Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

1980

A lot of my favourite albums from the past are always having some kind of anniversary each year. Since we are in 2015, I am feeling nostalgic, so I am going back to 1980.

Now let me be clear, all of these 1980 albums didn’t end up in my collection until the mid to late Eighties. Finances always proved a problem when it came to deciding what music to purchase.

Coming into 1980, Whitesnake was working a lot. The band was putting out an album a year and touring consistently. Then the Martin Birch produced “Ready an’ Willing” dropped, launching the song “Fool For Your Loving”, a piece written by Bernie Marsden, Micky Moody and David Coverdale. That song brought about a new interest into the band.

To me, “Ready an’ Willing” is the album that started Whitesnake’s rise. It holds a special place in my life as it was the first album I purchased from Whitesnake’s back catalogue after the 1987 album exploded. And I was impressed. While the “1987” album is a classic, I really loved the raw sound on this one and the working bands attitude. You can hear it in the notes.

While the album has songs that deal with relationships, my two favourites are “Blindman” (which is a derivative version of the Coverdale/Blackmore penned “Soldier Of Fortune”) and the very Led Zeppelin sounding, “Aint Gonna Cry No More”. Those songs also nail it lyrically for me. Talk about completely forgotten, no one under forty would know these songs.

“Chasing rainbows that have no end, The road is long without a friend….” from BLINDMAN

“Memories of broken dreams, As distant as the sun, Are drifting like an echo in the wind….” from AIN’T GONNA CRY NO MORE

In that same year, the Ronnie James Dio fronted Black Sabbath released their version of “Heaven and Hell”. As with all things record label related, this project was always meant to be a new band.

The first song written by Iommi and Dio for the new band was “Children of the Sea”. Geezer Butler was so set against continuing without Ozzy, so Iommi had Geoff Nicholls on hand to play bass on those initial sessions. It was actually Nicholls that came up with the “Heaven and Hell” bass line.

On board to produce “Heaven And Hell” was Martin Birch. That’s right, the same Martin Birch in charge of Whitesnake’s “Ready an’ Willing’ album.

“The world is full of kings and queens, who blind your eyes and steal your dreams…..” from HEAVEN AND HELL

I purchased this album very late. It was actually after “Lock Up The Wolves” from Dio came out in 1990.

At that time, I had the cash and my plan was to get stuck into Dio’s past works starting with Rainbow. However, I also came across the Black Sabbath releases in the second hard record store and purchased all five albums, the three Rainbow albums and the two Sabbath albums.

I was blown away. I couldn’t believe I was that late on hearing this unbelievable music.

Who can forget “British Steel” from Judas Priest?

I purchased it on cassette, which I still have today. It was right after “Painkiller” came out. I knewe of “Breaking The Law” and Livin After Midnight” but man, there are so many other good cuts on this album, I was again blown away.

Produced by Tom Allom, it started a winning campaign for Judas Priest that still sustains them to this day. After “British Steel” came “Screaming for Vengeance” and “Defenders of the Faith”. They are still doing victory laps on the backs of these three albums.

“British Steel” came out at a time when “The New Wave of British Heavy Metal” was starting to gain momentum. Even though Judas Priest was around way before, “British Steel” set up a certain sound for the many bands that would follow.

It was also an album recorded with a tour already booked to promote it. So when the band went into the studio with a handful of ideas, it was up to Glenn, KK and Rob to sit around and bang out the songs. From that pressure, great songs was the outcome.

In relation the tour, it featured a young band by the name of “Iron Maiden”.

“There I was completely wasted, out of work and down…..” from BREAKING THE LAW

“Living after midnight, rockin’ to the dawn…..” from LIVING AFTER MIDNIGHT

“I’ve had enough of being programmed, And told what I ought to do…..” from YOU DON’T HAVE TO BE OLD TO BE WISE

Which brings me to Iron Maiden’s self-titled debut, an album I purchased after “No Prayer For The Dying” came out.

