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1976 – Part 3.6: Electric Light Orchestra – A New World Record

“A New World Record” is studio album number 6 for Electric Light Orchestra (ELO), released in 1976.

Like The Doobie Brothers, this album acts as a bridge between the progressive side of the band and the radio-friendly side of the band.

The Electric Light Orchestra of 1976 is made up of Jeff Lynne on Lead Vocals and Lead Guitars, Bev Bevan on Percussion/Drums, Richard Tandy on Keyboards and Guitar, Kelly Groucutt on Bass and Backing Vocals.

Mik Kaminski is on Violin, Hugh McDowell on Cello and Melvyn Gale on Cello.

All songs are written by Jeff Lynne. At 28 years of age, he was at the peak of his songwriting powers.

Tightrope

How good is the symphonic 80 second Intro?

And then it moves into a Beatles like cut.

Telephone Line

It starts off as a telephone call, with the call going to message and the message being left is the song. At first it sounds like a cassette recording and eventually the sound cleans up.

It’s a perfect 60s (especially when the do-wop section kicks in) like song that wouldn’t be out of place on the Grease movie.

Rockaria

Bar room 12 bar blues with symphonic elements and operatic like vocals.

What a mix?

Mission (A World Record)

A piano, violins and a vocal melody that Freddie Mercury would be proud off.

From a modern view point, Muse comes to mind.

So Fine

There was a period in the70s when artists would write a song and have”Groove” or “Shuffle” in the title.

This song is in that area of Funk blues rock.

Livin’ Thing

A great track.

It almost feels like a soundtrack with the Spanish like violin Intro before an acoustic rhythm kicks.

Press play just for the Chorus.

Above the Clouds

Next.

Do Ya

Its a remake of the 1972 single by The Move, of which Lynne was a member between 1970 and 1972.

And it’s my favorite track.

Just press play to hear the Intro riff.

Shangri-La

It moves between an aria and a rock power ballad. Very Queen-like.

In Australian it went to Number 1 and it deserved to be there.

In 1977, four of the album’s songs were featured on the soundtrack of the film “Joyride” which always help getting the awareness out there.

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Copyright, Derivative Works, Influenced, Music

P(etty)L(ynne)A(ttack)GIARIZE

Anyone heard Sam Smith’s “Stay With Me”. I know it’s not a rock or metal song, however since July last year, thousands of YouTube clips came up where YouTube users mashed up “Stay With Me” with Tom Petty’s “I Won’t Back Down” that was a co-write with Jeff Lynne from ELO and released back in 1989.

And to be honest I had no idea that Petty and Lynne went for royalties on this one, so when I came across the stories a few days ago about it, I have to admit I had a laugh.

I laughed first because both Tom Petty and Jeff Lynne as musicians have used a lot of blues standards and classical music respectively in their output.

I laughed because one of the greatest bands in the world Led Zeppelin plagiarized a shit load of folk and blues standards. Hell, their biggest song “Stairway To Heaven” was even plagiarized.

I laughed because one of the biggest bands in the world today, Metallica plagiarized a shit load of metal and skate metal bands for their biggest songs.

I laughed because the whole British rock invasion was a cultural movement based on plagiarizing the blues standards of the thirties to the fifties.

I laughed because Avenged Sevenfold released a great rock record that plagiarized a shit load of other bands from the Eighties and the Nineties.

I laughed because the whole concept of writing music is to copy something that came before it and to allow that to influence you.

I laughed because the copyright bullshit laws that Petty and his team used are there to protect songwriters from competitive works that diminished the original work. I can honestly say that Sam Smith’s “Stay With Me” in no way diminished Tom Petty’s “I Wont Back Down”. There is no way that people who like “Stay With Me” would neglect Tom Petty’s “I Wont Back Down”.

I laughed because the vocal melodies are both simple pentatonic sequences. The pentatonic scale is a five note scale that is a standard in rock and metal.

I laughed because Tom Petty when questioned about similarities between The Strokes “Last Nite” and Red Hot Chilli Peppers “Dani California” with Petty’s “American Girl” and “Mary Jane’s Last Dance” said that he doesn’t believe in court actions to fight over pop songs.

I laughed because one of the albums I have been listening to lately is the poster child for copying and what a fucking great album it is. That is Kingdom Come’s self-titled album.

I laughed because when it comes to music everything is loaded with so much emotion.

I laughed because all music is a derivative of what came before it.

I laughed because the reason WHY WE LIKE music is that it sounds like something familiar.

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