Classic Songs to Be Discovered, Derivative Works, Influenced, Music, My Stories, Unsung Heroes

All I Want

After “Wicked Sensation”, I wasn’t particularly fond of “River Of Love” and “Sweet Sister Mercy” but when”All I Want” blasted out of the speakers, I was sold.

The 12/8 groove and the G minor key was enough for me to stop what I was doing and pick up the damn guitar and try to figure the fucker out.

George Lynch was a different songwriter and guitar player compared to his Dokken days.

Out the door went the generic power chord structures and in came inversions (like playing a D chord with the F# as the root note instead of the D), diads (two note chords), more open chords with the high B and E strings ringing throughout and arpeggios.

The lyrics about being alone with your baby and showing her some loving that brings Oni to his knees doesn’t do the music justice. Hence the reason why it’s forgotten.

In the solo section, Lynch comes to play.

Working in the key of D minor now, he’s performing several different degrees of bends from half bends to full bends to one and half bends to two full bends. And he’s accurate and precise.

And before the solo transitions to the key of E minor, you hear this bouncing pick technique.

In the key of E minor, Lynch is referencing open strings, octaves and even more bends before reverting back to the original G minor key for some Mixolydian and Pentatonic madness.

And that is the beauty of his playing. While the rhythm section lays down a G minor bed of music, Lynch in his solo switches between a major key scale (Mixolydian) and a minor key scale (Pentatonic Minor).

Overall he keeps it bluesy and although it’s fast, it’s still emotive.

Check it out.

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