Category Archives: Unsung Heroes

Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

March 2020 – Part 1

So my March listening started off with tracks from January and February that I liked. I have written about these tracks already.

Here is the March playlist.

Circle The Drain – Machine Head
I like the melodic metal side of Robb Flynn. And he crushes on this song, as it moves between melodicism, nu metal and groove metal.

Feeling Whitney – Royal Bliss
The original Post Malone version is pretty good as well, a cross between “Dust In The Wind” style fingerpicking and modern rock.

Royal Bliss turn it into a modern pop rock song. And that also works.

Naked City – Jorn
Running Up That Hill – Jorn
Lonely Nights – Jorn
What does Kiss, Kate Bush and Bryan Adams have in common?

Bubbles – Framing Hanley
“I hear the nervousness in every word that is said” and in these pandemic times, I hear it and I see it loud and clear as our leaders make panic policies and suspend the sitting of parliament. I guess the bubble has burst and what comes next no one knows.

We are in uncharted waters here.

Come Clean – H.E.A.T
Dangerous Ground – H.E.A.T
Melodic Rock at its best. The Chorus in “Come Clean” is super catchy, with a R nought of 2.

Under The Graveyard – Ozzy Osbourne
At this point in time, it’s on the playlist.

Will it be in 10 years’ time?

Maybe. And on the COVID-19 news front, writer, guitarist and producer of this album, Andrew Watt has been diagnosed as having it.

Let’s hope for a speedy recovery as other musicians have already died, from an ex-Riot member, Fountains Of Wayne bassist and a country songwriter/guitarist.

Catastrophist – Trivium
I have been a Trivium fan for 13 years now.

It’s funny how fast time goes and it’s funny how many haters this band gets as well, because the old school metal fans don’t like the screaming, the old school death metal fans think it’s too fake and they just can’t win. But they can play their instruments, and they can play it well.

Singer Matt Heafy even put in time with former Emperor guitarist and vocalist, Ihsahn, learning the art of Black Metal and progressive songwriting. Not a lot of artists can lay claim to that.

F8/Inside Out – Five Finger Death Punch
These two songs work brilliantly together.

“I stand alone, I guess I knew it all along” and it feels more like that these days than ever before. We look at our leaders and our heroes from music and entertainment to give us some insights, but in the end, the decisions made are ours to make alone. And our heroes are as clueless as us.

Because Of You – Storm Force
This song just refuses to go away from my life. The music, the verse lyrics and that chorus. All so familiar and i like it.

“The world is yours today always something going down”. For me 2020 has seen; devastating bush fires which brought forth air quality issues, then came the rains and the floods. And now, we are at the start of the biggest threat in my lifetime, COVID-19. So we look to our families, our partners, our children and our friends for inspiration and reflection.

Dear Agony – Breaking Benjamin
The mood of this song gets me. This song gives me hope, even though it’s a depressing song itself.

“Dear Agony, just let go of me, suffer slowly, is this the way it’s gotta be”.

No it didn’t have to be this way. Fighting for life is more important than anything else in the world.

Aeromantic (Album) – The Night Flight Orchestra
Let’s just say that this album would most probably appear in all of my monthly reviews, because it is so damn good.

Songs like “Aeromantic” and “Taurus” pick up the energy. My favourites are the closer “Dead of Winter” and “Transmissions” with that violin solo.

Change The World (Album) – Harem Scarem
Have I mentioned that Pete Lesperance is one hell of a guitar player?

Part 2 for March coming up.

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Influenced, Music, My Stories, Unsung Heroes

Guitar World – August 1991

It’s November 1991 and the August 1991 “Guitar World” magazine hits the newsstands in Australia. It’s strange for people these days to understand because everything is available instantly today but once upon a time in the past, the US and European magazines came to Australia, three months after they got released.

So Scotti Hill and Dave Sabo from Skid Row are on the cover.

Skid Row were on top of the charts around the world with the release of “Slave To The Grind”. Even in Australia the album was in the Top 10, while the singles didn’t really make a dent.

They would eventually hit Australia with GNR in January 1993 for the “Use Your Illusion” tour, and play a set of 7 songs.

They kicked off with “Slave To The Grind” and went into “Monkey Business” which had a longer intro with a lead break. “Mudkicker” was up next, “Get The Fuck Out” and then “18 And Life” which also had a longer intro with a lead break and a longer outro with a lead break.

