Music, My Stories

Going Out

I asked my kids why they always stay home when they are not doing sports. And their answer was interesting. The older one wanted to relax, while the middle one and the younger one said they don’t need to go out, because everything they want, they have at home.

If they want to listen to music, I have a large CD/Vinyl collection, plus I pay for a family Spotify account, plus they have YouTube and I also have a large mp3 collection as well.

If they want to watch movies, I have a pretty decent DVD/Blu-ray collection, plus I pay for Netflix and Amazon Prime Video.

If they want to watch sport, I have a football channel subscription. If they want to read, I also have a decent book collection as I enjoy reading fiction and non-fiction writings.

Basically their entertainment needs are met.

And if those things don’t entertain them, they pick up the guitar and play it or the keyboard.

And if those things don’t tickle their interest they have their PS4 and online gaming.

And if all of these things don’t amuse them, they have their iPhones or iPads and their social media accounts.

Phew, I had to leave the house and go out to do any of these things once upon a time, like to buy a record, watch a concert, borrow a book from a library or a video from a video shop or find friends in the street to play a board game with and to get a job to purchase a guitar.

And at the same time, I saw a post over at Seth Godin’s website, called “Break The Lecture” in which he mentioned that “in 1805, if you listened to music, you heard it live. Every time. Today, perhaps 1% of all the music we hear is live, if that.”  And he compared that to  a lecture for school or work, and how you had to hear it live in 1805 and its still true today, which he found strange. Why didn’t the lecture move over to digital.

And it’s right, to listen to music, a person had to leave their home. Then came radio and television and home entertainment stereo systems that played vinyl, then cassettes, then CDs, then they became docking stations, then Bluetooth stations and the focus shifted from massive speakers to expensive headphones.

And who knows what’s next.

Microchips in our ears to capture soundwaves and Bluetooth waves. Suddenly we will all be like superheroes with advanced hearing, capturing concerts from miles away in our homes. Oh wait, that’s radio.

I guess the more things change, the more they stay the same.

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The Arc

No artist is immune from the career arc, where you’re hot and then you’re not. Its happened to a lot of artists before in the 70s, the 80s, the 90s, the 00s and even more so in today’s internet world, where an artist can release something great and it can remain ignored in the marketplace.

Remember Motley Crue who sold out arenas in the 80s, then half filled theaters in the 90s and they came back in the early 2000s to sold out arenas again then went away and are now coming back again.

Remember Aerosmith.

A huge band in the 70s, disappeared towards the end of that era and it wasn’t until 1987 that they became relevant again. And that relevance kept on rising until the late 90s and suddenly they weren’t as hot as before.

Remember Iron Maiden. Sold out arenas in the 80s and then weren’t as hot after Bruce left, but took up the momentum again when he returned.

And there are many more who were hot, then not hot and then hot again, but bands normally break up when their career is not as hot as it was in the past like Twisted Sister or Skid Row. Twisted did reform and became hot again, while Skid Row refuse to kiss and make up.

And artists who have those royalties from all those old records can go on the road based on that music.

But some artists are even fucking this up with ticketing bundles and scalping their own tickets.

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Music, My Stories

Metal And Streaming

What does a metal head and a rocker need to do to play the music game, especially when streaming is dominated by hip-hop/pop?

Metal heads are not 100% into streaming. But a few years back Spotify shocked the world when it said that metal is most loved genre.

But metal doesn’t even exist when it comes to the weekly streaming charts Which are dominated by dance and hip hop tracks. But, when you combine the numbers from the different metal acts, metal music rules streaming because of fan loyalty.

Turns out, that when Spotify analysed the number of streams divided by the number of listeners per artist, the Metal genre is way ahead of hip-hop, country and even rock. It basically means that metal fans listen to their favourite artist over and over and over and over again, until we overdose on their music, while fans of other genre’s hop and pop all over the place.

And metal music still moves vinyl and CD’s, especially deluxe packages or limited edition packages. But the biggest thing that no one picks up is the regeneration of metals fan base. People who are not involved in the metal lifestyle believe it is an aging fan base, but that is so far removed from the truth. It is a fan base that regenerates with each generation and it keeps on growing.

