Music, My Stories

The Pirate Vault #2

Richie Sambora – Stranger In This Town

When this came out, a mate purchased the cassette and I dubbed it off him. At that point in time, I had taped a few interviews from Sambora and the music video for “Ballad Of Youth” on VHS tapes.

I purchased the CD many years later.

And it’s a great snapshot of an artist trying to find himself as a solo artist, unsure of what the future holds.

Ratt – Invasion Of Your Privacy / Iron Maiden – The Number Of The Beast

I couldn’t be bothered to write the full album title, so I called it “666”.

“Live After Death” was my first exposure to Maiden, and eventually I would get the back catalogue, first as copies from a copy and eventually the real albums.

For Ratt, they became a video clip band for a long time, and if someone had an album that they wanted to share, then I would dub it.

But in this case, the Ratt fan I had in my local, was a culture locker up. He didn’t want to share.

Lucky for me, my cousin Mega, always had excess funds that he used on metal and rock music purchases. But unfortunate for Mega, the excess funds didn’t come from his hard work, it came from his Dad’s hard work, who didn’t trust banks, so he kept the cash at home and Mega found the stash and started spending it, bit by bit, until his Dad did a stocktake and found $700 missing. Mega had some serious bruising for about 6 weeks.

That to me sums up the heavy metal lifestyle.

Racer X – Second Heat / Racer X – Street Lethal

While the band was a great drawcard on the LA club circuit, the major labels didn’t come knocking. Paul Gilbert was losing interest in the band and the other members focused their anger on vocalist Jeff Martin. So it was no surprise that the band dissolved. But what came after was so much better.

Paul Gilbert teamed up with Billy Sheehan and formed Mr Big and got his major label deal.

John Alderete and Bruce Bouillet teamed up with John Corabi and formed The Scream, released an excellent debut album, only to lose their small indie deal after Corabi joined Motley Crue. John Alderete would end up on a major deal with “The Mars Volta” many years later but Bruce Bouillet never got his major label deal.

Jeff Martin replaced Eric Singer on drums in Badlands even though he was the vocalist for Racer X and was on a major label for the “Voodoo Highway” album.

Scott Travis joined Judas Priest for the excellent “Painkiller” album and got his major label deal.

Sometimes, the pieces don’t fit and in Racer X’s case, it didn’t really work out, but when they were free to fly, all the members proved to be valuable additions to other bands.

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A to Z of Making It, Influenced, Music, My Stories

Why did guitarists like Yngwie Malmsteen, Steve Vai, Joe Satriani, Eric Johnson, Alex Skolnick, John Petrucci and Paul Gilbert rise above all the other shredders of the era that came on the scene between 1984 and 1994?

Rising Above

Why did guitarists like Yngwie Malmsteen, Steve Vai, Joe Satriani, Eric Johnson, Alex Skolnick, John Petrucci and Paul Gilbert rise above all the other shredders of the era that came on the scene between 1984 and 1994?

Guitarists like Tony MacAlpine, Greg Howe and Vinnie Moore are all good guitarists, however they are still relatively unknowns outside of their niche market.

When I saw Steve Vai on the G3 tour, I saw that he had Tony MacAlpine as a backing guitarist. I knew it, however the other guitarists I was with, didn’t know it or know of Tony MacAlpine.

Does anyone know that Vinnie Moore played with Alice Cooper? Does anyone know that Vinnie Moore had Jordan Rudess play on his solo album called Mind Control and that he is currently in UFO?

In the end each artist needed the hits.

Steve Vai had Yankee Rose to launch him. Who can forget the talking at the start song, between Steve Vai’s Ibanez and David Lee Roth’s vocals? It was catchy, it was entrancing and it rippled through the mainstream. The music didn’t fit the format, however back in the Eighties you can say that Yankee Rose went viral.

Yngwie Malmsteen had sweep picking. That was his hit. A simple technique. He followed that up with songs like You Don’t Remember (I’ll Never Forget), On The Run Again and Queen In Love. However it wasn’t until the Joe Lynn Turner fronted Odyssey album that Malmsteen had mainstream hits. Who can forget Heaven Tonight?

Joe Satriani is the surfing alien. Enough said. The Surfing With The Alien song and album is perfection in instrumental circles.

Another piece of perfection is Eric Johnson and his piece d resistance, Cliffs Of Dover. Hear it and the let the goose bumps come.

Alex Skolnick took a big risk back in the Eighties leaving Testament just as they were getting traction on the thrash metal circuit. So what does he do, he goes all instructional and jazzy. He started taking standard rock and metal songs and re-doing them in a jazz format. Brilliant.

John Petrucci shredded when it was uncool to do so. He got popular at a time when it was uncool to be popular for the talent he is. Why? Images and Words. That is the DT victory lap. It is that album that gave them steam in the Nineties. When that victory lap was fading away, Metropolis II came on the scene. That took them into the Two Thousands and with the release of the very metal like Train Of Thought, a new audience was won over.

Paul Gilbert is an enigma. On the Racer X albums he was just another shred clone. Then came Mr Big and he showed what a great songwriter and what a great performer he is. When the world wanted vintage Van Halen in the early nineties, Paul Gilbert stepped up. When the world wanted a shredder of the Malmsteen sense, Gilbert stepped up. I remember John Petrucci referencing a Paul Gilbert instructional video as an important instructional tool for advancing his guitar playing. The quick lead break before the Pull Me Under chorus is all Paul Gilbert played by John Petrucci. Who can forget Technical Difficulties? Paul Gilbert at his best.

All of these artists created something so good that it sold itself. It could have been a song, a technique, an instructional video and instrumental album or re doing metal standards in a jazz format.

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