Music

Vito Bratta – He made it just to walk away

He was born in 1961.  He formed White Lion in 1983, with Mike Tramp.  He was 22 years old at the time.

Before White Lion he was in Dreamer from 1980 to 1983, a band that featured future Tyketto drummer Michael Clayton.  White Lion came to be in the following way as told by Mike Tramp in Rockeyez;

As I mentioned above, MABEL had turned into STUDS and played hard rock, I had become the leader and we went to the States and became LION. In November ’82, we played L’amour’s with DREAMER, which was Vito’s band. People started talking that he and I should play together. When Lion ended its reign in December and went back to Denmark. I returned to NYC in March and looked up Vito. The rest is history.

White Lion picked up a deal, got dropped and then released the Fight To Survive album independently in 1985.  It wasn’t until 1987 that people noticed White Lion and the talents of Vito.   The Pride album was massive.  The tour that followed, opening up for AC/DC was even bigger.

It was seven years playing in bands, before the world took notice of Vito’s abilities.

If any young guitarist or songwriter is looking to have a career in the music business, you need to be ready to put in the time.  Don’t be fooled by The Voice, Idol and XFactor.  Those shows are all about ratings and the now.  The term artist, career and longevity do not exist in these shows.  The ones that end up making it, don’t even win.

Big Game followed in 1989 and Mane Attraction in 1991.

The label gave them a big advance for Mane Attraction.  White Lion delivered with a killer album.

The label didn’t know how to market it.

An audience still existed for White Lion music.  The Hard Rock or Glam Rock movement, became a niche market, replacing the position that Grunge held before it became the darling of the mainstream.

So what does the label do, market it against grunge.  I never stopped listening to hard rock music in the nineties.  To be honest, i hated the grunge movement, however it benefited me the most.

I know it’s a contradiction, how can something that i hate, benefit me?  Easy. Instead of spending money on new music, I started hunting out all the second hand record shops and started picking up vinyl from the seventies and eighties rock music.  I had a lot of money to spend, and spend it i did.  I was a Guitar World, Guitar School, Guitar for the Practicing Musician (which then became Guitar and then Guitar One) subscriber, so if i came across transcriptions in those magazines from the newer bands that was cool to play i would check it out.  Those magazines became my filter.

Months after the Mane Attraction release, Vito and Mike just called it quits.  After sticking it out for so long, it was over.  The band was already split, with James Lomenzo and Greg D’Angelo leaving to be replaced by Tommy Caradonna and Jim Degrasso.

Mike Tramp continued with Freak of Nature.  Vito on the other hand, went home.  He had enough.  He spent his whole life to become a master virtuoso on the guitar.

He spent his whole life perfecting his art.  It brought him fame.  When it came, he just walked away from it.  He was 30 years old.

Mike Tramp described the ending like this;

We never got a chance to say goodbye to the fans. We never got a chance to make a statement to the press. White Lion was playing the last show and Vito and I just went to the airport — I went to California and he went to New York — and we just said… We didn’t even look at each other. And it wasn’t that we were fighting. And the interesting thing… [People say] ‘Well, why shouldn’t you carry on?’ [But we got] no call from the record company, no call from the managers, no call from the merchandising company… All these people were making millions of dollars off us. It’s like we just disappeared. There was never any closing. So it’s taken me many years to really understand what the fuck happened here.”

The below was from another interview that Mike Tramp gave on why White Lion ended on the famous interview website.

Why couldn’t you have done in “White Lion” what you’re now doing as a solo artist? And, why did “White Lion” have to break-up?
A – It’s almost like I’m going to have to answer the last question first. Even though there’s two people in there writing the songs, the 80’s were a phenomenal decade. Unfortunately, most people wanted to be rock stars, instead of trying to build a longevity. That includes the manager and the record co. Nobody, after the first record succeeded, really was concerned about what the band was doing and where the band was heading. The concern was really how quickly can we get the next record out and how can we get on the next tour. As things like that happen, you start to get the negative things. The second record does not have the same numbers, as the first. We don’t have the same hit on the second one. By the time you get to the third album, the band is not the same band that started out in the basement of Brooklyn, New York. We’ve been influenced by money. We live in four different places. I live in California. Vito lives in Staten Island. And the other guys are scattered somewhere else. When we try to catch up on the third and final record, it becomes a rescue mission, instead of a true and honest record from a band. So much money is put into it, it’s bound to fail. The record co. I think has basically let go of the band, because they have signed the next two follow-up bands, to White Lion. And, at that time, there’s no hope. Mike Tramp would not be able to make the decision and write the lyrics in 1988 when everything was 200 girls backstage between every show, big tour buses and big arenas. You write those lyrics when you sit in your little house, and the phone doesn’t ring and no friends are coming around. You get into what I call my own little war room, where you create, and bring out your true feelings.