And if you’re in the metal game and you have a small but loyal fan base, then there’s absolutely no reason to sign with a major label. And if you need management, make sure you still own your tracks and pay management a percentage.

And metal acts sell tickets. They may not be big on the radio or streaming, but they’ve got live audiences, and that’s where the money is.

And metal music is going through another re-invention. There is a modern version of the old sound and there are artists who were around when the old sound was the new sound. Regardless, while metal music is not mainstream, it percolates, waiting for the time to rise up.

Like embracing streaming.

As mentioned above, it’s the main genre with the most loyal listeners.

In addition, streaming has removed the costly barriers to acquiring music. Prospective new fans can instantly access the whole history of metal music. And the metal head consumer decides what is popular to them. It’s a beautiful utopian democracy. But metal purists will point out that you don’t own the music you pay Spotify for and how you are basically leasing it. Sound purists will argue the low sound quality of streaming music. But in the end, the 320kbps setting will satisfy 99% of people.

And based on our listening habits, it satisfies us a lot of times.

Streaming Up Your Arse…

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2019 – Part 1

A few years ago I stopped doing albums of the year lists and started doing “songs released that year lists”, along with the yearly playlist which Spotify generates for the songs I listened to in the year. These two lists (my lists and the Spotify list) are more precise for what is hot and what is cold in my life in 2019.

And those Spotify end of year lists always surprise me, because even though I didn’t think I listened to certain artists that many times, they still come up. Hey, who am I to argue with the AI counting and tracking my listening habits.

So here we go, here is the Part 1 list of my favourite songs, released this year (except for a few songs released last year that I really got into this year).

The whole playlist is here.

I Am Fuel
Panoptical
Sons Of War
The End Will Begin Again
From Days Of Jupiter

Yep, this album “Panoptical” came out last year, but I dug these songs so much that I kept listening to em this year as well.

And I have written about Days Of Jupiter before, another band from Sweden who is playing a brand of heavy rock which I like.

And I’m still confused as to why “New Awakening” their 2017 release is not on Spotify Australia.

Promised Land
Revolution In Black
We Are Here
Faith In Life
Homes In The Sky
Whats it To Ya!
Raise Our Voice
The World We Live In
From Free Spirits Rising

“Across the world we have grown up knowing, what it means to have terror touch our lives” …from “Raise Our Voice”.

“Our weapons are the way we choose to live, freedom of thought, freedom to love” …from “Raise Our Voice”.

From Australia, the themes of the songs got me interested and there is a lot of guitar in the songs and there is no album release, just a song a month and a very garage sound which reminds me of the 80s albums before MTV required each band to have polished harmony vocals and guitars all sounding sterile and the same.

“Promised Land” and “Faith In Life” deal with enjoying your only life, it’s here, it’s now and you are living in the promised land which you have created for yourself.

“I believe in, living the right way, I believe in, having a say” …from “Promised Land”

“We are here to right the wrongs, we are here to throw back the stones” …from “We Are Here”

“What’s It To Ya!”, “We Are Here”, “Raise Our Voice” and “Revolution In Black” are like the protest songs, about standing up for yourself and using your voice to speak up and try to make change happen.

“What’s It To Ya!” if I like my music loud, and “What’s it to Ya!” if I live my life proud”.

“The World We Live In” just sums up society, and how we like to fill our cups and look the other way.

“Freedom comes, when you have nothing left to lose” …from “Revolution In Black”

Crazy – Acoustic
How You Like Me Now
Hard And Loud
Paranoid
Adrenaline
Light Of The Moon
Devil With Angel Eyes
Be Original
From Royal Bliss

From the self-titled album.

The modern rock sound which combines elements of the 80’s with the Shinedown/Sixx AM style of rock chucked in, really hooked me in, and I became a fan instantly.

When I googled the band name, I found out they are from the US, have been around since 1997, had a major label deal once upon a time and that this self-titled album is number 10.