“I Remember You” came next and “Youth Gone Wild” closed the set, which had a crowd singalong after the solo, 20,000 plus people at an outdoor venue singing, “they call us problem child, we spend our lives on trial, we are the youth gone wild”.

Plus there was a lot of talking in between and passing around of glass beer bottles in the audience courtesy of Sebastian Bach, who was the source of the glass bottles, even when glass bottles were banned.

In the top right hand corner there is a picture of EVH with the title, “Exclusive Private Lesson, Hot Licks from The New Album”.

Van Halen dropped the excellent FUCK album in June 1991, a return to heavy guitar distortion for EVH and acoustic drums for AVH.

Nuno Bettencourt interviews Brian May and the magazine made sure it mentioned “Queen’s Brian May”. Because for a whole new generation of young guitarists, Queen was becoming irrelevant. The presumption was, that everyone knew Nuno Bettencourt because of “More Than Words” and no one knew that Brian May is the guitarist in Queen.

But a few things happened which brought Queen back into the public.

Freddie Mercury died in November, 1991.

Wayne’s World the movie came out in February 1992 and “Bohemian Rhapsody” re-entered the charts because of that car scene.

Then there was “The Freddie Mercury Tribute Concert” in April 1992, which had Metallica, Extreme, Def Leppard, U2 and Guns N Roses appearing. Then Queen hit the stage for a 21 song set featuring guest singers and musicians.

Fast forward to 2020 and there is no doubt about Queen.

Extreme (Nuno’s main band) just didn’t recover from some poor album sales and the loss of their lead singer to the VHIII album. And it took them years to get back together to write new music and people had just moved on. Plus their crossover hit got them sales, but it didn’t really get the band any lifelong fans. Further proof that a sale does not equal a fan.

And it’s no surprise that “More Than Words” has almost 272 million streams on Spotify, while the other songs in the Top 5 have less than 7.5 million streams.

There is a round table discussion of the Titans tour, with Megadeth, Slayer and Anthrax talking. Then there is an exclusive lesson on “How To Play Thrash”. Lars Ulrich was really interested in this tour and a bit pssed that he didn’t think of it and do it first or that Metallica was invited. Eventually he did organise it and called it “The Big 4”. Now he can rest easily.

R.E.M’s Peter Buck is interviewed and so are the Kentucky Headhunters who I still haven’t listened to. And I didn’t even read those interviews because there was a lot of rock and metal in here for me to digest.

Kyle Kyle has a small section, talking about “Dancin On Coals”, Bang Tango’s new album.

Plus there are the usual reviews.

Billy Squier’s “Creatures of Habit” got 3 starts out of 5, with the reviewer mentioning how “most of Creatures Of Habit” suffers from “Spot The Riff” syndrome.

Aldo Nova’s “Blood On The Bricks” got 2 stars out of 5 for two good songs, the title track and a Joe Walsh inspired song called “This Ain’t Love”.

Contraband also got 2 starts out of 5, with the comment, “strangely, the band sounds more like a typical young rock group-average to the point of sounding average”.

The 4 songs transcribed are;
Megadeth – Hanger 18
This is one of my favourite Megadeth songs, and the way Dave Mustaine took his arpeggio riff from “The Call of Ktulu”, amped it up, double timed it and created a classic song in the process.

Warrant – Uncle Tom’s Cabin
This is one of Warrant’s best songs. The serious subject matter probably scared off the Cherry Piers but hey, no one said that music was pretty.

Queen – We Will Rock You
This is more known for its foot stomp and clap groove than for any music, but there is music in this song and the magazine dedicated one page to transcribing it.

Chris Issak – Wicked Game
Stone Sour covered this song recently, and my second child likes it. You couldn’t avoid Chris Issak during this period as he was a number one artist in Australia.

Of course the magazine is sealed shut in a plastic sleeve so the only thing I can do is either buy it based on the cover or move on to something cheaper and printed in Australian.

Designing a cover (magazine, newspaper, album, new product) is an art form.

And I open up the magazine and on page 1, is Mr Big bassist, Billy Sheehan, advertising his Yamaha “Attitude” bass. Attitude all the way from Sydney to Thunder Bay.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

I Remember You

The youth went wild for Skid Row, in the same way they went wild six years ago for Judas Priest, Van Halen, Scorpions, Quiet Riot, Ratt and Motley Crue. And Sebastian Bach went even wilder, trying to give a piece of himself to everyone who pissed him off.

And then they dropped “I Remember You”. A hit, with almost 72 million streams on Spotify, which would evolve to in-fighting and to things falling apart.

