.

So all we have at the moment is the Ytse Jam Records release.

The full 2 hours and 20 minutes, recorded live on the run of shows used to promote the “A Change Of Seasons” EP.

This is from October 28th, 1995 at NHL Hall, Tokyo, Japan.

The band is John Petrucci on guitars, Mike Portnoy on drums, John Myung on bass, James LaBrie on vocals and Derek Sherinian on keys.

Intro

There is a tape intro that goes for about 1 minute. It’s got a clock ticking and the sad piano lines from “Space Dye Vest” are played.

Then there is a voice over, some backwards sound effects and the octave notes from “Under A Glass Moon” kick in.

Under A Glass Moon

I like the surrealist title.

The verse riff on this song with the keys playing Chords over it. Perfection.

Stick around for the solo as it’s one of Petrucci’s best.

The Mirror

It’s a heavy song with Petrucci deploying the 7-string. Its intricate arrangements and dynamic shifts are interesting.

Lie

It goes together with “The Mirror” as some musical sections appear in both songs. This was a single from the “Awake” album, however it didn’t have the same success as “Pull Me Under” from the album previously.

The mix of heavy riffs and melodic moments, highlights their versatility.

Petrucci as usual delivers a few killer solo sections.

Lifting Shadows Off A Dream

It starts off like a slow jazz blues fusion jam before it goes into the well recognized bass intro.

It feels like a cross between U2, ballad like Marillion and 80s synth Rush.

Instrumental Medley

You get to hear “The Rover” from Led Zeppelin, “Killers” from Iron Maiden, “Damage Inc.” from Metallica, “In The Flesh” from Pink Floyd and “Heart Of The Sunrise” from Yes.

Press play to hear the way they fuse all these different songs into one cohesive track.

Innocence Faded

It’s in a major key. While it rocks it does have pop sensibilities.

But it’s the outro that you should listen to.

Because if you worship at the altar of guitar gods then the outro is for you. Even James LaBrie screams “John Petrucci” when it starts.

If you can’t find this track, then any other official live version or even the studio cut will suffice.

A Change Of Seasons

You get the full 23 minutes.

The way this piece is written is that each part can be played separately in the set list amongst other songs or it can be played as one song, like it is here.

And like all multi-part epics, it serves as the grand centerpiece of the show, displaying their songwriting prowess and technical skills in a live setting.

Lost Without You

“Lost Without You” was officially released in 2005 on John Petrucci’s solo album “Suspended Animation”.

But here it is, live in 1995.

Its an intimate and introspective moment within the setlist, very blues/jazz fusion like and I’m all in.

Petrucci nails it and the emotion drips from the strings.

Surrounded

The “Images And Words” album is all killer.

And this song is largely out of the conversation, however the band does a stellar job playing tracks from the back catalogue in the live setting.

After the piano intro and verses, the song picks up. Listen to how Petrucci decorates.

Derek Sherinian Keyboard Solo

I’m not a huge fan of solos in concert like this, but this one actually rocked and kept me interested.

It was a mixture of ragtime, blues, classical and cinematic/video game like music.

Erotomania

Mike Portnoy takes over the middle of the song with a drum solo.

But at least they go back into the song and to one of my favorite instrumental sections.

Voices

This is another song that seems like it’s out of the conversation when it comes to Dream Theater songs.

But it’s a classic

The Chorus is arena rock.

And that solo is what guitar heroes are made of.

The Silent Man

It’s a great acoustic song.

And they bring the 70s Classic Rock vibes (which is known as Country Rock these days) to it live.

Pull Me Under

Closing the main set with their most recognizable hit, leaves the audience energized.

The 1st Encore begins with a cover.

Perfect Strangers (Deep Purple cover):

The Deep Purple cover sounds like it came from the minds of Dream Theater.

You can hear the fun in the music and they definitely jam it out.

The 2nd Encore begins with the last two tracks of the “Images And Words” album. And for a 1995 set list it’s perfect.

Wait For Sleep (Acoustic version)

An acoustic version of “Wait For Sleep” is excellent.

Learning To Live

The grand finale. The whole song is a masterpiece.

And then that outro section. Wow.

In summary, its raw as a bootleg should be.

The setlist is diverse and it showcases their instrumental virtuosity and ability to navigate complex musical compositions.

There are mistakes and pitch issues but hey, if I wanted the studio recordings I would play them.

The inclusion of covers and acoustic moments also adds depth to the overall concert experience.

Crank it.

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A to Z of Making It, Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

The Record Vault: When Dream And Day Unite Demos 1987-1989

It was released in 2004 on Ytse Jam Records, the official bootleg label of the band created by Mike Portnoy and John Petrucci, but Portnoy was the main driver.

Yep, the thing that bands are doing right now, Dream Theater has been doing it since 2003. Marillion, one of Portnoy’s favorite bands have been doing it even earlier via their fan club.

This was also released as part of their Inside Out record deal via the “Lost Not Forgotten Archives” on 12 May, 2023.

The CD contains pre-production demos as well as instrumental versions of the songs and songs that did not make it on to the album, or were recorded around the same time. Also included are six tracks the band recorded as a Christmas gift for their friends.

The band started this recording process as Majesty. By the end of it they would be Dream Theater.