And the funniest part of their history is that, vocalist Neal Middleton audition for the second season of “The Voice”, but no judge turned their chairs, so he was eliminated. However the eventual winner of “The Voice”, a person the judges felt they needed to turn their chairs for, has more or less disappeared from the music scene, while Royal Bliss and Matt are still at it, releasing albums frequently.

You can’t keep a good rock and roller down. \::/

Never Surrender
West Bound

It came up on a release radar, and the “give it what you got” message with its arena rock chorus and hard rock guitar riffs got me interested.

So I looked em up and Blabbermouth tells me it’s a rock band on Frontiers featuring vocalist Chas West and guitarist/producer Roy Z. And I was interested because Roy Z did a few albums with Bruce Dickinson and Rob Halford that I enjoyed.

The song “Never Surrender” is about going through struggles in life and never giving up on your dreams as the tough times can help you define your true character.

Bringin On The Heartbreak
From Matt Nathanson

Matt Nathanson released an acoustic Def Leppard covers album called “Pyromattia” last year. I saw it on a fellow bloggers EOY list for 2018 and I was interested. I checked it out and loved this cover version of one my favourite Def Leppard songs.

Stalfagel featuring Alissa White-Gluz
You Aquiver
Bleeder Despoiler
The Nurturing Glance
The Ageless Whisper
From Soilwork

To me “Verkligheten” (the Swedish word for “Reality”) is Soilwork’s best album. A combination of their aggressive, abrasive and melodic sides. It’s a metal rock album.

Plus, I am a fan of the work that Bjorn Strid and guitarist David Andersson do with Soliwork and The Night Flight Orchestra.

Live Or Die
Shame
From Reach

The album “The Great Divine” came out last year but I really got into these songs in 2019.

Again, it was an EOY list from a fellow blogger that got me interested to check out this release.

And “Live Or Die” with its Muse like vibe resonated straight away, especially that soaring Chorus vocal melody.

The Ending
Problems
From Papa Roach

“Who Do You Trust?” is a weird album for me to digest.

It’s not one of my favourites from Papa Roach but it’s not a bad album either.

Just weird at this point in time and over the last few albums there has been a shift in the sound to the current popular rock train sound.

“The Atlantic” Album
From Evergrey

What can I say?

Evergrey delivers. I have already written my review on this album here.  

And Tom Englund is keeping himself busy with various projects, like his vocalist stint with Redemption and now a melancholy soundtrack like project called “Silent Skies”

Check out the song “Horizons”.

You will not be disappointed.

Part 2 coming up.

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The Record Vault – Bon Jovi LPs

I more or less have these same albums on CD.

Bon Jovi

The debut album which gave us “Runaway” and “She Don’t Know Me” along with some ball squeezing falsettos from JBJ.

But my favourite songs on the album are “Shot Through The Heart” which I have written about before and “Burning For Love” which I have also written about before.

7800 Degrees Fahrenheit

It’s the temperature to melt a rock and its virtually ignored in the canon of Bon Jovi, sort of like how all of the Star Wars books pre Disney got taken out of the canon timeline.

It’s the album before “Slippery When Wet” and it’s a melodic rock gem to me.

Songs like “The Price Of Love”, “Only Lonely”, “To The Fire” and “Always Run To You” bring the melody and tracks like “In And Out Of Love”, “Tokyo Road”, “King Of The Mountain”, “Secret Dreams” and “The Hardest Part Is The Night” bring the rock. The only weak track is “Silent Night”.

And I did have this album on tape, however the tape got mangled by the cassette deck, which was a risk “tape owners” faced. I didn’t rebuy it on cassette, I just got a blank tape and dubbed it off a friend (without “Silent Night”) along with “Under Lock And Key” from Dokken.

Slippery When Wet

Coming into the album, the band was a million dollars in debt to the label (bizarre, but hey, label creative accounting is bizarre) and Jon Bon Jovi along with Richie Sambora wanted to write songs for other artists, sort of like how Bryan Adams was writing songs for other artists. But the songs Jovi and Sambora wrote with Desmond Child, ended up as keepers.

And if you want the low down, I’ve already written numerous stories about Bon Jovi during this period here.

