It’s basically metal music the way I know it, which is very different to how metal music is known these days with hard-core growls and scream vocals added to the mix. Hell, I even remember when AC/DC was found in metal sections of record shops, whereas now if you do find a record shop, AC/DC is in the rock section. Even Bon Jovi was classed as “metal” once upon a time. It was a broad classification, that’s for sure.
When it comes to Dee Snider and Twisted Sister, I blame my cousin Mega. Mega had two bands he worshiped. Twisted Sister first and then Megadeth. The messages and viewpoints of both Dee Snider and Dave Mustaine connected. So it’s no surprise that both bands and lead singers/main songwriters are also influences to me. Dee’s message of the outcasts standing together against oppression and censorship and authority resonated big time with me.
The area I grew up in had a lot of migration from Europe. Young families with young kids moved in to established neighbourhoods, invading the peace and quiet the current residents had. And the current residents didn’t like it. Nor did they like the different languages the new migrants spoke. But somehow, we got along in suburbia. But in the schools’ it was a different story. In the nightlife, it was even more different. There was a constant division between races and there was no “cool” teacher like there is nowadays.
Actually, all of the teachers I had were oppressive and they hated rock music.
If they saw a kid listening to music on their Walkman, they took the Walkman off them. It used to be just for the day, then it morphed for the week, then for the month, then for the school term, then for the whole year.
If a kid wore a hat from a rock band, they took it off them. If a kid wore a button or anything else that wasn’t school uniform, they took it off them. They just made up their own rules and the school’s Principal did nothing. Even when the kids parents came to the school and complained, these dudes wouldn’t give in. They enjoyed being in authority.
So you can see how “We’re Not Gonna Take It”, “You Can’t Stop Rock N Roll”, “Come Out And Play” and “Wake Up (The Sleeping Giant)” resonate.
Anyway, when Twisted disbanded in 87, Dee wasn’t in the news a lot, except for a few little paragraphs here and there in a magazine about his upcoming Desperado project. Then that project got killed by record label bosses, then Widowmaker got up and running, however Grunge came and suddenly it felt like the biggest voice in my life was missing during the “golden commercial years” of metal and rock music.
But Dee is a lifer. He battled tooth and nail to make it, so there was no way he was going to lay dormant. And like it was written in some holy book, Dee came back, more diverse than ever. He became a movie maker, a radio show host, a solo artist, an author and when TS reformed, he led them up front all the way to the last show.
And his solo music probably doesn’t have the same public acceptance as the Twisted music, but it doesn’t mean it’s not important or influential. As I’ve said before, a million sales of an album doesn’t mean you have 1 million fans. You just have a million people who purchased the album.
The question any artist should be asking is, how many people actually listened to the album from start to finish?
In a sale, this will never be known.
How many people listened to the album, more than a hundred times is never known in a sale.
The difference between now and 1984 is not piracy or streaming or YouTube. It’s obscurity.
With hundreds of releases coming out each day, compared to the 50 odd each month in 1984, each artist is fighting against the same tide. Fans can spread the word and make the new release rise above the waters.
Furthermore, back in 1984, people didn’t have the history of music at their fingertips. So the albums we purchased, we played em, because we spent money on em and we didn’t have any more funds for a few weeks, so we played it a little bit more. But today, any new release is competing against the history of music. And that’s huge competition for a person’s time.
In saying all that, “For The Love Of Metal” deserves to be in the public conversation and credit Jamey Jasta in challenging Dee to make this record, as well as produce it with Nick Bellmore and write music/lyrics for it.
Lies Are A Business
As soon as the up tempo and energetic double kick drums kick off the song, I was hooked. It reminds me of “Overkill” from Motorhead, crossed with “Painkiller” by Judas Priest. But god damn, I can’t shake the powerful feeling of “Emaheevul” from the Widowmaker album “Blood and Bullets”. It’s the same power.
And that solo section is brilliant. It starts off as a single lead and then it becomes a harmony lead, before it breaks out into a triplet pull off lick.
Then the breakdown section at the end.
They won’t say it, lies are a business too.
Fake news is huge. People cannot tell the difference anymore. Hence the reason to read far and wide. Find stories that support your viewpoints and find stories that don’t. Somewhere in between, is the truth you are looking for. Make your own decisions, instead of other people making them for you.