Skid Row opened for GNR on the “Use Your Illusion” tour. When they played in Australia, there were so many rules about drinking and glass bottles at concerts.

So Sebastian Bach brings out a case of beer and starts singing, 24 bottles of beer in the box, pass one down, pass it around, 23 bottles of beer in the box.

And im thinking, what the..

This is the dude who jumped into the audience, knocked an innocent girl senseless, started swinging with another audience member, all because a glass bottle was thrown towards the stage and it hit him in the head at a US gig. And now he is handing out glass bottles to the crowd.

It was all in good taste and a bit of fun on a very hot Sydney day. But I also saw a very worried tour manager getting a few of the roadies into the crowd to retrieve these glass bottles. And of course GNR took forever to come on next.

I digress.

It’s a relationship song. Lyrically it didn’t connect, but musically it did.

The simple G to C chord progression is a staple progression of country, pop and rock songs. “Every Rose Has It’s Thorn” has the same chord progression.

And it has a great title. For me, it didn’t have to be about a relationship, it could have been about a friendship, about a band, about a street, about a place, about a summer event. It could even be a love song from an artist to their audience.

And that’s how I see the song.

Remembering a moment in time.

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Classic Songs to Be Discovered, Music, My Stories, Unsung Heroes

Round And Round

In Australia, you could say that this song was Ratt’s breakthrough and peak.

It was also the start of the new bands taking over from the Seventies acts. You had Judas Priest, Def Leppard and Iron Maiden leading the British invasion. Quiet Riot and Motley Crue started the LA invasion, and a new breed like RATT cemented it. Suddenly all of the NWOBHM acts, needed to get glammier to stay in touch and they needed to have band members do backing vocals.

Ratt was a music video band for me at the start. “Round and Round” was played on the TV music shows all the time and I always had a blank VHS tape ready, with my finger on the record button.

What a riff to get things going?

It’s big, hooky and melodic. It’s also a riff which is good enough to please the metal and rock audiences.

And those verse lyrics about meeting on the streets resonated instantly, because it summed up how life and society operated in those days.

Now we are or will be in lockdown because of COVID-19. There will be no meeting on the streets.

Those hand shakes and hand greets we always did, will be no more, once we are through the pandemic.

I re-watched the Contagion movie last night and it’s pretty eerie how similar it is to what we are experiencing. One of the CDC scientists Cheevers (played by Laurence Fishbourne) talks about handshakes. He goes that handshakes came about by people offering their right hand out to show that they weren’t carrying a weapon.

It was a symbol of peace and today it’s laced with transmission.

Anyway I digress.

Out on the streets that’s where we meet was the catch-cry and we did meet. We abused ourselves and crossed lines and did it again the next day and the next week.

And somewhere along the way we found a partner who wanted the same things. And round and round we went.

Finally, how good is that harmony lead break?

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Rock Me

Great White began their career in the early 80’s with “Out Of The Night”. Then EMI signed em, released an album and didn’t really know what to do with the band, so they dropped em and then Capitol records got em on the books.

In 1987, “Once Bitten” their third album, got the platinum treatment and they went on tour in the U.S with Whitesnake. Then “Twice Shy” followed in 1989 and this led to more platinum sales and their own successful headline tour.

By 1991, most of the world was heading into recessions, and the hard rock public was getting a bit jaded with the same lyrical themes and sound-a-like chord progressions of hard rock. So “Hooked” didn’t really set the charts alight.

“Psycho City” came out in 1993, and by then band members had left, band members had marriages and divorces and illnesses. And hard rock was not a commercial force anymore, but bands who had success before, wanted the same success. And so did the record labels, but when this didn’t eventuate, it was goodbye to the record deal and hello to arguments within band members.

“Rock Me” came out at the same time as “Appetite For Destruction”, maybe it got lost in the noise, but it still got a lot of airplay in Australia, and I’m thinking its blues tinged hard rock definitely hit a note with the programmers and Australian audiences.

The bass boogie kicks it off.

The drums are simple, high hats for some time, slowly percolating until the right moment to explode in the chorus. And the guitars are just decorating, until it comes time for them to explode as well.

Rock me
Rock me
Roll me through the night

How good is the Chorus?

And when you think the song is about to finish, they pick it up and blast in to an outro solo for the last minute. At 7 minutes long, the blues boogie doesn’t gets boring.

Today, it has 7 million listens on Spotify and the 5 minute music video has 12 million views on YouTube. The song is forgotten compared to the numbers other songs have, but if you were alive during this period, it was a song from our youth.