Live On Tour

A record label “LIMITED EDITION” release (that would cost the label nothing, but they would still charge the band for it) to capitalise on the sales success of “Slippery When Wet”.

And fans purchased it, as we believed we needed it.

This one hit the streets in Australia, just before they hit our shores for their Beatles like reception with thousands of fans outside their hotel, singing their songs and going nuts.

New Jersey

Like “Slippery When Wet” you can get the various posts here.

Bad Medicine – 7 inch single

You take away the synth sound and add a honky tonk piano sound and the song could have come from a Rolling Stones or Bad Company album.

Jon Bon Jovi – Young Guns II Soundtrack

“You hoo, I can make you famous.”

JBJ caught everyone by surprise with this release and the immediate success which followed on the back of “Blaze Of Glory”.  

But my favourite songs on this album is the blues ballad rock of “Santa Fe” and the Pink Floyd style intro of “Justice In The Barrel” before it morphs into a rock song.

Bon Jovi Tour Book for Keep The Faith

The show was excellent, a band in great form and very jam orientated. Each song had an extended outro solo or an extended interlude sing-a-long.

Plus they played “Dry County” in its entirety.

Next up is my CD collection.

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Soaked – Evergrey

A vocal line, three heavily distorted palm-muted chords and then the next vocal line.

An intro which gets your attention from the outset.

My chest is open
My heart’s on the ground
My bare feet soaked in my blood
As I leave you without a sound

When you enter the depths of a relationship (friends, family or lover) argument, there is no winner, just a lot of bad blood. And you might smile and pretend that everything will be okay when you make up, the truth is, nothing is the same.

There will always be the words said, and the hurt that came with them. Each make up is a reset and a recalibration.

No one to reach for
Even though I stretched too far

It’s an empty feeling, when you are in the depths of loneliness and your thoughts are getting the better of you.

No one sky to warm me up

There are days like this, when you don’t want to get out of bed and face the different situations the day has in store for you or to see the people you need to see.

As darkness clouds the blue

The darkness of the mind and the thoughts that live there, the thoughts that you are scared to confront or seek help for.

I’m leaving
I couldn’t live with the shame
No more denying
I’ve stopped the search for blame

Leaving and making the choice to leave, is the most difficult decision a person can make. And once it is made, nothing can stop it.

Even at the basic level of leaving a job, a home or a school. Once the decision is made, it’s made. There is nothing that can stop you.

Twenty-seven years of falling
Twenty-seven winters slave
Twenty-seven years of dreaming
And this is all the strength life gave
Twenty-seven summers weaker
And the autumn’s just the same
Twenty-seven years…

When I first heard the song, I associated the 27 years to the years given to a relationship. But then I read an interview and this is what Tom Englund had to say about it;

SOAKED is about a friend of mine who killed himself.
Tom Englund

And suddenly all of my interpretations and meanings took on a different light. And 27 is in that zone which the media reports so frequently when celebrities take their lives. It’s the zone of having lived long enough to decide if their life is worth it.

Because from young, people are conditioned to believe that life is an upward trajectory. And when it doesn’t pan out like that, with more lows and disappointments than highs, well….

And if you’d ask then I’d deny that
I didn’t have the strength to fight that drowning weakness
And I buried all signs to cover what I feel underneath
The hollow remains of me

You basically give up. You portray one side of yourself to people and another side, within the four walls of your room. Even if people asked “are you okay?”, you would smile and say “yes”.

And the outro solo from Henrik is impressive in its melodicism.

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The Pirate Vault #6

Electric Nights Mix Tape

Before playlists became an iTunes sensation, people who grew up before the internet called em “Mix Tapes”. One thing I enjoy is listening to different artists when I am cruising, and this is just one of those kind of mix tapes.

And I have no idea why I called it “Electric Nights”. It feels like a pretty lame title.