Tomorrow’s No Concern
The first pre-release single for the album.
I gave you yesterday, tomorrows no concern
I gave you yesterday, you can keep it, because today is mine.
Be proud of your past people, but remember that today is still a day to be lived and for glory to be attained.
And that galloping verse riff, is brilliant.
I Am The Hurricane
Roll Over You
All of these are the middle finger salute, “I will win, you cannot stop me, you cannot oppress me or defeat me” type of songs.
I am a force of nature
Destroy your great design
I am a warning
You will never heed in time….
From “I Am The Hurricane”
Change happens from places and people you least expect it from. It relation to technology, if Jeff Bezos, Mark Zuckerberg, Reed Hastings, Daniel Ek, Steve Jobs and others listened and allowed people to suppress them or stop them, the world wouldn’t have Amazon, Facebook, Netflix, Spotify and iPhones.
You got no heart and were not the same
You got so far but you never came
No heart, there’s no one you can blame
You tried to slow me down but ill roll over you….
From “Roll Over You”
It’s a brutal middle finger to people who try to control you. Some of those people come across as friends, but are really locusts, sucking the essence of what is you, before moving on to another person to destroy.
Not today I still got fighting left….
From “Running Mazes”
It’s simple and brilliant. While you breathe, while you stand, keep pushing forward.
This could be called <<insert country name>> made. Because regardless of the divisions within, when it comes to sticking together in the face of adversity, we seem to unite.
That opening foot stomping riff with the drums is a call to arms.
No talk just action now
Push forward don’t care how
Fight til the end that’s how I’m made
Everyone can relate.
Jamey Jasta penned this for Dee’s mum, who got hit by a car, suffered brain damage, and after 2 months of fighting for life, she passed away.
Death leaves a sorrow no one can heal
Love leaves a memory no one can steal
It’s a great lyric, with so much truth.
And that lead break just kills it. It starts off with a harmony lead that for some reason reminds me of Y&T and then it starts to burn as it goes into a thrash like lead break.
That intro riff hooks me in right away.
The face you see is not our own
It hides our tears and shades our eyes
The heart you touched has since grown cold
We wear the mask that grins and lies
We live in a world of suppression. We suppress our true feelings, our emotions because of a fear of rejection or embarrassment. And for a lot of us, this is okay. And for some, it’s much deeper and it leads to depression.
Become The Storm
It’s just knockout punch combinations all the way. Dee took a stance against bullies on Twitter and it continues in his music. And the song is not using words to stop bullies, it’s saying you need to show force and a lot of it. Basically, become the storm and destroy all the others that get in your way.
We are not here to suffer
What we get through makes us tougher
Life is tough, but navigating society and suburbia and relationships is even tougher. As much as you want everyone to like you, it’s impossible. There will always be haters. And these haters will try their best to get you down, so they feel powerful. Remember, experiences makes the person.
And those lead breaks by Charlie Bellmore deserve attention from the guitar community.
The Hardest Way
Howard Jones does some vocals on the Chorus.
Some people do things easy and some people do it hard. I know in my life, I’ve gotten this far, the hard way. I’ve made more dumb decisions than smart decisions, but somehow I find ways to correct them and move on. And the smart decisions have been perfect so far.
With courage taking the first step
It’s what’s lacking today. People have grown up in comfortable environments, where servitude to a system of work, pay taxes, pay loans is taught from when the kids start school. All of this conditioning, takes away our courage to try new things out, because it could lead to disappointment, a drop in income and a change in comfort levels.
Dead Hearts (Love Thy Enemy)
Another anti-bully song, but with the bullied person’s final note showing empathy towards the bully, while the bully showed no empathy to their victim. Alissa Gluz-White from Arch Enemy does guest vocals on this one.
We all hear what they say
Heavy has the weight
Like words filled with hate
We all hear what they say
As hard as it could be
Love thy enemy
Another great lead break in this song.
For The Love Of Metal
The title came first and then the song was built.
If you want to know how many metal song titles can fit into a song, check out, “For The Love Of Metal”.
I once was under the blade
I once was the last in line
I was a victim of changes
You can stop rock and roll
And we do it for metal, the community and the togetherness.
If you like remember how metal music was in the 80’s, the you will like this album. If you like the way modern metal sounds today, you will like this album.
As Dee screams at the end, We are All Fucking metal.