Basically if any member leaves Bullet For My Valentine I will no longer be interested.
Stories abound that the band had issues with each other during the tour of the Fever album and that they where close to breaking up. Lets hope that they realise that they are a sum of their parts. Does anyone remember Axewound?
The guitarist Michael Paget is a shredder in the classic Randy Rhoads sense, he was spot on all night, and a pleasure to watch. The drummer Michael Thomas was a machine. The whole night he was nailing his parts effortlessly. Singer / Guitarist Matt Tuck was also in the pocket with his vocals and riffage.
But the star of the show was the bass player Jason James. He was the crowd instructor. He got everyone jumping, he got the mosh pit going crazy, he got all the fists in the air going, plus he killed it in delivering high quality backing vocals and taking the lead on the screamo parts.
If there was an issue with the show it was the small venue vs the high volumes clash and no Your Betrayel. Ohh the betrayel…
Their latest album Temper Temper has moved 56,900 units in two weeks in the US and a quick look at The Pirate Bay shows at least 1500 seeders for this album with about 100 leechers.
This is the new world. When the labels used to control the distribution, albums used to do a two year run via scheduled release windows. These days with the internet, the album run is over within two to four weeks.
I still don’t know why bands spend three months or more in a studio recording a full album for it to disappear within a month.
Don’t get me wrong, good albums will stay the course like American Capitalist from Five Finger Death Punch has sold 500,000 plus units in the US and it was released in 2011.
Danish band Volbeat’s Beyond Hell/Above Heaven has just cracked the 200,00 mark in US sales, three years after it was released. This one has been a slow riser, without all the mainstream marketing. The fans have been spreading the word. The fans are in control now. The labels hate it, but if the bands are switched on, they can monetise this to the max. Anyway i digress. Back to the live show.
1000 plus people crammed into THE HI FI venue at Sydney’s Moore Park. They where treated to a good show. For $63 a ticket it was worth it. I have no interest in Miss May I and The Cancer Bats. They opened with Breaking Point and all i can say is they had the audience singing the song with them. That is one thing that caught my attention, especially on the new album, the songs written are designed so that they work with the show. All the songs worked and the energy levels where always up. Highlights for me where Breaking Point, Pleasure and Pain, The Last Fight with it’s ballad like intro, Scream Aim Fire, Waking the Demon and Alone. This was a gig for the hardcore fans and BFMV didn’t disappoint.