Protest The Hero
They just dropped an album a few months ago and now they dropped a 2 song single of tracks that didn’t appear on the album.
If you like technical progressive metal, with vocals ranging from clean tone to death metal, then Protest The Hero is a band you need to check out.
My favourite album is “Volition”. This is the album after they got dropped by their label and they went the fan funded route, which we (the fans) had no problem helping with. But that was almost 7 years ago. In between they did an innovative Bandcamp project.
“Gift Horse” has some serious playing, with clean melodic vocals while “The Duelling Cavalier” continues the technical playing with a memorable guitar intro and corny lyrics, but hey, these dudes write songs about dog laws, Star Trek vs Star Wars, artists ripping fans off at the merchandise stand while they mime on stage, playing a bar in Newfoundland and getting drunk there with the locals plus topics on philosophical and stoic viewpoints on life.
Smith & Myers
I’m a fan of this acoustic side project. If you don’t know, it’s Brent Smith and Zach Myers from Shinedown.
“Not Mad Enough” is a song of the times, living with lockdown, police brutality and protests.
I can’t forgive what I can’t forget
And I can’t forget
It resonates straight away. I can’t forgive what I still remember. It’s a scar, but I move on and I learn from what happened, because it’s easy to blame the moment when things go bad, but really it’s the system that needs to be overhauled. The system that got me to that place in the beginning.
Face down, I can taste the blood
It’s hard to breathe, someone let me up
Whoever lived and saw the footage of George Floyd face down on the pavement, screaming “help me please, I can’t breathe” will never forget it. Because the person who held him down was a Police Officer, a person meant to protect him. And the other police officers just watched on, without doing anything to stop it.
They remastered their brilliant “Clayman” album. Musically they are a heavy rock and metal band and the riffs are so catchy and memorable.
Vocally they move between clean tone and death metal, hence the term melodic death metal.
“Bullet Ride” and “Pinball Map”, musically, will not be out of place on a Judas Priest album.
“Only For The Weak” is a doom metal cut. Think of the album “Draconian Times” by Paradise Lost.
“Square Nothing” has this clean tone arpeggio riff with harmony guitars that remind me of Scorpions pre 80’s.
“Clayman” musically is brilliant and at first, the crackled growl vocals didn’t capture me, but the music is that good, that the song became a favourite.
“Satellites And Astronauts” musically could have come from an Iron Maiden album.
“Swim” just makes me pick up the guitar to learn it and “Another Day In Quicksand” has this “The Fire Still Burns” from Twisted Sister groove and riff.
He’s one of the better vocalists to have come out in the last 20 years. He can destroy his voice with Slipknot and he can bring the melody, the attitude and the AC/DC barroom brawl whenever he wants to other projects like Stone Sour, various cover songs and now to his own name as a solo act.
“Black Eyes Blue” is basically a hard rock track and I’m interested to hear more.
Tom Englund from Evergrey is on vocals for this live recording and as an Evergrey fan I’m all in to the music Englund puts out, but Redemption came on my radar in the early 2000’s because Ray Adler from Fates Warning was on vocals.
The self-titled debut was released in 2003, “The Fullness Of Time” in 2005, “The Origins Of Ruin” in 2007, “Snowfall On Judgement Day” in 2009 and “This Mortal Coil” in 2011. Then a five year gap, and “The Art Of Loss” was released, the last album with Ray Adler on vocals and in 2018 a “Long Nights Journey Into Day” came out with Tom Englund on vocals.
But the band isn’t built around vocalists.
It’s built around guitarist and songwriter Nick Van Dyk, who has Chris Quirarte on drums, Sean Andrews on bass, Simone Mularoni on guitar and Vikram Shankar on keys.
There is a cover of Megadeth’s “Peace Sells” with drummer Chris Quirarte doing an unbelievable Dave Mustaine impression, all the way to the snarls and Chris Poland also guests on the guitar.
“The Echo Chamber” is still a favourite as it has an intro riff that reminds me of “Ytse Jam” from Dream Theater and lyrics so relevant of the time, because the echo chamber phenomenon is real in today’s world, as people expose themselves to information from like-minded individuals and they refuse to believe any other view-points or to research other view-points. The 5G Covid Conspiracy, the No Global Warming outcomes, the QAnon rabbit hole and whatever else that comes out around anti vaccinations and other conspiracies.
Stay tuned for part 2.
4 thoughts on “September 2020 – Part 1”
Taylor pulls off a cool Roth live vocal on “Take Your Whiskey Home” on the John5 Live Invasion set as well.
Yeah I heard that. Even the Roth wail in the intro
I am looking forward to both the Corey and the Smith & Myers ones. I like those guys a lot. Good stuff.
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