Another trip down memory lane via my Hot Metal magazines. This is issue 6 from 1989. Lets look at the bands/artists mentioned:
Remember “All We Are” from Warlock. Even though Doro has released a shit load of records under the “Doro” name, none have come close to “All We Are”. One YouTube channel has 3,428,785 views for the song “All We Are”. It was anthemic and energetic.
Dee Snider’s new band Desperados had just signed a recording deal with Elektra Records and the article mentioned that they will start recording their debut album shortly.
We all know how that turned out. Elektra Records became Neglektra Records. The project is almost forgotten, except for Dee Snider who always resurrects a song or two or three from those sessions.
The Widowmaker debut album had a few and his solo album “Never Let The Bastards Wear You Down” also had a few. His new anthology will also contain a few songs.
Strong rumours circulated that the band had split up and that Frankie Banali had become a permanent member of W.A.S.P while vocalist Paul Shortino had been offered a solo record deal.
How funny that the vocalist who came in towards the end of Quiet Riot’s fame gets a solo deal. Seriously what song has Shortino written that has stuck around for the last 25 years.
Go on YouTube and type in Paul Shortino or Rough Cutt.
Forgotten, because no one cared.
Rough Cutt was just a band that had okay musicians and those okay musicians acted as a backing band for the better musicians like Jake E.Lee, Craig Goldy and Claude Schnell to launch careers. If Chris Hager was really a great songwriter he would have remained in RATT.
The new Whitesnake album was finished and the press release said it was tentatively titled “Slip Of The Tongue” and the band had also re-recorded two old Whitesnake tunes in “Fool For Your Lovin” and “We Wish You Well”. The album was set for an August release, however it wouldn’t come out until November of that year.
We all know that the album was held back by David Coverdale as a threat to Geffen to stop the promotional push on the Blue Murder album. “Slip Of The Tongue” went on to sell over a million copies while Blue Murder’s self-titled debut got killed off.
David Lee Roth
Was recording his third album with producer Keith Olsen who just finished the Whitesnake, “Slip Of The Tongue” album. The band had new guitarist Rocket Ritchotte who replaced Steve Vai.
The album that would eventually become “A Little Ain’t Enough” came out in January 1991 (almost two years later), and the producer ended up being Bob Rock and the guitarists ended up being Jason Becker and Steven Hunter, however Rocket Ritchotte does have a few songwriting credits. Goes to show how quickly things can change in the music business.
And lets not forget Jason Becker and his diagnosis with Lou Gehrig’s Disease.
In the end the album is forgotten. The title track lead single has about 420,000 YouTube views, which pales compared to “Yankee Rose” and “Just Like Paradise”. Hell, it even pales to Warlock’s “All We Are”.
They issued a press release calling off their U.S tour because guitarist Tony Iommi had fallen ill. The band at the time consisted of Tony Martin on vocals, Cozy Powell on drums and Geoff Nicholls on keyboards. The illness came at a time when the band was enjoying a revival of interest following the release of their critically acclaimed album, “The Headless Cross”.
But the truth was so much different. Sales in the US/Canada were low as the record wasn’t available in the shops to buy. Iommi more or less said the same in a Black Sabbath fanzine called Southern Cross, which is also up on Wikipedia for all to read.
Weeks after the release of their self titled debut, the album was enjoying a decent run on the charts. We all know that this promotion push from Geffen would be pulled because of a certain David Coverdale withholding the “Slip Of The Tongue” album. And with that went the mainstream career of John Sykes.
Britny Fox/Faster Pussycat
Both bands began work on their follow-up albums. “Boys In Heat” and “Wake Me When It’s Over” are the albums respectively. Britny Fox and CBS didn’t go over too well with audiences, while Faster Pussycat continued their Gold run with Elektra. However by 1992, both bands were at the crossroads.
Both bands don’t even have the stats that “All We Are” from Warlock has.
The Hot Metal magazine loved their no bullshit rock n roll. The band at the time was a success story in work ethics. All the magazines wrote about their story to the “big time” and in all of their interviews all they wanted to do was be successful enough so that they can do more follow-up records to the debut.
In the end they came at the tail end of a glam rock movement which unfortunately they got lumped into and when that movement committed hara-kiri, the career of Junkyard was collateral damage. Their major label career also forgotten. The stats on YouTube tell the story.