It was recorded in 13 days, aided by the fact that all of the songs had been well-rehearsed live staples. They fired two other producers before settling on the disinterested Will Malone, who basically gave the band free-reign to do whatever they wanted.

I first heard “Running Free”, “Iron Maiden” and “Phantom Of The Opera” on 1985’s “Live After Death” album with Bruce Dickinson singing, so when I first heard the debut I was taken aback by Paul DiAnno’s vocals. I hated them, as I was so used to Bruce Dickinson. But man, like everything, the harsher street style of DiAnno grew on me. And what about that wah riff to kick off “Prowler”.

It was also the album that gave people a glimpse into Iron Maiden and the artwork of Derek Riggs.

“Unchain the colours before my eyes, Yesterday’s sorrows, tomorrow’s white lies…..” from REMEMBER TOMORROW

Just sixteen, a pickup truck, out of money, out of luck, I’ve got nowhere to call my own, hit the gas, and here I go…..” from RUNNING FREE

“You’ve been living so long in hiding in hiding behind that false mask…..” from PHANTOM OF THE OPERA

So what do you get when you finish the music for an album in six days and the entire album in eight?

Van Halen’s “Women and Children First” is the answer.

I actually heard “1984” first, then “5150” and “Eat Em And Smile”. So it was only natural that I went deeper into Van Halen’s back catalogue after that. There are a lot of stories about the making of the album, the photo shoot, which can be found here.

“Well, they say it’s kinda fright’nin’ how this younger generation swings…..” from AND THE CRADLE WILL ROCK

“Don’t want no class reunion, this circus just left town, Why behave in public if you’re livin’ on a playground?…” from FOOLS

“I’m takin’ whiskey to the party tonight, and I’m lookin’ for somebody to squeeze….” from ROMEO’S DELIGHT

The album holds a special place for me because of its jam orientated vibe. It’s basically saying to me, this is Van Halen and this is who we are in 1980. As a guitarist learning to shred in 1987, any piece of Van Halen music was seen as a must learn, however I never really sat down to learn anything from “Women And Children First”. I always said, I will learn “And The Cradle Will Rock”, but never did. That is why it is special in a silly way.

It’s actually funny, but the songs that I do play from Van Halen are from the debut album, the “1984” album, the “5150” album and the “Balance” album. Those are the albums I actually sat down and learned. I suppose, subconsciously, that I preferred the more pop orientated structures than the wild jam orientated structures.

What does a band do after releasing two massive science fiction progressive albums in “2112” and “Hemispheres”?

In Rush’s case, and Metallica’s a decade later, they both scaled back the arrangements and veered to shorter track lengths and more personal lyrical topics.  Longtime Rush producer Terry Brown was on hand again to assist. The songs from “Permanent Waves” are all over “Exit Stage Left” which was the only Rush album I had in the Eighties.  “The Spirit Of Radio”, “Freewill” and “Jacobs Ladder” all appear on the live album.

And when I purchased the album, “Natural Science” became a must song to add to my bible of guitar songs to learn.

This album also hold a special place in my life, because it was the first album I purchased based on a Dream Theater interview I read in the Nineties where they talk about their influences and it cemented my love for Rush. After this album, I was all in. It was only a matter of time before I purchased all of their other albums. If I had purchased something like “Hold Your Fire” first, then the love for Rush would have been very different.

So many great lyrics from Peart on this one as well.

“One likes to believe in the freedom of music, but glittering prizes and endless compromises, shatter the illusion of integrity….” from THE SPIRIT OF RADIO

There are those who think that, they’ve been dealt a losing hand, the cards were stacked against them, they weren’t born in Lotus-Land…..” from FREEWILL

You can choose a ready guide, in some celestial voice, if you choose not to decide, you still have made a choice…..” from FREEWILL

I will choose a path that’s clear, I will choose free will…..” from FREEWILL

‘Freewill’ continues that sprightly pace, navigating a bouncy chorus hook and a theme about mankind’s lack of moral evasion.