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A to Z of Making It, Music, My Stories, Unsung Heroes

Unknown Heroes

For every guitarist that makes it, there are a lot of well-known guitarists who have a large impact on their development and style. And there are also a lot of guitarists who didn’t make it out of the club/pub circuit, who despite never attaining platinum albums, inspired a generation of guitarists to pick the guitar and rock like hell.

Dave Sabo and Scott Hill kept talking about several unknown musicians from New Jersey who inspired them to rock and roll. These hometown guitar heroes and the thousands of other gifted musicians who play in cover bands, one man shows, who teach, who jam in their rooms and once in a while break out the electric to inspire their kids or grandkids, these people we don’t know about are nothing short of legendary.

And the same goes to the blogging community who share their stories and experiences around the music they love. Even though they are unknown, they are all legendary.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Lazy Days, Crazy Nights

It pisses me off that “The Great Radio Controversy” has been removed from Spotify Australia but “Lazy Days, Crazy Nights” is still available via the “Gold” compilation album. But so many other good songs are not available.

How good is the intro?

It’s a simply Amadd9 to Cmaj7 chord progression over a static and ringing fretted E and open B note. It sounds heavy, because of its dirgey groove. Bands like Alice In Chains built a career with grooves like these.

I’m feelin’ so much better, but not quite feelin’ fine

We are unique creatures. overwhelmed by choice. The internet keeps us connected forever. We see a feed or a post on social media and we think someone is having or living a better life than us. So we sit down, set goals for ourselves and we feel great. And then we achieve what we set out to do and then set new goals. The cycle keeps repeating and we think we are so much better, but we still feel a bit uneasy.

Now, I’ve got to get my shit together,

Do we ever get our act together?

We like to think so, but in reality all we do is replace one thing with another. One paid debt is replaced by another. One relationship is superseded or replaced by another. One addiction is replaced by another. Knowledge we accumulated 10 years ago is replaced by new knowledge from now.

Then the Chorus riff rolls around and it’s a 101 lesson in how to write hard rock riffs, as it boogies between the A to G notes that so many songs of the era used.

But I love those lazy days and crazy nights, It’s my way, it’s my life.

I like the night. I am in my element and I feel creative when night rolls around. When I was unemployed, I used to sleep in. It’s why Slaughter’s “Up All Night” resonated with me.

The problem for me now, is that my days are not so lazy anymore. They are so crazy that my nights start to become a snooze fest because of tiredness. Getting older it’s more like “crazy days and sleepy nights, it’s my way, it’s my life”.

Regardless, hearing those lines when I was younger, it made me want to sing-along and scream those words at the top of my lungs.

I love those lazy days and crazy nights, It’s my way, it’s my life.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Paradise City

We have all read the stories and formed stories ourselves about how grunge came along and replaced hard rock, hair bands, glam rock, glam metal and metal in general. But it never did really replace it. The major record labels abandoned most of the rock and metal acts who had marginal success, so from a commercial sense, hard rock and metal music was absent from the mainstream. But it was still there.

A long time ago, Led Zeppelin was seen as a heavy metal act and Black Sabbath was even more extreme. Today, Sabbath’s sound is like Playschool compared to what other metal bands sound like. But there was a period when rock did dominate.

And Guns N Roses via “Appetite For Destruction” gave rock music a few more years of mainstream success, because the labels had already saturated the market with Bon Jovi, Def Leppard, Motley Crue, Whitesnake, Ratt and Poison copy like bands. Up next, the labels started signing Guns N Roses copy like bands, like Skin N Bones.

“Sweet Child O’ Mine” was the hit, but every GnR fan loves “Paradise City”. It’s the closer of Side 1, when sequencing vinyl records was an art form in itself. Each side had to open with an awesome cut, and close with an awesome cut.

GNR had been gigging for a while around L.A, via Hollywood Rose and the other bands the members were in before GnR became a band. Slash even auditioned for Poison and Stryper during these periods. But there was hype and then a record deal and then the album eventually came out. 

And nothing. 

It wasn’t a failure, but it didn’t set the sales and charts alight from the outset.

Then MTV played “Sweet Child O’ Mine”. And the album got a second wind, sort of like how “Hysteria” got a second wind on the back of “Love Bites”.

“Welcome To The Jungle” came back into the charts, and then the seven minute live video of “Paradise City” dropped, with Axl in the white jacket which Lars Ulrich got a few years later and James Hetfield kept hassling him about it.