Money is where the innocence ends and the arguments start.

I believe Vito wanted to come back with a new band.  Vito said in the Eddie Trunk interview that it was hard for him to write songs for another band that wasn’t White Lion.

Other interviews I had heard, showed Vito being not too happy about the music business and how they (the people around them) where exploiting White Lion to make millions, while the band would make less than what their accountants made.

Any chance of coming back took a back seat, as he became a carer for his parents.  This time Vito, couldn’t just leave his home and tour, without knowing what he would be paid.  With age, comes a different mindset.  Priorities are different.

 

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Music

Teaser

Teaser

I first heard Teaser when Motley Crue covered it for the Stairway to Heaven/Highway To Hell  compilation album for the Moscow Peace Festival.  This was back in 1989, and I saw the writer was a T.Bolin.  Pre Internet era, meant I had to go to the record shop (which in my case was Rings Music World) and ask them if they have anything on T.Bolin?

The lady knew me well  as I was a chronic asker of music that she never had in stock and she knew very well, that she was going to spend time looking through massive folders from different distributers.

Lo and behold, she told me that she can import it in and it was going to cost $40 to get it in on LP.  I said import in.  Think about that for a second.  I spent $40 on an album that I only one song on it.  That is the power of music and the need to have that one song.  And it was the last song on Side A.  It was written by Tommy Bolin and Jeff Cook who was in the band American Standard and Energy  with Bolin in the late sixties.

The first thing that grabs you is that funky sleazy riff and the wolf whistle slide guitar.

That woman’s got a smile
Puts you in a trance
And just one look at her
Makes you wanna dance
Those dark and those red ruby lips
Only a fool would pass them by
With just a hint of ruthlessness
Sparklin’ in her eye

After hearing that first verse I was reminded how similar Bon Jovi got to it with You Give Love A Bad Name.   And then the chorus comes in.

She’s a teaser and she’s got no heart at all
She’s a teaser and she’ll tempt you ’till you fall.
Yeah she’ll tempt ya ’till ya fall.

Who hasn’t come across a woman like that?

She sips gin from a teacup, wears those fancy clothes
And somebody always knows her no matter where she goes
She’ll talk to you in riddles that have no sense or rhyme
And if you ask her what she means, says she don’t got no time

The second verse reminds me of T-Rex’s Get It On,

Well you’re dirty and sweet
Clad in black, don’t look back and I love you
You’re dirty and sweet, oh yeah
Well you dance when you walk
So let’s dance, take a chance, understand me
You’re dirty sweet and you’re my girl

Then the solo breakdown section kicks in where it’s just the bass and drums simulating an excited heartbeat at the beginning and it moves into a free form jazz fusion lead break.  Jeff Porcaro from Steely Dan and Toto fame played drums and Stanley Sheldon from Peter Frampton’s band played bass.

As I listened to the album over and over again, I found other gems in the instrumental Homeward Strut, with its James Gang Funk inspired verses and its unbelievable harmony lick that acts as a Chorus.

The piano ballad Dreamer with Glen Hughes singing the last verse (even though he is uncredited) and piano played by David Foster, the same David Foster that would go on to produce and compose songs for Whitney Houston, Michael Buble and many others.

You have the blues funk of Savannah Woman with Phil Collins even providing percussion.

Side 2 doesn’t have the same impact as Side 1.  People People is lacklustre, while Marching Powder is a jazz fusion instrumental, reminiscent of Return to Forever. Wild Dogs is so so, but the closer Lotus makes up for it with its fusion of hard rock, blues, jazz, funk  and synth orientated pop.

Similar in structure to Teaser, it has that unbelievable breakdown solo section, which closes the album.

In 1975, he released Teaser and Come Taste the Band with Deep Purple, and in 1976 he released Private Eyes in September.  By December he was dead.  His music forever lives.

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