 “We’re linked to one another, by such slender threads, we are planets to each other, drifting in our orbits….” from ENTRE NOUS

“Different eyes see different things, Different hearts beat on different strings…..” from DIFFERENT STRINGS

“Time after time we lose sight of the way, our causes can’t see their effects…..” from i. Tide Pools – NATURAL SCIENCE

“Computerized clinic for superior cynics, who dance to a synthetic band, in their own image their world is fashioned, no wonder they don’t understand…..” from ii. HyperSpace – NATURAL SCIENCE

“Science, like nature, must also be tamed, with a view towards its preservation…..” from iii. Permanent Waves – NATURAL SCIENCE

“The most endangered species – the honest man , will still survive annihilation, forming a world, a state of integrity, sensitive, open, and strong…..” from iii. Permanent Waves – NATURAL SCIENCE

“Wave after wave will flow with the tide, and bury the world as it does, Tide after tide will flow and recede, Leaving life to go on as it was…..” from iii. Permanent Waves – NATURAL SCIENCE

“Blizzard Of Ozz” is what happens when a technically gifted guitarist teams up with a well-travelled and experienced bassist to form a band around a washed up and intoxicated singer. It sounds like a plot line for a movie.

In order to go back to 1980, I need to go forward to 1988.

The “Tribute” album came first for me. The tablature book was my bible. So many nights spent practicing all of the licks and riffs in that book. Eventually in the early Nineties, I got around to purchasing “Blizzard Of Ozz”.  So many iconic songs on the album and the legend of Randy Rhoads will never be forgotten. Credit Bob Daisley, the unsung hero and creative lyricist.

The special part for me on hearing the “Blizzard Of Ozz” album is understanding the work that Randy Rhoads did to blend/merge so many different layers of guitars from the studio album into ONE DEFINITIVE GUITAR TRACK for performing live.

Brilliant.

I was left speechless.

It was an album that you needed to get to hear all the songs. These were not songs that could be purchased as singles and these songs were not promoted heavily on radio. We knew them only if we purchased the albums.

From the start to the end, the album is an experience.

And how good are the lyrics from Bob Daisley. So many brilliant lines.

“Everyone goes through changes, Looking to find the truth, Don’t look at me for answers, Don’t ask me, I don’t know…..” from I DON’T KNOW

“How am I supposed to know, Hidden meanings that will never show, Fools and prophets from the past, Life’s a stage and we’re all in the cast…..” from I DON’T KNOW

“Crazy, But that’s how it goes, Millions of people, Living as foes…..” from CRAZY TRAIN

“Maybe, It’s not too late, To learn how to love, And forget how to hate…..” from CRAZY TRAIN

“I’ve listened to preachers, I’ve listened to fools, I’ve watched all the dropouts, Who make their own rules…..” from CRAZY TRAIN

“One person conditioned, To rule and control, The media sells it, And you live the role…..” from CRAZY TRAIN

“I’ve been the king, I’ve been the clown, No broken wings can hold me down, I’m free again…..” from GOODBYE TO ROMANCE

“And the weather’s looking fine, And I think the sun will shine again, And I feel I’ve cleared my mind, All the past is left behind again…..” from GOODBYE TO ROMANCE

“Take a bottle, drown your sorrows, Then it floods away tomorrows…..” from SUICIDE SOLUTION

“Heaven is for heroes, And hell is full of fools, Stupidity, no will to live, They’re breaking God’s own rules…..” from REVELATION MOTHER EARTH

I remember playing pool at the local pub and the jukebox cranking ACCA DACCA’s “Back In Black” constantly. That is how I heard the album from start to finish, by waiting for the older crowd with more disposable incomes to get the jukebox cranking. And people wondered why we started to cherry pick songs from iTunes. We have been doing it since the jukebox.

The Eagles “Hotel California” and Deep Purple’s “Machine Head” are two other albums that I heard via the jukebox.

It was the antidote to New Wave and whatever else was popular at the time. Even in 2015, it still sells over 150,000 units a year.