They started it with Chris Collins as the vocalist. Then a whole year would pass before Charlie Dominici would join Mike Portnoy, John Petrucci, Johnny Myung and Kevin Moore. This is the band that recorded the debut album.

Afterlife – Instrumental Demo

It’s my favorite track from the debut album and it was the first new track they wrote upon returning home from Berklee in the Summer of 1986.

It’s straight ahead speed technical Metal and the instrumental demo highlights it.

And Johnny Myung is one hell of a bassist.

The harmony solo between the keys and guitar is still here, however the solo before is different to the recorded version.

The song was performed live with vocalist Chris Collins however it had different lyrics and melodies.

The Killing Hand – Instrumental Demo

It’s weird how my two favorite songs on the debut are the first two songs written.

You can say this song is the start of the Dream Theater epics.

That section after the solo still hooks me.

The Ones Who Help to Set the Sun – Instrumental Demo

The working title of this song was “Death Of Spock”.

It’s the most progressive of the tracks so far and the Arabic Metal feel is very prominent in the demo.

The Rush influence is also prominent when you hear the song instrumentally.

Ytse Jam – Instrumental Demo

Well the song was written to be an instrumental so instrumental demo doesn’t make sense.

Regardless, it’s a fan favorite and that Intro gets peoples attention immediately.

Cry for Freedom – Instrumental Demo

I needed to rehear it to remember it. A leftover from their Berklee jams.

Standard riffing that seems lost without a vocal melody.

But I do like the Sunset Strip riff from about 2.40 and then the change in feel at 3.00. The drums play a simple groove, the synth takes the lead and it sounds like “Stranger Things” took it for their intro. Or maybe the band was heavily influenced by the “Signals” album from Rush.

It’s also been preformed live with Chris Collins.

Resurrection of Ernie – Instrumental Demo

It’s like a John Carpenter soundtrack piece and I like it.

The music here has never been used or rewritten for another song, so it’s a true rarity.

Drum Solo – Instrumental Demo

I hate drum solos in concert and I hate them on albums. If they add some music to it and have the drums doing intricate things then I’m all in.

Portnoy created it for a contest that Modern Drummer magazine was running. The prize, “Neal Peart’s Tama Drum Set”.

Portnoy submitted it under the title “Peartnoy’s Complaint”.

He didn’t win.

A Fortune in Lies – Instrumental Demo

It is the opening track on the album. I still get hooked on the verse riff and how the keys decorate it.

And in the demo here, there’s no Chorus

Only A Matter of Time – Instrumental Demo

It’s missing the excellent synth lead which defines it.

A Fortune in Lies – Early Charlie Demo

Charlie Dominici is a great vocalist.

But at 36 years of age when he joined the band, he was always on borrowed time with the Dream Theater guys.

Mike Portnoy said it was like having Billy Joel singing in Queensrÿche. In this case it was more Steve Perry singing in Dream Theater.

A good singer in the wrong band, they would amicably part ways after this album.

Afterlife – Early Charlie Demo

My favorite track with a killer chorus. But you had to wait for it.

The Ones Who Help to Set the Sun – Early Charlie Demo

You hear a lot of Marillion in the demo and I like it.

These “Early Charlie” Demos are the ones that got the band signed. A friend of Portnoy’s had an ex-band mate who left Combat Records to start Mechanic Records and on June 23 of 1988, Majesty signed their deal.

Once signed, Terry Date was selected as Producer, who at the time had a reputation for making albums sound great on a low budget.

Portnoy’s 4 track came out and away they went with the Pre-Production demos.

  • A Fortune in Lies
  • Afterlife
  • Ytse Jam
  • Only A Matter of Time
  • The Ones Who Help to Set the Sun
  • The Killing Hand
  • Light Fuse and Get Away

All of the pre-production demos are more polished than the instrumental demos.

The solos are still a work in progress however most of the elements are there.

“Light Fuse And Get Away” was newly written during this phase.

“Status Seeker” was written just before they entered the studio and never demoed.

The entire album was recorded and mixed in 3 weeks.

Shortly before the release, the guys were informed of another unsigned band who held the registered trademark for the name Majesty. So they had to change their name.

And Dream Theater was born.

The album dropped on March 6, 1989 to little promotion and fanfare. The label reneged on their promise to fund a video and provide touring support.

It was dead on arrival as the guys retreated back to their basement rehearsal studio and their day jobs at delis, Chinese food places and music stores.

To Live Forever – Xmas Demo

The song was written after the guys watched “Rattle and Hum” from U2.

It’s stuff like this which I like from Dream Theater. They would take all kind of influences and still make it sound like Dream Theater.

On here, you can really here the pop vocals in Dominici.

Mission Impossible – Xmas Demo

A little jam with Portnoy losing his shit at the end of the song at Petrucci who was wailing away.

Golden Slumbers/Carry that Weight/The End – Xmas Demo

A Beatles medley.

O Holy Night – Xmas Demo

It’s not a Xmas demo with a Xmas song.

A Vision ’89 – Xmas Demo

I like Dominici’s vocals as well. Then again I’m a fan of this song, so I enjoy all versions of it.

This one is very Queensryche like.

And there you have it.

If you want to hear Dream Theater as a technical speed Metal band with various influences of other styles then this is the album.

Crank it.

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