I also try to sequence my playlists/mix tapes like how I would like an album to be sequenced. My rough guide is;

  • TRACK 1 – The Killer Opening Track with Serious Riffage
  • TRACK 2 – The Fun Track
  • TRACK 3 – The Meant To Be “Big Hit” Track
  • TRACK 4 – The “Ballad Song” or “Experimental Song” or “We Dont Know What to Do With” Song
  • TRACK 5 – The Killer Side 1 Closer
  • TRACK 6 – The Killer Side 2 Opening Track
  • TRACK 7 – The Song That Will Not Be Played Live
  • TRACK 8 – The Cover Song or The We Are Running Out Of Ideas Song or The Melodic Rock Song We Are Not Sure Our Fans Will Like
  • TRACK 9 – The We Ran Out Of Time Song
  • TRACK 10 – The Killer Speed Metal Closer or The Killer Epic Power Ballad Closer
  • TRACK 11 – The Bonus Track

SIDE A

    Black Hearted Woman – Blue Murder

John Sykes brings the riffage to kick off the imaginary album with the killer opening track.

    Jet City Woman – Queensryche

Then Eddie Jackson brings the bass for track number 2 and we have lift off.

  • Fantasy – Project Driver

The supergroup project of Tony MacAlpine, Tommy Aldridge, Rob Rock, Rudi Sarzo bring the melodic rock for the track which was meant to be the big hit on the album.

  • Had Enough – Tesla

And those Sacramento rockers bring the bar room brawls with our experimental song.

  • You’re All I Need – The Scream

John Corabi and his Scream buddies bring the ballad.

    Hold The Line – Toto

I used to cover this song in bands and to this day, I can’t turn it off whenever it comes on. Steve Lukather decorates the songs tastily with power chords and melodic leads.

  • Tell Me Why – The Scream

A blues rock track with Corabi showing his vocal chops.

  • I Can See It In Your Eyes – Project Driver

Another melodic rock gem from this supergroup.

  • Freedom Slaves – Tesla

The intro of the bass and the military style marching beat is enough.

  • Nobody Rides For Free – Ratt

The palm muted guitars with the bass and drums building. A perfect closer for the perfect imaginary album.

SIDE B

  • Bad Boys – Whitesnake

And another John Sykes cut to bring the riffage.

  • Look What The Cat Dragged In – Poison

Shoot me but I dig the main riff from CC DeVille in this song.

  • For A Million Years – Lynch Mob

One of my favourite cuts from “Wicked Sensation” with Lynch riffing and rolling, while Oni Logan delivers a stellar vocal performance.

  • This Time – Y&T

I always enjoyed the ballads.

  • The Morning After – Ratt

The riffage from the real Ratt and Roller, Robin Crosby cements this song.

  • Temptation – Y&T

Harmony guitars, a melodic rock chorus and Meniketti’s brilliant voice.

  • You’re Gonna Break My Heart Again – Whitesnake

At this point, the imaginary album needed to be picked up with some serious riffage, so off to John Sykes I went.

  • Dust In The Wind – Kansas

One of my favourite acoustic pieces.

  • Too Late To Say Goodbye – Richard Marx

Marx is a rocker to me, and when he rocks, he does a good job.

  • Run For Your Life – Twisted Sister

One of my favourites from “Under The Blade”.

  • Lightning Strikes Again – Dokken

And we close off the album with some serious riffage from George Lynch and Don Dokken screaming, Lightningggggggg, Lightning strikes again.

Iron Maiden – Piece Of Mind and Eric Clapton/Metallica/Maiden Mix

Yeah what a tape.

An awesome Maiden album (which I have already written about in my 1984 year posts, plus will revisit when I get to my Record Vault collection of Iron Maiden), along with some Clapton songs from various albums, plus some live Metallica and Maiden stuff which would have appeared on B sides of CD singles.

Magellan – Hour Of Restoration and Impending Ascension

When I look at the song titles, I cannot even remember a lick or a word or a vocal melody. But once upon a time, it felt important to copy this from my cousin.

Aerosmith – Get A Grip

My mate, Mofartin had it, and I copied it and it served its purpose at the time, until I purchased the CD which I have covered in my Aerosmith Record Vault post.

