Here is the final post from the October releases.
“Save Us” has a monster riff. It’s simple but heavy.
Whose side will you align with?
Will you just stay silent?
We won’t stand in a line compliant
Time for your fire
It’s time for the riot
And the lyrics are angry.
While the internet has connected us, we stand divided in our political views. A lot of people will let discrimination slide as long as their bank account balance keeps ticking up and leaders play on that. This is what the band said recently;
“This song feels like the anthem that we all need right now. To us, it’s a call to action to light the fire in ourselves. We can begin to make great change – but only if we look inside first.”
From Iowa, U.S.
Formed in 2007, they released a few EP’s and “Rise As Equals” is their label debut on Spinefarm (a Finnish label which specialises in heavy metal and hard rock). They are made up of vocalist Blake Bedsaul, guitarist/backing vocalist Zach Bedsaul, bassist/backing vocalist William McIlravy, and drummer Myles Clayborne.
Saul is one of those bands that merge all these different kind of metals into one metal. Old school metal + Nu metal + progressive metal + grunge + hard rock = Saul. They are doing Disturbed better than Disturbed is right now. Hell, they even got David Draiman to write with them over Zoom on “King Of Misery”.
My favourites today are “Looking To Fight”, “King Of Misery”, “Get It Right” and “The Toll”. Plus there is an excellent cover of Pink Floyd’s “Welcome To The Machine”.
And the album is good. Other songs like “Levee”, “Rise As Equals”, “Brother” and “Trial By Fire” take over depending on my mood.
He’s been releasing a lot of new music these last few years. “Royal Tea” is the latest.
“When One Door Opens” starts, the intro riff grabs me and in the solo section it moves to bolero hard rock. Aggressive bolero hard rock, that is.
“Why Does It Take So Long To Say Goodbye” is a favourite, a song I’ve already written about. “Lookout Man!” has a swampy heavy blues riff. “A Conversation With Alice” sound like a Bad Company cut and I like it. “Beyond The Silence” has this Cowboy Western colonial vibe.
The “Live MTV Unplugged” album.
“Black” and “Jeremy” are my favourite tracks ever from Pearl Jam and my go to tracks on the “Unplugged” album.
Phil Lynott has been dead for 34 years, but the music he created with Thin Lizzy has been kept alive.
Apart from the songs appearing on radio and TV shows or movies, John Sykes kept the name alive for a good decade, touring as Thin Lizzy, then Thin Lizzy reformed with Ricky Warwick on vocals and they changed their name to Black Star Riders.
And artists have kept on covering Lizzy tracks. Metallica did “Whiskey In The Jar”, Megadeth did “Cold Sweat”, Europe and John Norum have covered a lot of Lizzy songs.
And they have released a massive collection called “Rock Legends”. The “Decca Era and Mauger Tape Rarities” is also included in the “Rock Legends” set.
Sink your ears into em and spend some time with Lizzy. She will love ya for it.
5 thoughts on “October 2020 – Part 5”
I see iTunes has the Rock Legends in two formats. The whole box set and another one which features the full show and some assorted tracks. I’m looking at getting the second option as its cheaper and if I was going to shell out 70 bucks for just tracks I should just go all the way and get the full physical box set.
More great stuff. I don’t really listen to Joe B. much as he puts out too much stuff and I can’t keep up. That Pearl Jam one is great, I bought it last year for RSD and I want the big Thin Lizzy box set.
I just finished listening to it. A lot of music. Hearing demos, radio jams and instrumental version of songs is what I like.
But once Coverdale did those Evolution demos, nothing stacks up. Lol.
Yes, he did kill that for everyone else. No one will stack up to that.
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