“If you’re into evil you’re a friend of mine….” from HELLS BELLS

“I got nine lives, Cat’s eyes, Abusin’ every one of them and running wild…..” from BACK IN BLACK

“She was a fast machine, She kept her motor clean, She was the best damn woman that I ever seen…..” from YOU SHOOK ME ALL NIGHT LONG

“Hey there, all you middlemen, Throw away your fancy clothes, Way out there, sittin’ on a fence, So get off your ass and come down here…..” from ROCK AND ROLL AIN’T NOISE POLLUTION

“We’re just talkin’ about the future, Forget about the past, It’ll always be with us, it’s never gonna die…..” from ROCK AND ROLL AIN’T NOISE POLLUTION

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Music

White Lion – Mane Attraction

Vito Bratta – White Lion – Mane Attraction Review

Back Story

After the success of Pride and Big Game, Bratta and Tramp took time out to demo songs for Mane Attraction. All up the writing and recording process took two years. To me this is the most mature White Lion album. Mane Attraction was more thought out compared to Big Game, which was an album that was recorded and released in a very quick fashion as the label wanted to cash in on the band.

1991 – The Year of Change

1991 was a funny year. It has been written that all the labels and radio stations jumped on the grunge explosion and totally ignored the rock audiences during this time. That may be true; however other factors also played a part in the fall of hard rock, glam rock, glam metal, etc. The Metal Evolution series and its episodes on glam more cover this area in depth. Even Mike Tramp summed it up in an interview during one of his solo tours.

“Grunge didn’t kill commercial metal. Rather, commercial metal committed harakiri by copying itself so much that there was nothing original left. The eighties killed the eighties. In the end, every band cloned each other and copied each other so many times and there was no originality left at the end of the eighties and people just wanted an alternative. “

It happens with every scene. It starts off as a niche scene, one artist breaks out to the masses and then the labels are all chasing similar artists so that they can cash in. The market then becomes over saturated. Seriously how many bands started with the term White. Whitesnake was the original and then you had the rest. White Lion, White Tiger, White Cross, White Heart, White Diamond, White Eagle, White Russian, White Sister, White Trash, White Vision, White Widow and Whitefoxx.

The Competition

Mane Attraction was released in April 1991 as well as Temple Of The Dog’s tribute album to the Mother Love Bone singer Andrew Wood who died of a heroin overdose. In March Mr Big released Lean into It with the number 1 hit To Be with You. Skid Row released Slave To The Grind in June and Lollapalooza is launched in July. Metallica releases the Black Album and Pearl Jam releases Ten in August. Guns N Roses Use Your Illusion I and II and Nirvana’s Nevermind are released in September.

You can see that the album was already up against some stiff competition in the rock circles with Skid Row, Metallica (the biggest selling album of the SoundScan era), Mr Big and the GNR circus releasing big career defining albums and the rise of the Alternative Seattle Scene.

The Album

I remember borrowing the CD from a school mate as I was short on cash. Back in those days, people in my area where not sharing their music as the people that purchased the music felt cheated as to why they forked out $30 for a CD (yes that is how much we paid for CD’s in Australia) and the copier would fork out $3 for a blank cassette and dub it.

Regardless after much persuasion and promises that my mate could copy my Motley Crue collection, he coughed up the CD and I took it home. I remember putting it on my Sony CD Player, plugging in the headphones and just laying back.

Stand Outs

Lights and Thunder – It kicked things off. This was written as a fuck you to the label that was pushing the band to write hit songs. Coming in at 8 minutes long it’s far from a charting song. The album is produced by Richie Zito who is a guitarist himself, and in my view is the reason why Lights and Thunder sounds so heavy.

Let me take you to a place
Where everybody knows your face
There¹s no King and there¹s no Queen
And everything is like a dream
You can live in harmony
With those who were your enemy
You can do just what you want to
No one here will ever hurt you

No one bothered telling the above to all war mongers that kicked off the Gulf War and the Balkan War.

War Song – Again this is the band writing for the band and not listening to their label about writing ‘hit songs’. This song has many different styles into one 6 minute plus song.