Bad News

One of the best albums from the worst ever Rock and Roll band that ever was. Spinal Tap has nothing on these guys…

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The Record Vault – Bon Jovi Cassettes

The Record Vault for Bon Jovi will need to be broken up over a few different posts as I have a lot of Jovi content. I didn’t even realize I’ve amassed so much.

So this one deals with the product I have less of.

Cassettes.  

This Aint A Love Song / Lonely At The Top

I was always on the lookout for singles with a B side which isn’t an album track. And the I reckon “This Aint A Love Song” is a crap song. And like the single track, “Lonely At The Top” is very similar. The next appearance of the song is on the “100,000,000 Fans Can’t Be Wrong” Boxset.

Lay Your Hands On Me (Edit) / Runaway (Live)

I got this one, because the single edit was different to the album version, basically no drum intro and a live version of “Runaway”.

How good is that synth intro in “Runaway”?

And Jovi is in top form here.

7800 Degrees Fahrenheit / Dokken – Under Lock And Key

The tape got mangled by the cassette deck, which is a risk we always took with cassette tapes. So instead of re-buying it again, I got a blank tape and dubbed it off a friend as well as “Under Lock And Key” from Dokken.

Win-win.

And the album is a melodic rock gem to me. Songs like “The Price Of Love”, “Only Lonely” and “Always Run To You” bring the melody and tracks like “In And Out Of Love”, “Tokyo Road”, “King Of The Mountain” and “The Hardest Part Is The Night” bring the rock.

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The Record Vault – Black Stone Cherry

I heard these guys at the jam place that I used with one of the bands I was in. The guy that owned the premises, is a blues rock drummer and a part time bikie. He had the debut album playing on his stereo in the admin area of the complex. He told me the name of the band and off to TPB I went later that night and downloaded the first two albums.

Black Stone Cherry

The debut, released in 2006.

The opening metal like riff in “Rain Wizard” got me interested and the Chris Cornell like vocals hooked me in. The “Stockholm Syndrome” like riff from Muse in “Backwoods Gold” also made me interested.

And the album keeps rolling with “Lonely Train”, a Mesa Boogie down tuned rattler, about to go off the rails.

“Shooting Star” is a great song but the best song is “Drive”, hidden deep into the album. And the closer “Rollin’ On” closes off the album nicely.

Folklore and Superstition

Released in 2008, this is the album that stands out to me.

“Please Come In” sounds like a Led Zep/Bad Company cut.

“Reverend Winkle” is a cross between “Come Together” and an arena rock Chorus, about a person who knows the only way home. “Things My Father Said” is a song I’ve already written about.

“The Bitter End” is an impressive speed rock song but “Long Sleeves” and “Peace Is Free” are my favourites while “Ghost Of Floyd Collins”, “Stranger” and “Bulldozer” close out a pretty damn fine second album.

Between The Devil and The Deep Blue Sea

Released in 2011, this album is produced by Howard Benson and outside writers are contributing. The label or the band must have felt like they needed a more commercial pop push, but to me, there was nothing wrong with “Folklore and Superstition”. All it needed was an updated part 2.  

The “White Trash Millionaire” aint “got much and they don’t care” as the song sleazily grooves from start to finish and the “Killing Floor” talks about how some people want other people to pay for their own shortcomings while it metallically smoulders along.

“Such A Shame” is a modern metal rock song. The lyrical theme is heavy, about child abuse, which would also turn off a lot of people from the song, as they don’t want to be confronted by heavy subject matter in music.

“Won’t Let Go” is a cool ballad, a love song about life keeping you running but you won’t let go of what you have. And the album changes tact with “Blame It On The Boom Boom”, a track which could have come from a Josey Scott “Saliva” album.

“Like I Roll” rocks along as it rolls along the open road with Rolling Stones on the radio and flying high until you die. “Stay” is one of those modern rock ballads which works for me about telling someone you love em, just to make em stay. And “Die With Me” closes the album nicely, with an arena chorus which makes me press repeat.

Magic Mountain

Released in 2014 and the heavy stoner groove and sound was exactly what I was looking for. If I had to rate the albums, this one and “Folklore and Superstition” would be battling it out in the Superbowl.

And when I think about it, the reason for really liking this album is the 70’s feel.