Anyway back to the paradise city where the girls are pretty. The opening arpeggio chords of G, C, F, C – G of the song with the “We Will Rock You” influenced drum pattern gets your attention immediately. When Slash starts that Em Pentatonic solo, you can only smile, and you’re thinking it’s this Southern Rock style of song.

Then the whistle blows. 

And all hell breaks loose. 

That Chromatic riff that comes in is bone crunching and head banging material. Wikipedia tells me it’s based on “Zero The Hero” from the Black Gillan album “Born Again”.

If that riff was in a Slayer or Machine Head or Metallica song, it would be circle pit time. And those descriptive storybook lyrics set the scene so nicely.

Just a urchin livin’ under the street, I’m a hard case that’s tough to beat

I’m your charity case so buy me something to eat, I’ll pay you at another time

“Welcome To The Jungle” part 2. It’s the same theme, coming to the Sunset Strip, looking for people to hook up with, especially women, who would look after you. Motley Crue did the same.

Rags to riches or so they say, Ya gotta keep pushin’ for the fortune and fame

So many pushed for fortune and fame, but only so few made it. And the ones who made it, didn’t end up staying there for long. Only for a brief moment. But for that moment, they ruled.

And then the song gets even crazier with its double time ending,

Slash soloing and Steve Adler basically breaking his drum kit in the process.

And this song was released as a single in 1989, almost two years after the album was released. If you needed evidence of the power of this album, then look no further than this single release.

Take me back to the paradise city, where the grass is green and the girls are pretty.

Yes please.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

18 And Life

Once Sebastian Bach joined, a bidding war happened between Geffen Records and Atlantic. Geffen wanted a Bon Jovi act and Atlantic wanted a Guns N’ Roses act. And these two labels were in an East vs West Coast war. Geffen even brought in a producer who said that “18 and Life” and “Makin’ A Mess” should be kept and songs like “Youth Gone Wild” and “I Remember You” should be scrapped. Doc McGhee wanted them to go with Geffen. Everything pointed towards to Geffen except for the guys in the band especially Rachel Bolan.

Atlantic A&R guru Jason Flom had been following the band for a while and increased the Atlantic offer at the last minute.

Both labels saw “18 And Life” as a quality song. A serious subject matter, so far removed from the romantic vibes of “I Remember You” and the rebellious “stand your ground” anthem “Youth Gone Wild”.

The video dominated MTV in the US but not so much in Australia. The fans made this a cult favourite.  

The C#m arpeggios in the intro, moving to an A and B chord got me interested. If you’ve watched Skid Row live (the Bach led version that is), they extend this intro, with a pretty kicking lead break from Scotti Hill. Actually, Jorn did a cover of Don Henley’s “New York Minute” and the intro sounds like the live version of “18 And Life” that I remember.

And Skid Row is becoming forgotten.

When I googled “18 and Life lyrics” it came up with the lyrics for the song and the artist was listed as “Asking Alexandria”. So whatever issue, Rachel Bolan and Dave Sabo have with Sebastian Bach, its leading their band into irrelevance and into the history pages of the internet. Because come on, one of their biggest songs doesn’t come up listed to them, but to a band who covered it.

Ricky was a young boy, he had a heart of stone
Lived nine to five and worked his fingers to the bone

It summed up most of the kids growing up in the 80’s and 90’s (when I started working). I remember getting my first wages and I felt like I was on top of the world. But at that time I was still living with my parents and social reality hadn’t hit me yet.  And I didn’t have a heart of stone. I cared for my family and friends. But I knew people who were just like Ricky.

Fought like a switchblade so no one could take him down

You all know how a blade just explodes out/pops out when a button is pushed. Well imagine a human just losing control like that. Joe Pesci in “Goodfellas” sums up this kind of action. I knew a few people like that, always getting into fights from out of nowhere. 

And he fought the world alone 

No one is alone. For every feeling a person has like this, remember there are people out there that feel like you and there are people out there that care for you. Talk to em.

Tequila in his heartbeat

His veins burned gasoline

It kept his motor runnin’

But he never kept it clean

You can interchange tequila with any other alcoholic beverage. Drinking whiskey makes me jump out of moving cars. I’m Superman.

He married trouble

Had a courtship with a gun

I don’t think I have met a person who doesn’t love adventure. But adventure which leads to mischief and trouble, could be cool while you are young, but as you grow up, it could be dangerous and deadly. And in Australia, we don’t have a law that gives us the right to bear arms to protect our property, so our courtship with a gun isn’t as strong as it is, in other countries.

