On 6 February 2021, it will be 10 years since Gary Moore passed away.
Once “Still Got The Blues” got traction and started selling, Moore did his best to distance himself from his 80’s output as he went to the blues.
“My favourite of those is Wild Frontier because it was made just after Phil [Lynott] died. I was thinking about him a lot at the time, hence its Celtic influences. It’s a reflective record, whereas this [picks up Victims Of The Future] is just one of my feeble attempts at heavy rock.”
Feeble attempt or not, “Victims Of The Future” is an excellent heavy rock record.
I picked this album up on LP via a second hand music shop in the 90’s. It was an interview with guitarist Al Pitrelli in 1992 that got me interested.
You see, back in 1992, Pitrelli was in Widowmaker. For those that don’t know, Widowmaker was Dee Snider’s second attempt to kick start his post – Twisted Sister music career. His first attempt, Desperado was pulled from release a week before the album was meant to hit the streets by Elektra boss, Bob Krasnow.
Snider missed out on the final glory years of MTV and hard rock music between 1988 and 1991.
Anyway, “Blood and Bullets” from Widowmaker hits the streets and the obligatory interviews follow. At that time I purchased an issue of “Guitarist” and Al spoke a lot about Phrygian mode scales in the interview. He referenced Gary Moore a lot as an example and his emotive lead in “Empty Rooms”.
So it was a no-brainer when I saw the album for $2 and the supergroup of musicians recording it. Apart from Gary Moore, you had, Ian Paice (Deep Purple) on drums, Neil Carter (UFO) on keyboards, Neil Murray (Whitesnake), Mo Foster and Bob Daisley (Rainbow, Ozzy) all contributing bass parts.
But the labels in 1983 still had no idea how to market metal/rock acts.
Virgin Records was originally known in the 70’s for signing progressive rock bands and by the late Seventies/Early 80’s, they had punk rock bands and new wave bands. It was only a matter of time before they started to accumulate hard rock and metal bands because no label wanted to be beaten by another label.
Gary Moore started off with MCA for “Back On The Streets” and changed to Virgin for “Corridors Of Power” and he remained there until 1997.
There was a label format for the single releases. A melodic rock/AOR type of song, a cover and a ballad. And like clockwork, Virgin decided the singles to be released as; “Hold on to Love”, “Shapes of Things” and “Empty Rooms”.
“Victims Of The Future” gave Gary Moore traction but no certifications. They came with the next album “Run For Cover” and the certifications continued well into the late 90’s.
“Victims of the Future”
It’s a brilliant song, written by Moore, Neil Carter, Ian Paice and Neil Murray.
Searching each day for the answers
Watching our hopes disappear
Set on a course for disaster
Living our lives in fear
Our leaders leave us in confusion
For them there’s only one solution
Caught in the fight for survival
Trapped with our backs to the wall
Are we just lambs to the slaughter?
Who wait for the axe to fall?
Our world is headed for destruction
Our fate is in the hands of fools
I plagiarized/stole the whole first two verses for my major art project as it was based on “War”. It was a mixed media project that involved making a miniature coffin and on top of the coffin, I had the two verses written there, sort of like an Eulogy. Inside the coffin, I had drawings of all things war. Of course, Rattlehead and Eddie made appearances in there as well.
Shadows of the past,
Victims of the future
How long will it last?
Victims of the future
You would think our leaders would learn from their mistakes or the mistakes from the past, but no, they don’t. Narcissists go into politics. It’s all about them and their viewpoint. They enrich themselves and their supporters.
Into the verbal arena,
Armed with the lies that they tell
They’re fighting for world domination
Nothing has changed over the last 100 plus years and nothing will change in the next 100 plus years. It’s all about dominance.
And Gary Moore was dominant as a hard rock guitar hero. If he liked it or not, hard rock gave him a few victory laps.
Check it out.
4 thoughts on “Victims Of The Future”
I never got in to Moore’s stuff. Maybe I need to rethink that.
I like Moore’s “feeble attempts at metal” too. I get this and Corridors jumbled up into one but it’s all good stuff. Murder In The Skies rules.
I have a Blu-ray show where Moore pays tribute to Phil Lynott. It is a bit of a trip watching someone who is gone pay tribute to someone who is gone.
I liked Gary’s 80s rock output. My personal fav is still the Run For Cover release. Some brilliant tracks on that one