The 12/8 feel of “Holding On…To Letting Go” grabs me by the head and makes it bang and the Pantera/Dream Theater “Mirror” like breakdown cemented this song’s status as legendary.

“Peace Pipe” is one of the best Bad Company cuts that Bad Company didn’t write. “Bad Luck and Hard Love” and “Me And Mary Jane” all have that bluesy vibe, which I dig. “Runaway” about a rebel on the run and hooking up with a gypsy on the run, is perfect.

And they ask us to take a trip to the “Magic Mountain” after we drink from the fountain.

And Black Stone Cherry (named after a box of Black Stone Cigars with a cherry flavour) is a favourite, because at the core, they are a rock band, which bring in elements of so many different styles and genres into their mix.

Since, these albums, the band has released “Kentucky” in 2016 and “Family Tree” in 2018, along with two EP releases called “Black To Blues, Vol. 1” in 2017 and “Black To Blues, Vol. 2” in 2018. And it all falls in line with the current music model of releasing more frequently.

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Regulations And Rules Or Living Life Your Way

Music is an emotive and personal experience, which always gets my imagination going. At different times in my life, certain styles and lyrical content appealed to me.

Originally, it was themes of rebellion. And although “Breakin’ The Rules” from AC/DC doesn’t get as much attention as their other songs, it more or less sums up rebellion, instead of the usual “take these fists and break down the walls” approach.

The street jungle and the tough childhoods, examinations done no good

The street jungle had an unwritten law. The oldest kids normally threatened you but protected you, the kids in the middle tried to get you do the wrong things and the schools tried their best to mould you into a factory worker.

No rebellion, not today, I get my kicks in my own way, right OK

Today, cameras are everywhere. A surveillance police state in democratic lands. Hell, you can’t even jump on a train for free anymore, how we did back in the day. There are cameras and gates everywhere. And once upon a time, kids used to ride for free on buses, well, nobody has gotten a free ride for the last thirty years.

Take off your ties and your regulation shoes, You’re nothing but a bunch of regulation fools, yeah

Do you want to follow, or do you want to do things your way?

We all want more access and more power to do what we want with our monies in retirement pension plans and savings accounts. However we are being told by the government, if you do this, you will be charged this tax, and if you do this, you will pay this tax.

All of these rules and regulations that we need to follow today stop us from achieving our potential, and when the Governments see fit, they will change these rules tomorrow because the Government deemed it so or to benefit the ones in control.

I’m gonna do things my own way, every day, every day, everyday, In every way, I ain’t gonna pay no attention to your rules

As great as it sounds, we all try to live within the rules, so no harm comes to others. Instead of going to school to go to college, go to school to expand your mind, travel and study in different parts of the world. How’s that for a different approach?

Every day, I work so hard

Every day, I’m dealt the cards

Every day, I’m told exactly what to do

From “I Believe In Rock ‘N’ Roll” by Twisted Sister. You know how the story goes, work hard, get a good education and everything will work out.

Well it doesn’t work out like that. Because working hard to get ahead is for fools. All you are doing is building other people’s dreams.

And rebellion made people have dreams of becoming a rock star or a pop star. It was portrayed as fun, flying to different places, partying all day and night doing what you love, which is writing and playing music. Of course, some had other dreams like astronaut aspirations and what not.

But these days, the impact of music is lost to society and culture. Kids either want to be social media stars or professional gamers or professional sports athletes or techies or bankers.

It’s because people swarm to what makes money and when people see a 22 month old make $22 million on YouTube just by playing with toys, well, everyone wants to earn easy money like that. 

But the rock and metal genre makes money. The back catalogues of rock and metal artists who made a name for themselves in the era before Napster, still make millions in revenue, even from streaming. Even artists who built a career from the two thousands and onwards, make decent coin in streaming. Of course, all of this is underpinned by the artist having control over their rights, which in most cases they don’t.

When did metal heads and rock heads become such rule players?

In the 70’s, the label heads couldn’t even get the artists into the recording studio. And today, artists play the game within the regulations set upon them by others instead of breaking the rules.

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