In 2010, Mutiny Within released their self-titled debut on Roadrunner Records. It didn’t get the traction they hoped for and Roadrunner didn’t get the return on investment. Roadrunner blamed piracy, however, the whole marketing campaign was centered on stating that the band is a cross between Killswitch Engage and Dream Theater. It was a terrible comparison and a terrible marketing campaign.
They had tours booked, but no financial support the label, plus they had to contend with band member departures. Then in 2011, vocalist Chris Clancy left the band due to financial reasons. He had some interesting viewpoints on piracy and recording contracts in general. For some reason, he believed that just because he got a recording contract for album number 1, he was guaranteed to make an income from music. A few weeks after Clancy left, Roadrunner dropped em. 9 months later, the band was on hiatus due to the difficulties of finding a new vocalist.
Then social media came to the rescue. In 2012, they posted some unreleased demo tracks from unreleased album number 2 on YouTube and got a positive response from fans. By the middle of the year, Chris Clancy was sort of back, finishing off vocals on the unfinished tracks.
In January 2013, they released album number 2 in “Synchronicity”. Clancy also set up a project called Industry Embers, an organisation dedicated to spread the word about music piracy. He revealed that music piracy had been the downfall of Mutiny Within, with the debut album only selling around 10,000 copies since released, and the album being shared and pirated at least 100,000 times.
I don’t really subscribe to the theory that 100,000 downloads = 100,000 lost sales. If your music is getting pirated, it means people are interested, but when they choose to pay is really up to them. It could be instant, it could take years. I like Mutiny Within, however I don’t own any of their music. The first album I heard on YouTube, the second album again on YouTube and once I had a Spotify account, on Spotify.
Anyway, the response album number 2 was surprising for the band and one of the Facebook posts mentioned how the band was left speechless. Maybe 20% of the 100,000 people who downloaded the first album illegally, became monetized fans this time around.
Regardless, there is no denying the excellence of “Become”.
Can’t forget what I’ve become
In February 2017, “Origins” came out and “Reasons” is the track that is connecting with me. And to my surprise, guitarist Andy James makes a surprise guest appearance on the song.
All I wanted was a way to survive,
A simple reason to make me feel alive
The album was written by collaborating digitally over two continents and leaving the joining of it all to Clancy who also mixed and mastered the album. Music is a lifers game and the guys in Mutiny Within are in it for real this time.
By 2013, I was spinning “Graveyard Of Empires” their 2012 release. Then the band went on hiatus, while singer Dan Chandler hooked up with Dan Donegan from Disturbed to create the band Fight Or Flight.
In July, 2013, “A Life By Design” was released and it had the excellent tracks “Leaving” and “First To The Last”. But the album got no traction. It couldn’t rise above the noise. Donegan went back to Disturbed and Chandler returned to Evans Blue and in 2016, we got a brand new Evans Blue album called “Letters From The Dead”. The songs are not as good as their previous releases but Dan Chandler has one hell of a voice and he keeps it sounding fresh. I’m still interested to see what comes next.
In 2012, they released “State Of Disgrace” with the excellent “Let Them Hate As Long As They Fear” and “Believe In Me”. But I forgot about them, because the album was not on Spotify.
Then the new song “Fall Of A Nation” came up on my Release Radar playlist. So I was interested, as nothing new had come out since 2012. I went to check out the Spotify account and lo and behold, their previous albums are now available.
They are another band from Sweden that I dig, and musically, if you like Machine Head, Black Sabbath and groove orientated Judas Priest, then you will like Corroded.
Another Lost Year
In 2012, they released their debut album “Better Days”, which to be honest was a pretty good f listen. Then I heard nothing from them via the normal news cycle.
But when I went on Spotify to check em out a few weeks ago, I saw they had been busy.
They released an EP called “The Revolution: Pt. 1 The Other Side” in 2014, another EP called “The Revolution, Pt. 2: It’s a Long Way Home” came out in 2016 and an album called “Alien Architect” was also released in 2016. While the EP’s are hit and miss, “Alien Architect” is a return to form.
Hell Or Highwater
An excellent side project from Atreyu drummer and their melodic vocalist Brandon Saller.
So when Atreyu went on a “Disturbed inspired” break in 2011, Saller decided it was a good time to bring out his side project where he is the main vocalist. In 2011, the excellent hard rock album “Begin Again” was released. I came across it in 2012 and dug it.
“Gimme Love”, “Find The Time To Breathe” and “Rocky Waters Edge” are pretty good rock tunes.
But then I heard nothing from them. Most of the metal news outlets focused on Atreyu getting back together and releasing a new album.
But from writing this post, I now know an EP called “The Other Side” came out in 2013. So off to Spotify I go.
“The Other Side” is a brilliant track, along with
I’ve been feeling like a stone here
All my gathered moss in tow
So I packed up my cases
And headed into the unknown
In 2012 they released the excellent EP “Nothing You Didn’t Deserve”. And they went silent, until the album “Feeding Fiction” dropped in 2014. It wasn’t bad, but it wasn’t as good as the EP. However I am still interested to see what comes next and a recent Facebook post mentions that vocals are complete for the new album.
I Am Giant
2014 gave us “Science And Survival” but it was “The Horrifying Truth” from 2011 that cemented their status, plus it had a re-recording of my favourite song, “City Limits” which first made its debut on the “The City Limits/Neon Sunrise” released in 2010.
In between, they toured, placed their music with corporations, became ambassadors of certain clothing ranges, became X-Factor NZ judges and helped produce other bands.
Fast forward to February 2017 and a new single called “Dead Flower” is doing the rounds on my Spotify release radar, however, it’s with a different singer.
The addictive “Disconnected” album, released in 2000 is a perfect blend of Porcupine Tree, Pink Floyd, Tool and “Images and Words” era Dream Theater with the unique Matheos song crafting underpinning it all.
After a few more albums, the band went on hiatus circa 2005, only to resurface in 2013, with “Darkness In A Different Light”, which had the excellent “One Thousand Fires”.
Then in 2016, “Theories of Flight” came out, with a few more gems in “Seven Stars”, “The Light And Shade Of Things” and “White Flag”. To have a career and a future in music is to keep on creating music. You cannot rest on past successes.
7 thoughts on “Score Card V4.0”
Interesting read. I can see the point of a band making no cash yet everyone is scooping up there music and digging it but there is no payout so that sucks.
What can you do ..? Be like the rest of us Mr Mutiny and get a day job ….thats life…But you had a shot..a record deal.
Thats a lot more than others get offered…
I remember reading a lot of interviews of artists who had deals and couldn’t even get their album released because the label rep said it’s crap. Dee Snider case in point. Then he went bankrupt and lost it all. Then he kept at it and made it all back plus more. All musicians need a growth mindset.
Plus a co write that ends up on a Celine Dion album of all things….
Dee’s book Shut Up And Give Me The Mic is a excellent read…
Just finishing up Sebastian Bach’s autobiography ..review will be posted this friday!
I will wait for the review. The pretty boy cover is a “what the hell is he thinking” moment
That shot I believe was from a Rolling Stone cover shoot…
Drove the other guys nuts in Skid Row when he made the cover and they didn’t….
In my book “Theories of Flight” must be album of the year (2016). Few excellent tracks and no fillers. They really keep on creating brilliant stuff.
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