What are we fighting for?
When the price we pay is endless war
What are we fighting for?
When all we need is peace

As Axl Rose sang in Civil War, “I don’t need your Civil War; it feeds the rich while it buries the poor”.

It’s Over – It blasts out all sleazy and bluesy from the speakers with its 12/8 feel. Fans of Ready N Willing and Saints n Sinners era Whitesnake would be happy with this song. To me it shows Bratta at his blues pop best if there can be such a term.

Blue Monday – gives Vito a chance to show off his Jeff Beck/Eric Clapton/Gary Moore blues muscles by paying tribute to Stevie Ray Vaughan who died in a helicopter crash while the writing process was happening.

Clichéd Songs with Great Bratta Moments

Broken Heart – Maybe they saw how Whitesnake got traction by reinventing Here I Go Again, Fool For Your Loving and Crying In The Rain, maybe they thought the same thing would happen with this song. Maybe the record company thought the band handed in a weak record and wanted a single for it. Either way, the song is catchy, I just wish that Mike Tramp re did the lyrics.

Leave Me Alone – One thing that captures you is the Rocket Queen meets ZZ Top meets Van Halen groove. The whole intro goes for 1min and 10 seconds. The label would have been pulling their hair out with that whole minute intro. It’s a shame that Tramp had to ruin the song with crap lyrics and crap melodies. Like many White Lion songs the lead breaks from Vito are songs within a song, and this is no different. The 7#9 chords also work well.

In a Guitar World issue for September 1989 after Big Game came out, Vito was giving a lesson and had the following to say;

‘In my early years as a guitarist, another thing I found helpful was making up a chord book. I wrote down every chord, from triads to thirteenth chords. Then I sat down and worked out every possible fingering and inversion. It took me a year and a half to do – there must have been about six to seven thousand handwritten chords. Then I played through each one of them and removed the chords that sounded like shit. It would have been easier to buy a Mel Bay Chord Book or something similar, but I didn’t believe in that because I was really learning a lot in the process.’

Originality is summed up there. He could have just purchased a Mel Bay book, and learnt from that, but he did it his own way and that is how an artist can find their true voice. Books could give you the guide or the tools; however you need to take what is out there and apply it in your own unique way. I especially like the part where he played through each chord and crossed out the ones he didn’t like, keeping the ones he liked until those chords became a part of his style.

Love Don’t Come Easy – The song is a good progression from Wait. The chord inversions sum up Vito’s style. He starts off with a D5 power chord, then that moves to the 2nd inversion which is D5/F#, then D5/G and finishing it off with an Asus4 chord. In the second verse he plays an arpeggiated part.

And did anyone pick up the Journey – Don’t Stop Believin’ vibe in the intro where Schon does pull offs, Vito does tapping with hammer – ons and pull offs. That idea would have to have come from Zito as he was working with Bad English and Neal Schon in 1989.

‘Do you want it, do you need it, because love don’t come easy’.

You’re All I Need – This is Love Don’t Come Easy part 2 as the chords are identical except in a ballad format. It could have been left off the album in my view and then that magical classical trill a thon lead break appears from Vito.

She’s Got Everything – The song itself is pretty weak, until the Peter Gunn blues boogie kicks in to close the song, and then it goes into an Air on G String style guitar solo unaccompanied.

Till Death Do Us Part – the Phil Collins I Wish It Would Rain Down for pop metal. They did a good job with it. This is the full blown wedding waltz song.

Out with the Boys – ‘Out with the boys, to make some noise’. The song is average, again killer Bratta lead break. I like the bass and drum groove after the lead break.

Farewell To You – closes the album and the lyrics tell me that Vito and Mike knew that Mane Attraction was going to be their last album together.

Vito Bratta is easily the most overlooked songwriter/guitarist of the 80’s. Brad Tolinski in a Guitar World issue from September 1989, described Vito as a guitar player who understands music in a classic, rather than classical sense after commenting on his leads in Wait and Don’t Give Up.

Since White Lion called it a day, Vito has stayed away from the music business and as a fan of his style, I wish that he will be back to create music the way he likes it.

 

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