He fired his six-shot to the wind

That child blew a child away

Accidents happen, but a life lost is a life lost. 

The lead break and that outro arpeggio riff (with the lead break as well) are my favourite pieces to play on the guitar, along with the intro guitar arpeggio riff.

Enjoy it.

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Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

Harem Scarem – Change The World

I listen first to the music. There has to be something there which resonates and connects with me. If the guitar riff makes me pick up my guitar to learn it, then god damn, it’s a good song. And on occasions the guitar riff could be simple, but the vocal melody and the lyrics drive home the song. There is no perfect science, but, if there is cool guitar riff, then I am sold.

And Harem Scarem’s new album, “Change The World” has a lot of nice guitar work. Pete Lesperance is one of the most underrated guitarists, ever. His style of playing is exactly what I like, even bringing back memories of Vito Bratta’s style playing.

I remember purchasing Guitar World magazines in the 90s and suddenly how uncool it was to play fast and to practice. But practicing was all about developing different techniques so that the guitarist had an arsenal at their disposal, ready to produce the correct weaponry when needed.

Change The World

The E major intro lick reminds of “Glasgow Kiss” from John Petrucci’s solo album. But this is its own beast.

The chords in the verse move from an E to a B chord but under an E pedal point. The chorus has a stock chord progression that every chart topping song uses. In the key of E major, the chords are E to B to C#m and A.

The main lead break is brilliant and as good as any lead break from all of the 80’s guitar heroes.

Aftershock

The intro riff, is heavy and melodic. The way Lesperance uses octaves and single notes under ringing pedal points reminds me of the best things about grunge music and bands like Smashing Pumpkins.

The main lead break, needs to be heard.

It’s so well structured, it flows nicely, and the phrasing is perfect. It’s got legato lines, bends, string skipping, palm muted fast picked lines and hammer ons.

Searching For Meaning

Waiting for the lead break is worth it, as it kicks off with double-stop bends before it moves into a melodic section.

And the man riff of the song is scattered with power chords and palm muted arpeggios.

The Death Of Me

The intro riff grabs me and that lead break again, god damn. Lesperance’s use of the Lydian and Mixolydian scales over minor key chords, works so good.

Mother Of Invention

It’s a ballad.

And I had an idea as to how the solo would go from hearing the chord progression.

And it went down that road, starting off with pentatonic lines and some bends, then there was a section of some fast pull off patterns and hammer ons, then a fast picked open string lick and some string skipping interval slides to end it.

Perfect.

Next.

No Man’s Land

Now this solo starts off, with this classical style lick and it reminds me of that Christmas tune that the Trans-Siberian Orchestra do.

On the Savatage album, “Dead Winters Dead” it’s called “Sarajevo”.

And that same lick ends the song, it’s that good.

In The Unknown

So many of the Harem Scarem songs start off with a sing along guitar lick like this song.

Do I have to mention that you need to listen to the lead break, constructed like a separate song within a song. It has this repeating open string lick for 8 bars which is catchy and melodic, before it goes to some octave slides and fast picked licks.

Riot In My Head

Another memorable riff to kick off a memorable song with another memorable solo.

Swallowed By The Machine

This is one of my favourite songs, hands down. The lyrics connect, the music connects and the lead breaks definitely connect.

We’re falling into dystopia
It’s crumbling before our eyes
Black mirror reflecting all our lives

Don’t worry about the “Black Mirror” TV show, which shows some of the horrors our love of technology could bring forth to us.

But we should worry about how many times we access our tablet or iPad’s or phones.

I access my tech devices so much, just to hear music from it. I feel like I am constantly touching it, calling up different albums on Spotify, saving songs, adding songs to playlists and finding other albums.

Then I check my emails a few times throughout the day, then Twitter three times a day and WordPress a few times a day as well. Then there are text messages and phone calls to deal with and I also read books on iBook’s and the Kindle app on the iPhone.

Suddenly, that little black mirror has seen my face and fingerprint an unbelievable amount of times.

We all have dreams
We all have doubts
Be careful which you feed
And don’t get swallowed by the machine

If you want to transform your reality, make sure you avoid all the negative people and doubters in your life, and surround yourself with people who believe in your potential to achieve your dreams.

Good things happen, but you need to look for these good things and open up your outlook and your mindset. Feed the good and ignore the doubt.

And crank Harem Scarem’s new album.

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